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Blue Velvet: Special Edition (Widescreen) [Import]


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Blue Velvet: Special Edition (Widescreen) [Import] + Lost Highway (Full Screen) + Mulholland Drive
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Product Details

  • Actors: Isabella Rossellini, Kyle MacLachlan, Dennis Hopper, Laura Dern, Hope Lange
  • Directors: David Lynch
  • Writers: David Lynch
  • Producers: Fred C. Caruso, Richard A. Roth
  • Format: Anamorphic, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, Special Edition, Subtitled, Widescreen, NTSC, Import
  • Language: English, French
  • Subtitles: English, Spanish, French, Portuguese
  • Dubbed: Spanish
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Sony Music Canada Inc.
  • Release Date: April 1 2003
  • Run Time: 120 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (180 customer reviews)
  • ASIN: B000063JDE

Product Description

Product Description

Maclachlan/Rossellini/Hopper/Dern ~ Blue Velvet

Amazon.ca

David Lynch peeks behind the picket fences of small-town America to reveal a corrupt shadow world of malevolence, sadism, and madness. From the opening shots Lynch turns the Technicolor picture postcard images of middle class homes and tree-lined lanes into a dreamy vision on the edge of nightmare. After his father collapses in a preternaturally eerie sequence, college boy Kyle MacLachlan returns home and stumbles across a severed human ear in a vacant lot. With the help of sweetly innocent high school girl (Laura Dern), he turns junior detective and uncovers a frightening yet darkly compelling world of voyeurism and sex. Drawn deeper into the brutal world of drug dealer and blackmailer Frank, played with raving mania by an obscenity-shouting Dennis Hopper in a career-reviving performance, he loses his innocence and his moral bearings when confronted with pure, unexplainable evil. Isabella Rossellini is terrifyingly desperate as Hopper's sexual slave who becomes MacLachlan's illicit lover, and Dean Stockwell purrs through his role as Hopper's oh-so-suave buddy. Lynch strips his surreally mundane sets to a ghostly austerity, which composer Angelo Badalamenti encourages with the smooth, spooky strains of a lush score. Blue Velvet is a disturbing film that delves into the darkest reaches of psycho-sexual brutality and simply isn't for everyone. But for a viewer who wants to see the cinematic world rocked off its foundations, David Lynch delivers a nightmarish masterpiece. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.2 out of 5 stars

Most helpful customer reviews

1 of 1 people found the following review helpful By Lynchianismist on Jan. 22 2008
Format: DVD
This is a very beautiful film; it captures so much about life itself. There is certainly a dark side explored here, and you cannot look away once you start watching it. David Lynch has created a piece of artwork here only he could master. The more often I watch this, the more I appreciate it. Dennis Hopper is amazing here; if you are open to more than the mundane in film, you must see this film.

