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Though the original Italian title translates to "Six Women for an Assassin," the American title, Blood and Black Lace, is far more evocative of the psychosexual nature of this elegant slasher picture. The thin plot concerns a respected Italian fashion house, a murdered model, cocaine, and a tell-all diary that seems to implicate just about everyone connected with the house of style. The disappearance of the diary initiates a wholesale slaughter of the remaining models. Mario Bava's stylish exercise in mayhem lovingly delivers every elaborate killing with dreamy assurance. As the stalker, a faceless figure wrapped up in a trench coat, makes a move for his next gorgeous victim, Bava's prowling camera snakes through sets, rushes down hallways, and generally takes off like a low-budget Hitchcock flick on speed. By contrast, Bava runs through the police investigations with a perfunctory air--the lifeless scenes, which aren't helped by the flat English dubbing, feel like he's marking time between the murders--and when the identity of the black-clad killer is revealed it almost seems beside the point. As the narrative melts into a near abstract display of choreography and color (with an often troubling misogynist edge), exposition and psychological explanations seem oddly out of place in this elaborate dance of death. As a traditional thriller it lacks any genuine thrill, but as a piece of cinematic spectacle it has moments of dreamy, disconnected beauty. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.
Mario Bava, the founding father of Italian horror (see my BLACK SUNDAY/THE MASK OF SATAN review), was a real trendsetter with his innovative camera tricks (he was a cameraman as... Read morePublished on Jan. 21 2004 by Daniel Kepley
Blood and Black Lace is often described as the original 'body count' movie. I'm not really sure how this credential was bestowed, but you can certainly sense an early Friday the... Read morePublished on June 26 2003 by Tom Servo
Many have said this movie is misogynistic. I won't get into that. To be fair, I would have to say that it is disturbing to a degree, but also a stylish shocker done by a master... Read morePublished on Oct. 11 2002 by Mark Norvell
In my opinion, this film is the first giallo. This movie gave birth to what filmakers like Dario Argento & others have popularized in the late 60s & throughout the 70s & 80s as a... Read morePublished on April 11 2002 by Raniel Almaria
As much as "Blood and Black Lace" has influenced Italian Giallos and slasher films, it is nevertheless one of Bava's more uneven and sometimes even sloppy films. Read morePublished on March 19 2000 by existential angster