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Blood and Guts in High School: A Novel [Paperback]

Kathy Acker
2.7 out of 5 stars  See all reviews (7 customer reviews)
List Price: CDN$ 17.50
Price: CDN$ 12.64 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Book Description

Jan 11 1994
Kathy Acker was a high-wire writer. She took risks. She experimented for the sake of it. She made mistakes. She fell. She never wanted a modest success, and so her books, all of them, swing from passages of topflight bravura, where you think, "How did she do that?" to a sawdust-in-your-mouth kind of feeling that you just want to spit out. She is an exhilarating, exasperating writer who wants you in the ring with her, through the highs and the lows. There was always something touching and trusting about Acker's belief that her audience would not want a smooth finished product of the kind they could buy at any dime store, but would prefer to be in on the process - flying when she did, falling when she did, nothing leveled out or homogenized. She was ahead of her time. There is no doubt about that. Acker really was interactive art. It's why she fronted bands - most famously The Mekons on the CD of Pussy, King of the Pirates - if you haven't heard it, buy it now. It's why her readings were more like stage shows than those creepy literary events where some dude mumbles in a monotone for half an hour. To see Kathy in her leopard-skin leotard, slash of red lipstick, gym-honed muscles, maybe a dildo, usually a backing track, seducea packed crowd with that gorgeous voice and knowing childlike look was to discover how exciting art could be. Not rarefied, not back-dated, not dull, just something you suddenly wanted - the way you suddenly want to be kissed by someone you hadn't even looked at before. Okay, so Acker was art as performance and language as desire, but was she an important writer? Yes. Important work always has risk in it. That doesn't mean that all risky work is important,but it does mean that safety gets us nowhere. In science this is self-evident. In the arts, and particularly literature, we still moan and groan at experiment. Just gimme a good story, we say, with a beginning, middle, and end. Well, Acker won't do that for you, but she will help you get high.

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About the Author

Acker was a pioneer of postmodern fiction

Inside This Book (Learn More)
First Sentence
Never having known a mother, her mother had died when Janey was a year old, Janey depended on her father for everything and regarded her father as boyfriend, brother, sister, money, amusement, and father. Read the first page
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Customer Reviews

Most helpful customer reviews
3 of 3 people found the following review helpful
4.0 out of 5 stars You will know her Dec 26 2003
Format:Paperback
I see that many reviewers feel repulsed and perturbed by this novel's somewhat shocking content and unconventional narrative style. While I can understand that some of the content may offend potential readers, and that the de-emphasizing of the plot (as opposed to lack of plot..there is, in fact, some narrative progression here) may baffle them, I can still state quite certainly that this book is a moving and thoroughly enjoyable read. I found myself identifying with the novel's protagonist, and suspect that there may be a little bit of Janey in everyone. The final chapters of the book are the most moving, culminating in a genuinely captivating sequence of illustrations that are every bit as important as the preceding text. So in final analysis: Yes, this book switches format many times - from dramatic dialogue, to conventional text (which itself changes subject many times), to poetry, to illustration. Yes there are lots of references to genetalia, and yes there are distinctly feminist overtones throughout. However, none of this should stop anyone from picking the book up and giving it an openminded read. It is not as difficult as some reviewers have made it out to be, and the shocking elements are not, as one reviewer claimed, there for controversy's sake. Take a trip into the mind of little Janey. You'll be glad you did.
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2.0 out of 5 stars Tries too hard April 25 2004
Format:Paperback
I read this novella for a postmodern fiction class and was disappointed with what I settled on as its purpose. This book, however successful in addressing the issue of the taboo (the pedophilia, incest, abuse), which, as I have skimmed articles related to the book, was one of Acker's intentions, was simply shock for the sake of shock. It seemed as if all the pictures were simply to shock, all the embarrassingly sleazy plotlines, and the non-traditional form, existed simply to be sleazy and non traditional. Who knows if this is a truth. All I know is I felt nothing but relief after finishing the novel, which I felt was wholly unreadable, as Acker may feel comfortable admitting.
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4.0 out of 5 stars A Map of My Dreams-- by Janey Mar 17 2001
Format:Paperback
Janey is a little girl wandering through a fantasy landscape of men who reject her-- her father, Jean Genet, the Persian Slave Trader, Tommy. This is a book communicating a world of pain-- the dialogues in the beginning between Janey and her father as he prepares to leave her for someone else carry the weight of the agony of someone being betrayed by someone so close and all the little lies and tricks we use to pull closer and push away. It's also a book about illness. Janey constantly has pain and infections and disease that cripple her, but she always pushes the physical pain to one side to focus on the men who she knows from the beginning are going to leave her.

It is not the easiest book in the world to read-- the emotion, rather than the plot, is the thread that ties the book together. There's a section in the book which is a series of drawings by Janey that provide a map to her dreams. I used this map to give the reading experience a kind of structure and I found that thinking about the book as a dream landscape made the lack of narrative much less jarring.

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