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4.0 out of 5 stars
Predictable, or is it?, July 15 2002
This review is from: Blood Music (Mass Market Paperback)
I am a big fan of Greg Bear, but only recently got around to reading Blood Music. Okay, there's one big nit here. Bear knows a lot more about biology than computability, so the "intelligent cells" idea is not very plausible. Adding computational theory to the science, including how DNA could be similar to a Turing maching would have made it work better, but there are some important speed issues that would have to be dealt with. But, if you get past that and accept the Asimov "big lie" idea and get on with the book, this is a fabulous read. What I really liked is how well Bear set me up. The first half of the book sets up what you know is going to happen. It's all completely predictable. Then, Bear tosses a massive wrench into the works, doing the unexpected again and again. I realized that, had this been a Stephen King novel, my predictions would have been right, but Bear is better than that and has a much larger imagination. What follows is an expansion of the story to Bear-sized proportions (and if you've read much Bear, you know how big that can be). I highly recommend this book to people who like their science fiction to include more science and less (or no) magic.
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2.0 out of 5 stars
Should have been left at Novella Length, July 1 2004
This review is from: Blood Music (Mass Market Paperback)
Book Review by C. Douglas Baker Blood Music starts off with a promising concept and treats it in a relatively sophisticated manner. Through the use of recombinant DNA research, Vergil Ulam, creates a sentient single cell organism. These organisms subsequently begin to build a society to fit their needs. This means changing the molecular structure of living creatures, including human beings, to suit them. Thus begins (and ends) Blood Music. The better aspects of Blood Music involve the exploration of the possibility of intelligent single-cell organisms. The scenes where organisms actually "talk" or communicate with Vergil and later Bernard had great potential. Unfortunately, most of the novel reads like a second rate horror flick. I have not read the novelette that won a Hugo so I suspect the more carelessly conceived aspects of the novel were left out. The "blob" that takes over New York city and the "ghosts" that appear to convince Suzy to "join" them are simply trite B-movie devices. It's hard to recommend reading the entire novel. Only the first third and second third are worth the effort.
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4.0 out of 5 stars
Gentle and throughtful apocalyptic tale, Oct 5 2007
I am not a big science fiction fan but, or maybe because of that, enjoyed Blood Music very much. It is a sort of apocalyptic tale: Artificially mutated blood cells with extraordinary intelligence begin to transform human beings from inside and eventually re-shape the entire world according to their own logic. There are some flaws. The plot appears to be stretched out, perhaps due to the fact that it was originally written as a short story and later developed into a novel. This has also resulted in inconsistency between the first chapters with bio-thriller tones and later sections with calm metaphysical quality. Indeed, not much action takes place in the second half of the novel. Instead Bear lets his characters ponder on the meaning of change and gradually overcome their fear of the unknown and attachment to the old. And this is why I like Blood Music. There is a sense of anticipation and gentle yearning, which turns a catastrophe into a journey to rebirth. Bear is a brilliant writer who can conceive the end of the world that does not involve aggression and suffering but is brought about by determination and understanding.
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