One night I decided to give Blue Velvet another chance and surprisingly the experience was a much richer one; in fact, I would now say that this is an excellent movie.
[Incidentally, Lynch's Lost Highway had a somewhat similar, but completely opposite effect - I went from thinking that it was a great flick to thinking it was an alright one].
I would say that it is wrong to say that this film is about 'good vs. evil' or that Lynch is trying to make any sort of a moral statement in it; the nuances of Blue Velvet are much more subtle than that and the characters more complicated. As most of Lynch's work, Blue Velvet is about obsession and obsession luring people into dark corners of the world. The film pulls the viewer (as a voyeur) into its dangerous and strange universe and relies much (as a lot of other Lynch movies) on the pure flow of images, the atmospheric experience. The sound element adds much to enriching this powerful experience and Blue Velvet as a whole invites multiple viewings.Read more ›
"You're so F*****G suave"
BLUE VELVET is going to be unwatchable for many people: it's violent, it's graphic, it's "weird", etc. But if you get beyond some of the stylization, you will find this film to be a powerful indictment of American society gone mad. And as far as movie-making goes, this movie is a magnet for the eyes. This is a visual dans-macabre: stark settings and brash lighting amid the darkness; the contrasting colors; the sweeping camera movements just keep your eyes glued to the screen. Combine this with the brilliant performances of Kyle MacLachlan, Isabella Rossellini, and, of course, Dennis Hopper, and you'll find out why this film endures, even as it nears its third decade.
If you don't get this film, you will get a love letter from me. And you don't want a love letter from me. Do you know what a love letter from me is?