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Penzler Pick, March 2000: When Thomas Perry won his Edgar for Best First Novel from the Mystery Writers of America in 1983, anyone who'd read The Butcher's Boy cheered. That remarkable tale of a likable hit man stayed in one's mind long after the last page had been turned. Now with nine more highly original thrillers to his credit, Perry still knows how to keep us enthralled and, even better, surprised.
After several standalone titles, Perry began to produce a series unlike any other, giving us in Jane Whitefield a heroine that I'd have to imagine many of Hollywood's hippest young stars are fighting to play. Introduced in Sleeping Dogs, Jane is a "guide" of a very special kind, a sort of warrior-goddess capable of the most daring feats of cunning and courage who by day pursues a satisfying life off the radar as a suburban surgeon's wife. Her ordinary existence is, in fact, so contented--and her husband so worried for her safety when she's helping mortally threatened men, women, and children--that each time she's approached with a desperate case by a new victim of evil, her first instinct is to say no. But there would be no series if she did, and we would miss her intricately assembled exploits.
Picture the Scarlet Pimpernel looking like the singer Buffy Ste. Marie (Jane's of native American heritage) and equally skilled at disguise and seat-of-the-pants strategy. Isn't that the sort of companion you'd welcome if you were on the run from the Mob with $20 billion (that's with a "b") of their money, its secret whereabouts all stored mnemonically in your head? Maybe you'd rather have the U.S. Marine Corps on your side, but if that's not an option, newcomers to the Jane Whitefield books will quickly learn (and her fans already know) that she can pull it off on her own. A wonderfully entertaining element of these original adventures is that Jane's guiding principle is simplicity. Thus, the reader's vicarious thrills lie in watching the process, the twists and turns of her schemes and, above all, her amazing capacity for forethought.
Blood Money, like all the novels by Perry, works equally well on the level of character study as it does in nail-biting suspense. The novels can be read as much for their remarkable insights into human nature as for the excitement of a first-rate thriller. Surely Perry ranks among the very top of the crime-writing fraternity. --Otto Penzler --This text refers to an out of print or unavailable edition of this title.
Jane Whitefield, first introduced in Perry's Vanishing Act, makes her fifth appearance as a ghostmaker, someone who provides new identities for people in trouble. In this fast-paced thriller, Jane, a one-woman witness protection program, is semiretired, married to a doctor and living a quiet life until a teenage girl, Rita Shelford, comes to her door seeking help. The girl is being hunted, having witnessed a mob shakedown at the Florida house she was employed to clean. Protecting the girl propels Jane into a series of adventures involving Bernie the Elephant, an old man with a photographic memory who has kept Mafia financial records in his head for decades. With Jane's help, Bernie steals billions of dollars from the Mafia accounts and donates the money to charity. Not happy, the mobsters use every trick to capture Jane and Rita. The two women cross the U.S. several times, barely staying one step ahead of their pursuers. While there are many exciting moments, the story bogs down in several places while the mobsters speculate, rehashing information the reader already knows. Perry's writing style and vocabulary are easy and simplistic, and Jane sometimes seems too cool, and too smart, for her own good. The Mafia characters are numerous and interchangeable, and the story ends limply, with four unnecessary closing chapters. This is far from Perry's best, but it's still a quick, easy read with a few thrills. (Jan.) FYI: Perry won an Edgar for The Butcher's Boy.
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
I'd recommend the book to anyone who likes action with great character development. Jane Whitefield is a strong character you want to cheer for. The entire series is excellent.Published 18 months ago by M. P. English
Thomas Perry is a very imaginative writer. The character, indeed the whole concept of a guide who helps people hide is unique and therefore interesting to one who spends a lot of... Read morePublished on Sept. 10 2002 by Bruce A. Ishikawa
This is the last-- and least-- of the Jane Whitefield novels. Enjoyable, but it becomes repetitive. The four novels that preceded this one are better: 5 star reads. Read morePublished on May 15 2002 by Chris Ward
An unusual plot for the series, still engaging but feeling a little out of type. Jane is chased more than running this time. Read morePublished on April 17 2001 by John Bowes
How do you give away over 10 billion dollars while still avoiding the Mafia who's searching for you coast to coast? Read morePublished on Oct. 27 2000 by Old Fisherman
Perry is back to his best in this heartstopping suspense. After the drab and disappointing (though still a great book by normal standards)Facechangers. Don't miss this series. Read morePublished on Oct. 5 2000 by Sheree A. Rymenams
Jane Whitfield is one of the all time classic women mystery heroines. Thomas Perry perfectly captures the dread of being hunted without making his charcters seem like pathetic... Read morePublished on Aug. 20 2000
This latest Jane Whitefield thriller draws us in quickly to the plight of the "runner", and conveys the hasty way Jane must deal with her own feelings and at the same... Read morePublished on July 13 2000 by Marie Hartman