Another film that brings out the moral venality in Amazon "reviewers". I particularly love the one who was "forced" to watch it in a friend's film class & found it a "waist" of time. Let's see...the waist is where things ingested pass through on their way to the digestion process. But I doubt he was being that profound.
Then there are the ones who find the film dated, London too empty & the main character a horrible nasty. Well folks, it's true there are no friendly wizards, cute goblins or funny ogres in this one, so it may taste like harsh medicine to some. But Blow-Up was a real slice of the 1960s, take it or leave it. Not just the "life-style" (clothes, decor & behavior) which is perfectly rendered (& is probably what dates the film the most) but the sheer fragmentation of time & space, of event & response. This was Antonioni's particular area of expertise: space & emptiness filled with random human collisions supposedly suffused with "meaning".
Well, we certainly have adopted different attitudes today, haven't we? Everything with its socio-political subtext. The big problem, I think, with a movie like Blow-Up is that it doesn't easily let you pick which Side to Be On. It's very European in that way (Old Europe, to use current parlance).
Hey folks, when you look at a De Chirico (you should, you know), do you find the streets too empty, the perspectives too stark & arbitrary?