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That may sound like a lot to keep track of. However, it's not necessary to carry around a scorecard or ship's roster while reading Blue at the Mizzen. The ostensible issue is whether Jack will finally be promoted to Admiral of the Blue. But long before he hears any word from the Napoleonic era's equivalent of Personnel, he loses half his crew to desertion, his ship undergoes a disastrous collision, and the entire company comes close to perishing in the ice-choked seas off Cape Horn. Meanwhile, the widowed Maturin issues a surprising proposal of marriage to a beautiful, mud-bespattered fellow naturalist while trekking through an African mangrove swamp. (The two lovebirds happen to be searching for a rare variant of Caprimulgus longipennis, the long-tailed nightjar, which they hope to surprise in full mating plumage.)
Still, this is hardly a plot-driven novel. O'Brian takes time to get anywhere, and invariably enjoys the journey more than the arrival. So even as we get constant hints of the climax to come--Jack's spectacular naval action on behalf of the infant Republic of Chile--we don't mind hearing about the nuances of shipboard existence or the secret life of the white-faced tree duck. We're treated, for example, to this snippet about managed care, circa 1816:
Poll, Maggie and a horse-leech from the starboard watch have been administering enemas to the many, many cases of gross surfeit that have now replaced the frostbites, torsions, and debility of the recent past, the very recent past. Strong, fresh, seal-meat has not its equal for upsetting the seaman's metabolism: he is much better kept on biscuits, Essex cheese, and a very little well-seethed salt pork--kept on short commons.And we're grateful! We can only hope that the elderly author will favor us with at least one more novel, so that his avid followers can avoid their own form of short commons. Life without Aubrey and Maturin would be a deprivation indeed. --Andrew Himes --This text refers to the Hardcover edition.
The first, and most astonishing, strength of this series is in its characterization. Not only are the contrasting, yet inseparable, friends Jack and Stephen believable, appealing, vividly human characters, but they change realistically through time. To the reader, they appear as "real" people with "real" lives, perhaps more so than some of the the flesh and blood ephemera around us. The secondary characters, too, shine -- Killick is priceless.
Research, of course, is O'Brian's other great strength. It's not only the ships, about which he seems to know everything. There's no aspect of the period -- food, dialect, religion, music -- in which he does not seem to be well versed. And he conveys this information to the reader in interesting ways, rather than encumbering the text with massive info-dumps.
One often overlooked bright spot in this series is its humor. Too often historical fiction has a self-consciously grim quality. O'Brian can be grim -- crushingly depressing, in fact --but... "Swiving Monachorum".
Action and battles are not, strangely, this series' strongest point. When we get them, they're great, but too often they are skipped over or told in a distant third-person viewpoint. But the worst here is still very good indeed.
I would recommend reading all of these, in order, starting with the first one, right away, as soon as you possibly can. It's true that The Hundred Days marks a low point -- I agree with the reviewers who cite O'Brian's loss of his wife as the reason -- but Blue at the Mizzen, under which I've posted this review, marks a triumphant return of the author's powers.
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