Blood for Dracula (Widescreen) [Import]
Paul Morrissey's moralistic take on modern values is a brash mixture of humor, horror, and sex - and a revelation to fans of the horror film. In Blood for Dracula, the infamous count searches Italy for virgin blood. Criterion presents the long-suppressed director's cut of this outrageous cult classic in a new widescreen transfer.
Filming on Blood for Dracula began on location in Italy on the same day that filming of Flesh for Frankenstein ended, and knowing this enhances one's appreciation of director Paul Morrissey's delightfully twisted--and defiantly artistic--approach to violent, campy horror. Originally titled Andy Warhol's Frankenstein and Andy Warhol's Dracula, both films are blessed by Morrissey's opulent visual style (he and his Italian cinematographer worked wonders with modest budgets), and both showcase Udo Kier and the languorous hunk Joe Dallesandro in opposing roles. Here we find Udo Kier as Count Dracula, looking even more ashen than usual and desperate for the blood of virgins to restore his waning health. He travels to Italy and stays at the fading estate of a once-wealthy family, and the presence of four lovely, sexually inexperienced daughters turns out to be a recipe for disaster. It so happens that only the youngest daughter is actually a virgin, and by process of elimination Dracula discovers that non-virgin blood makes him violently ill! Dallesandro plays the resident handyman--handy in more ways than one, as the daughters have learned--who dares to protect the remaining virgin from the Count's bloodsucking exploits, and as usual director Morrissey finds ample opportunity to combine sex and gore with outrageous sensibility and logic of plot. As in the case of Flesh for Frankenstein, this Criterion Collection DVD restores the film to its original director's cut, presented in its original aspect ratio with a supplemental commentary by Morrissey, Kier, and critic Maurice Yacowar. Kier is particularly delightful, observing during one gruesome scene that "vomiting looks great when you've got a tuxedo on." --Jeff Shannon
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This film, also recieved an X rating by the MPAA and was heavily cut for the R rated version.
The film is a loose and more modern adaptation of Bram Stoker's novel. In this version set in 1920's Europe, Dracula is dying. He must drink the blood of a female virgin to survive. Hhe is too well known in Romania to get close to any women and virgins are rare, so he and his servant drive to Italy as they believe the influence of the Roman church would encourage women to remain chaste. He then stays in the home of a family with 4 daughters. He interviews them, but they lie about being virgins and Dracula gets very sick from drinking their blood.
The film is violent and has several disturbing sex scenes in it.
The music in the film is very nice though and it seems unfit for a movie of this type.
The DVD special features include audio comnmentary and an 11 minute slide show of publicity photos with the excellent musical score in the backround.
This is about the worst Dracula ever. Shades of Buffalo Bill. It begins with Udo sitting in front of a vanity mirror (oblivious to the fact that he casts no reflection, I guess) painting black dye over his hoary white hair with a house painting brush large enough to cover a gutter. This chilling, otherworldly scene sets the tone for all that follows. Dracula must embark on a quest to secure the coveted, now-infamous wirgin blood to maintain his eternal existence. So, Dracula, saying goodbye to his SISTER, fetches his toadie, packs up in the ole' family scar, and takes to the road. Operation: Wirgin Blood has now begun; the game is afoot.
Eventually Dracula finds this estate, where the farmer has in his care a whole throng of absolutely hideous daughters. Now, by the father's account, these are all good, clean, corn-fed wirgins, just what a vampire needs. Aha, the hawk strikes. Meticulously, Udo begins moving in on the daughters. It must be stated that, though he is Dracula, Prince of Darkness, Udo has no shapeshifting abilities, no invulnerabilities, no sorcery, no demonic magnetism, and no super strength. When trying to seduce the wirgins doesn't work, Udo chages tactics and tries to overpower them physically. Come, see this movie, watch Count Dracula get slapped around like a schoolyard sissy by his unarmed female prey.Read more ›
"Blood for Dracula" opens with a pathetic Count Dracula lumbering through his musty castle in Romania. It's the early twentieth century, and Drac finally realizes that the good old days are long gone. Once upon a time, a hard working vampire with charm and a little money could easily woo plenty of young virgins and sup on their blood at leisure. Now with those pesky modern ideas, a gal just doesn't keep herself pure until marriage anymore. This causes the Count a lot of trouble, especially since he suffers violent spasms whenever he imbibes the blood of a deflowered youngster. This poor guy's starving to death until his personal servant Anton proposes a brilliant idea: why not move to Italy?Read more ›
Most recent customer reviews
First the amazon.ca release date for this and "Flesh For Frankenstein" is delayed buy a week for no reason. While amazon. Read more
This review is for the Criterion Collection DVD version of the Film.
This film, another by Paul Morrissey and Andy Warhol is less disturbing than their previous release,... Read more
I just want to say that this film is one of the best Paul Morrisey ever made. The Criterion edition is fantastic. For people who want to see something different. Read morePublished on March 14 2004 by francis ouellet
Two of my all-time favorite movies are those created by Andy Warhol's partner, Paul Morrisey: "Flesh" and "Trash. Read morePublished on Jan. 8 2003
Blood for Dracula is an interesting take on the Dracula legend. Dracula is in this film, a weak, sickly, even depressed vampire. Read morePublished on Jan. 1 2003 by John Smith
Some people may ask about the title of this review, and all I have to say is, watch the movie. Everything campy and cheesy is present here, including completely hammed up accents. Read morePublished on July 10 2002 by R. Stringini
Joe Dallesandro's surly Communist peasant answers his own question: "They had a revolution, that's all. Read morePublished on July 9 2002
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