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By Amazon Customer on July 18 2004
Format: DVD
I've had a weird experience with this movie. The first time I saw it, I couldn't help being disappointed having already seen some of Lynch's other films. While Dennis Hopper's performance was impressive and many of his quotes from Blue Velvet stuck in my memory, somehow things just didn't click and I more or less thought of 'Blue Velvet' as a somewhat interesting, but ultimately forgettable experience. The seemingly good vs. evil theme of the film (the robins and Sandy's dream) in particular annoyed me and the whole thing added a definite 'cheese' factor.
One night I decided to give Blue Velvet another chance and surprisingly the experience was a much richer one; in fact, I would now say that this is an excellent movie.
[Incidentally, Lynch's Lost Highway had a somewhat similar, but completely opposite effect - I went from thinking that it was a great flick to thinking it was an alright one].
I would say that it is wrong to say that this film is about 'good vs. evil' or that Lynch is trying to make any sort of a moral statement in it; the nuances of Blue Velvet are much more subtle than that and the characters more complicated. As most of Lynch's work, Blue Velvet is about obsession and obsession luring people into dark corners of the world. The film pulls the viewer (as a voyeur) into its dangerous and strange universe and relies much (as a lot of other Lynch movies) on the pure flow of images, the atmospheric experience. The sound element adds much to enriching this powerful experience and Blue Velvet as a whole invites multiple viewings.
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Format: VHS Tape
BLUE VELVET, at its core, states a simple case: all things that appear good are only good in appearance; all things evil are evil through and through. You start with the over-Kodachromed shots of Anytown, USA, with its wildflowers, fire engines, and spotless sidewalks. You conclude with a chirping robin which is a puppet, and David Lynch makes no attempt to make it seem like it's anything but a puppet. In between these elements is evil: a severed ear, shootings, bloodied and battered people, and Frank Booth. This dark world seems much more real than the sunlit Anytown, and this is David Lynch's starting point.
BLUE VELVET is going to be unwatchable for many people: it's violent, it's graphic, it's "weird", etc. But if you get beyond some of the stylization, you will find this film to be a powerful indictment of American society gone mad. And as far as movie-making goes, this movie is a magnet for the eyes. This is a visual dans-macabre: stark settings and brash lighting amid the darkness; the contrasting colors; the sweeping camera movements just keep your eyes glued to the screen. Combine this with the brilliant performances of Kyle MacLachlan, Isabella Rossellini, and, of course, Dennis Hopper, and you'll find out why this film endures, even as it nears its third decade.
If you don't get this film, you will get a love letter from me. And you don't want a love letter from me. Do you know what a love letter from me is?
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Format: DVD
In many respects - well, almost every respect - this is a brilliant film. The contrast between the violence and seaminess of Frank's world and the laughable banality of Jeffery's world comes across perfectly. Dennis Hopper's performance as Frank really cannot be praised enough. Sure, he's impressive when he's huffing nitrous oxide and hitting Jeffrey across the face, but his expression while listening to the old lounge songs - melancholy, regretful - is equally convincing, and he's almost sympathetic. Also classic is the moment when another character proposes to toast his health, and he mutters: 'Aw, let's drink to something else.' Jeffrey's Reeve-like blankness is a good foil for him.
That said, there's just something - something about the random imagery inserted, like subliminal shots but held for longer, images of a snuffed candle and insects - something about the pacing, the long silences and occasional anticlimax - and something about the surprising semi-happy ending - that doesn't work. I feel like I'm missing something, and maybe I just am, but I don't feel like Lynch accomplished everything he set out to do. Just when it could be frightening, it lapses into comedy. This vagueness may be part of the message - life isn't black-and-white, or clean - but still. The movie is effective, but it doesn't resonate.
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Format: DVD
How many movies are you going to see that use a bird eating a bug as an illustration that a young man should be afraid of acting on sexual feelings, because those desires are seen as disdainful and shameful to a good-minded society? The bird appears to be a robin. The very type of bird used to analogize goodness and pure love in the movie. Classic. "Sometimes a wind blows and the mysteries of love come clear". Tweet, tweet.
For this movie we live inside a strange world. For Twin Peaks Fire Walk With Me we live inside a dream. For Mulholland Dr. we live inside one person's dream. I doubt that Lynch will be making any action/adventure or romantic comedies anytime soon.
A good boy's bad-boy libido fantasy compared against idealistic pure love, with 1950's America mentality. The movie deals mostly with a young man moralizing sexual desires. Contrasting, and in the end somewhat reconciling, moral extremes is a staple in Lynch movies. The evil side has some legitimate allurement, the viewer always gets a very generous taste of it. Also pervasive, always there lurking behind the doors. But ultimately however that side should be dismissed out of fear, fear of physical and emotional repercussions. And also dismissed out of love, respect of the morally acceptable. The larger point is probably that human beings are a mix of good and evil, or that human beings are indelibly flawed. Accentuating the good side more strongly might have made for more emotional buildup in Blue Velvet, as in Mulholland Dr. and Fire Walk With Me [the two grandiose behemoths]. Though those two have tragic endings that work better in contrasting dramatically against the good.
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