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Blue Angel: A Novel
 
 

Blue Angel: A Novel [Paperback]

Francine Prose
3.5 out of 5 stars  See all reviews (124 customer reviews)
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Product Description

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Francine Prose may never surpass Joyce Carol Oates in the Prolific Olympics, but she is one of those omnipresent writers whom failed writers hate. And surely she'll make new enemies with her hilarious and cruel 10th novel, Blue Angel, a satire of academia, specifically of English and writing departments. The setting is Euston College in rural Vermont, a place kids go to if they don't get into Bennington; a place where desperate novelists teach creative writing to rich kids who don't seem to read. Prose, who has taught at all the hotshot workshops, skewers both teachers and students in the way only a true insider could.

Swenson, her writing-teacher protagonist, once published a well-received novel but is now consumed by neuroses and repressed lust, and instead of writing tends to get drunk or morose, or both. But when a gifted student named Angela Argo enters his class, he feels like he is coming back to life. His resurrection into "believing" in writing again, and his eventual disappointment, form the core of the novel.

Prose's gift for satire is stunning as she directs her caustic wit at all the current academic debates: sexual-harassment policies warning against all manner of "touching"; deconstructionists versus Old School fuddy-duddies; women's studies teachers who bring everything back to the phallocentric Man killing us all. But Blue Angel's best passages come when the author is describing truly rotten writers. Here's a Connecticut rich girl, a member of Swenson's workshop, who likes to write about all those poor unfortunate nonwhite people. Her story is called "First Kiss--Inner City Blues" and is written from the point of view of a Latino woman who lives in a trash-strewn neighborhood full of gunfire and bad people. Here's the opening line: "The summer heat sat on the hot city street, making it hard for it to breathe, especially for Lydia Sanchez." It's a sentence so bad, it's almost a revelation. --Emily White --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Trust the iconoclastic Prose to turn conventional received wisdom on such subjects as predatory professors, innocent female students and the necessity for a degree of political correctness on campus on their silly heads. In this astutely observed, often laugh-aloud funny and sometimes touching academic comedy, she proves more skeptic than cynic, with an affection for her central character that is surprisingly warm. He is Ted Swenson, a happily married and reasonably content novelist who teaches creative writing at a much less than Ivy League college in darkest Vermont. Stuck on his own latest book, he is nevertheless charmed and intrigued by the writing skills of the unlikely, ungainly and punky Angela Argo. (Prose takes the considerable risk of offering chunks of Angela's work, and the reader can see in it what poor Ted does.) Out of the best intentions--and an only half-acknowledged but not compelling concupiscent itch--he encourages the girl, who is soon hanging on his every word of praise and hinting that if only Ted's editor could see her work... One moment of lustful madness that is not even consummated (a broken tooth intervenes), a disinclination of Ted's editor to see Angela's novel-in-progress and Ted's goose is cooked. Suddenly, every tiny hint of lechery or unfairness toward his students, an outburst at an unbearable dinner party, a kindly gesture are all evidence against him, dragged out in a climactic academic hearing that is at once farcical and horribly realistic. A slightly indeterminate ending--for where does poor Ted, sans wife and job, go from here?--is the only minor blemish on a peerlessly accomplished performance, at once tinglingly contemporary and timelessly funny. (Apr.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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First Sentence
Swenson waits for his students to complete their private rituals, adjusting zippers and caps, arranging the pens and notebooks so painstakingly chosen to express their tender young selves, the fidgety ballets that signal their weekly submission and reaffir Read the first page
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Customer Reviews

124 Reviews
5 star:
 (35)
4 star:
 (35)
3 star:
 (19)
2 star:
 (22)
1 star:
 (13)
 
 
 
 
 
Average Customer Review
3.5 out of 5 stars (124 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful
5.0 out of 5 stars absolutelty captivating, Jan 13 2004
By 
Saima Huq "sh" (Astoria, NY USA) - See all my reviews
(REAL NAME)   
This review is from: Blue Angel (Paperback)
Swenson (he is addressed by his last name throughout the book, only occasionally called Ted) is a married wiritng professor at Euston College in rural Maine. He has writer's block -- he cannot bring himself to write his second novel, although he has mid-level fame for his first, which echoes his father's real-life self-immolation protesting the Vietnam War.

His writing class is a mix of bright and silly students, then one day he notices punky pierced Angela Argo who almost never speaks. Her intelligence and writing sample convinces Swenson he has met a kindred spirit, albeit one the same age as his daughter Ruby, who will not speak to him even though she attends college only 40 minutes away.

The movie tracks Swenson critiquing Angela's novel-in-progress, and he starts to reflect the themes therin till he has spiraled into depair. Was it all his own doing? Was he really in control? Will it ever get better?

Written by a woman using the voice of a man, this is pure genius. I look forward to more of Prose's work.

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1 of 1 people found the following review helpful
5.0 out of 5 stars An interesting look inside a writer's mind, July 7 2003
By 
This review is from: Blue Angel (Paperback)
This book is good for one main reason: I felt a strong connection with the main character, Swenson, a writer who is facing a lack of progress in his latest book and teaching at a small liberal arts school in Vermont. I was most impressed by the way that Prose emphasizes the doubt Swenson possesses when interacting with others--he's constantly asking himself if someone noticed something he did, or interpreted something he said in a certain way. This works extremely well with the conclusion, which, although not particularly satisfying in a plot or storyline sense, is satisfying because of the sense of completion that you share with the main character. The primary negative aspect of the novel for me was the cynical approach that Prose took with the other characters. While perhaps valuable in helping us understand Swenson's perspective, it left little room for the reader to form any bond with them besides maybe agreeing with the way they acted at any given point. This does not take away too much because the novel is primarily an exploration of Swenson, and the novel is excellent over all.
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4.0 out of 5 stars Profoundly funny and sad., Jan 21 2004
By 
Michelle Mansfield (White Plains, NY USA) - See all my reviews
(REAL NAME)   
This review is from: Blue Angel (Paperback)
I don't remember ever feeling so much pity for a fictional character as I did for Ted Swenson, a professor at a rural Vermont college whose obsession with his prized creative writing student Angela Argo leads to his eventual ruin. The reality is Angela is no prize, but for Swenson, a frustrated writer and uninspired teacher, the gifted Angela provides an opportunity for redemption and a renewed faith in his craft.

Prose does a wonderful job of drawing us into the desperate mind of Professor Swenson as he attempts to justify every irrational stop along his reckless path to self-destruction. Sometimes I laughed at his struggles of conscience, sometimes I pitied him, but in the end I could not judge him, for his frailty seemed all too human.

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