I'll be hooked on The Blessing Tree for a long time. Being a songwriter, and someone familiar with the recording techniques that Philip Riley employed, I'd have to say that this is the breakthrough album for him. Almost every song on the album is a sure winner. My only bone to pick with Philip Riley was that he didn't use an acoustic piano in the recording - If he did, he mixed it to sound like a sampled piano (if that's possible). Such a simple thing would've enhanced the songs that have piano parts in it (most people can't tell). But over-all, the album is great - the album as a whole is better than Enya's last two albums, IMO. Why, you may ask? Because Enya has been using the same sounds for the last 10 years in all of her albums, except for in a few of her songs. Don't get me wrong - Enya is the master, but Jayne Ellison has a very sensual voice that Enya just doesn't have. Jayne's voice sends shivers down my spine in a major way. Briton Drums is a very powerful song, along with Sanctus (the majestic violin interlude), and reflective Slow Runs My Heart. However, the song that is the most addicting, and beautiful is Pictish Girl - a very simple song, but very powerful and enchanting. This album deserves every bit of a 5-star rating.