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Blind to the Bones: A Crime Novel
 
 

Blind to the Bones: A Crime Novel [Hardcover]

Stephen Booth
4.0 out of 5 stars  See all reviews (7 customer reviews)

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Family troubles of all shapes and surprises keep the cops hopping and the tension high in English novelist Stephen Booth's fourth Ben Cooper/Diane Fry mystery, Blind to the Bones.

The most affecting of this novel's three plot lines concerns the disappearance of university student Emma Renshaw, who was last seen more than two years ago while on her way home to Derbyshire. Unable to accept that their daughter isn't merely late on the train, that she's more than likely dead, Howard and Sarah Renshaw have gone to extraordinary lengths to find her, consulting psychics and "bombarding the police with theories and suggestions, pleas and demands"--all for naught. But then, suddenly, Emma's blood-stained mobile phone is found, and the Renshaws' faith seems finally to be rewarded. Or is this just another opportunity for disappointment? Meanwhile, Detective Constable Cooper--posted temporarily (he hopes) to a rural crime squad--is investigating burglaries around the depressed old village of Withens, when the battered corpse of one of Emma's ex-housemates turns up on the nearby moors, his face blackened with theatrical make-up and stolen goods left behind in his car. Inquiries lead Cooper to a clannish local family with a history of trouble-making, and put him in the sights of a shadowy group called the Border Rats.

Booth's ability over the course of a story to transform some of his least suspicious players into the most devious (or vice-versa) and his appreciative portrayal of England's scenic Peak District both make for engrossing fiction. Blind to the Bones's subtlest but most intriguing element, though, may be its third plot thread, which finds Detective Sergeant Fry's long-lost, heroin-addicted sister turning up in Edendale, where she tries to enlist Cooper's help in convincing the hard-edged Diane to stop looking for her, once and for all. This track answers several questions about DS Fry's past while raising more--and promising new levels of character development in future installments of this series. --J. Kingston Pierce

From Publishers Weekly

Set in a damp English village on the midland moors, Booth's fourth suspense novel is a moody, meandering tale, bringing back the two police protagonists of Blood on the Tongue and Dancing with the Virgins. Det. Constable Ben Cooper has just been transferred to a rural beat when he finds himself up to his handcuffs in the gruesome murder of a young man, Neil Granger. Meanwhile, his former superior, Det. Sgt. Diane Fry, is investigating the two-year-old disappearance of 19-year-old Emma Renshaw. The cases are almost certainly related-Emma and Neil both grew up in the Peak District village of Withens and were housemates in the Black Country, an urban area just west of Birmingham-but clues linking them are scarce. As Fry and Cooper pursue their separate investigations, Emma's distraught and unbalanced parents prove a hindrance, and a family of petty criminals further hamper progress. An accidental shooting, the discovery of a second corpse, a possible link to a burglary ring and a suspicious land development deal add more complications. Bogged down in this plethora of subplots, Fry and Cooper are also plagued by personal troubles. Fry's own sister has been missing for 15 years, and Cooper has information about her that he doesn't know whether to share. Though the two detectives wrestle with their feelings for each other, their conflicted relationship produces few sparks. Short on suspense and long on melodrama, this is a tepid effort from a much-praised writer of sophisticated crime fiction.
Copyright 2003 Reed Business Information, Inc.

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Customer Reviews

7 Reviews
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Average Customer Review
4.0 out of 5 stars (7 customer reviews)
 
 
 
 
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4.0 out of 5 stars Solid, readable mystery., May 21 2004
This review is from: Blind to the Bones: A Crime Novel (Hardcover)
The action takes place in the Peak District of England, and
the author does a superb job of conveying the moods of that
district in particular and of rural English life in general.
Here, there is an especially sad and life-like story of a young
college girl who disappeared 2 years before the story begins,
and her parents cannot bring themselves to even consider the
possibility she might be dead. They always expect her to return, and they keep all of her things just as she left them,
so she can walk right back and take up where she was when she
left. They pester their neighbors and the police almost constantly, trying to goad them into further investigations,
and to further search their memories. To the police, the
case is too old, but then, suddenly, the girl's bloody cell
phone is found near her home, and both the parents and the police come alive with fresh hope. At least, for some resolution of the case.
Ben, the Det.Constable, in a different case, gets transferred,
on a temp. basis, to the Rural Crime Squad, and he has to
repeatedly question some reclusive, suspicious people, who are
all part of the same family. And they are among the most
close-mouthed and uncooperative people he has ever had to question. And nothing he does makes any impression on them.
So while his sometime-friend, and superior, Diane, the Det.Sgt.,
investigates the old case of the missing student, Ben slogs along working on his moody, suspicious clan. And neither are
making any progress, and more questions arise than can be answered.
One of the student's flatmates, an old local friend, turns up
murdered near the village Ben is working, and that victim has
a blackened face to go along with his crushed skull, and both
Diane and Ben start working on the same suspects.
The matter of Diane's missing sister is presented in snipets
throughout this book, and that may be a distracting factor
to some readers. It doesn't seem to advance any of the mystery
story, and, somehow, it doesn't engage many readers.
But, overall, this is an interesting story in the best tradition of the English village mystery, and the author does a
nice job of bringing all the threads of the various stories together in a solid, entertaining fashion.
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1.0 out of 5 stars Deadly dull, Dec 30 2003
By A Customer
This review is from: Blind to the Bones: A Crime Novel (Hardcover)
I've enjoyed previous Stephen Booth novels but could barely bother to finish this one. Flat, one-dimensional characters, lifeless, implausible dialogue and a dull and muddled plot ruined what could have been an interesting addition to this series. There was no character development whatsoever and I felt I knew less about Diane and Ben at the end of the book than at the beginning.
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4.0 out of 5 stars Very long-winded, took a while to get to the point..., Dec 8 2003
By 
K. L Sadler "Dr. Karen L. Sadler" (Freedom, Pa. USA) - See all my reviews
(REAL NAME)   
This review is from: Blind to the Bones: A Crime Novel (Hardcover)
I love British writers of mysteries. This was a new author for me, and like most British writers of mysteries and crime novels, he is very much in command of the English language at its best. Unlike American mystery writers who feel they have to insert a swear word every other sentence or feel their books with bloody mayhem...British authors, this one included, tend to use the language better and focus on the plot and characters. They get the attention of the reader through their language and many of them give good insight into the psychological reasons for the murders or crimes committed.

Booth started out well in this book, and it was not a bad read. It just took him forever to get to the point. I don't mind big heavy books, in fact, I read them all the time having to do with bioethics and medicine. But writing just to prolong the book, even if the language is well-written, does nothing to keep the attention of the reader. I half suspect Booth was trying to bring attention to some problems that the British are having with dealing with the complex sociological problems of small towns disappearing and people have no where to go being pushed out by greedy landlords. We have the same problems here in the U.S. and yet in the end, the information concerning this in Blind to the Bones had very little to do with the murder. In fact, more information could have been given concerning the murderer's psyche...but it came rushing in at the end.

I think I will try this author again, with some of his other, more praised books. See if this is a regular problem in his writings, or if it was just this one novel.

Karen Sadler

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