From Publishers Weekly
Orr's gripping chronicle of his troubled boyhood is alternately self-conscious, moving and revelatory. When he was a boy growing up in New York's Hudson River valley, Gregory accidentally shot and killed his younger brother Peter during a hunting excursion with their father, a philandering, amphetamine-addicted country doctor. Now in his fifties, Orr examines the corrosive effect of that loss on his parents' marriage, the divine purpose of such loss, his destiny and the reason for his own survival amid a series of misadventures, which include the family's sudden relocation to rural Haiti and Orr's harrowing participation in civil rights activities in Mississippi in 1965. Upon Orr's return from the Deep South, where he was imprisoned by local authorities, his high school English teacher took him for a walk through the David Smith fields near Lake George. Smith, the great American sculptor who had just died in a car accident, filled the fields in Bolton Landing, N.Y., with gigantic metal sculptures. Orr saw in them images of his own "martyr's cross... alchemized and shining, metamorphosed... into a hundred expressive shapes.... Here was my blessing." And there, a writer was born. Orr's understanding of the tragic events of his life through the prism of art allows him to find serenity and stability (a well-published poet, Orr currently edits the Virginia Quarterly Review). One can only wonder what the next installment of Orr's life will look like on paper, for this one never fails to entertain, mystify and surprise. (Sept.) Forecast: As an independent, Council Oak may not have the resources to mount a major advertising and promotional campaign, other than campus and bookstore readings and an author tour. But strong reviews and word-of-mouth might make the difference in getting this book the attention it deserves. Look for an interview with Orr in a September issue of PW.
Copyright 2002 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Library Journal
An astounding memoir saturated with themes of death, shame, and guilt, The Blessing focuses on the six years in Orr's life that most affected him and his evolution as a poet. From the earliest chapters, which detail the author's 12th year and the events leading to his accidental shooting of his younger brother, to his later search for meaning and his participation in the Civil Rights Movement, Orr's psychological and emotional honesty is moving. It is his realization that art can be immortal that compels him to reach out of his misery-induced isolation to connect with the world and find meaning. Poetry as Survival reiterates the themes of Orr's memoir on a less personal and more scholarly level. Here he explores the function of poetry as a method for transcending pain and creating order out of the chaos of life. The scope of the discussion of poetry, with analysis of the works of Keats, Dickinson, and Whitman as well as ancient Egyptian poems and Inuit songs, is broad and is peppered with psychological theory. Well researched and fluidly written, this work may prove difficult for the casual reader but is essential for all academic collections. The Blessing is highly recommended for all libraries.
Paolina Taglienti, New York Copyright 2002 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.