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Blueberry Boat


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Product Details

  • Audio CD (July 20 2004)
  • Number of Discs: 1
  • Label: EMI Music Canada
  • ASIN: B0002DRDVE
  • Other Editions: Audio CD  |  LP Record
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Bestsellers Rank: #96,468 in Music (See Top 100 in Music)

1. QUAY CUR - The Fiery Furnaces
2. STRAIGHT STREET - The Fiery Furnaces
3. BLUEBERRY BOAT - The Fiery Furnaces
4. CHRIS MICHAELS - The Fiery Furnaces
5. PAW PAW TREE - The Fiery Furnaces
6. My Dog Was Lost But Now He's Found
7. MASON CITY - The Fiery Furnaces
8. Chief Inspector Blanchfelower
9. SPANIOLATED - The Fiery Furnaces
10. 1917 - The Fiery Furnaces
11. Birdie Brain
12. Turning Round
13. Wolf Notes

Product Description

More than twenty different instruments were used in the creation of this album, including the sitar, which was substituted for guitar on some songs. Keyboards, guitars, and drums are the main instruments used. As with all Fiery Furnaces releases, Eleanor Friedberger provides most of the vocals, with her brother Matt adding to a few songs. Matt is considered the main instrumentalist for the band, while both Friedbergers share lyrical duties.

,p>Five songs on the album are more than seven and a half minutes long, with the longest stretching over ten minutes. Many of the songs seem to take the form of two or more parts; if separated into distinct tracks, this LP would contain more than thirty articles of music.

The song "Straight Street" references the biblical "street called straight" in Damascus. "1917" features references to the 1917 World Series, the most recent series that the Chicago White Sox had won at the point this album was released.

The album garnered extremely ecstatic reviews; Pitchfork Media gave it a rating of 9.6 out of 10, calling it "a record for the overgrown part of our brain that craves engrossing complexity". Pitchfork also placed Blueberry Boat at number 145 on their list of top 200 albums of the 2000s.

Label: Rough Trade

--This text refers to an alternate Audio CD edition.

Customer Reviews

4.3 out of 5 stars
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Most helpful customer reviews

By E. A Solinas HALL OF FAMETOP 50 REVIEWER on Feb. 1 2008
Format: Audio CD
Every now and again, there comes an indie-rock band that really blows the mind. Neutral Milk Hotel, Radiohead and the Flaming Lips are among those bands -- and now the Fiery Furnaces join their ranks, with the rock opera "Blueberry Boat." Sprawling, quirky and musically epic, this is undoubtedly an indie classic in the making.

Piano and sputtering keyboards open the enormous intro song -- it's ten minutes long, no kidding. Then Eleanor Friedburger's sweet, singsong vocals kick in, singing a sprawling pop song. It sounds like a child's nursery rhyme on acid, full of deceptively simple rhythms, sparkling melodies and Inuit words tossed into the mix. A sugnacoon, by the way, is a coat.

That ten-minute opener also gives an idea of what the band is all about -- strange ideas, set into stories against a backdrop of indierock. Echoing guitars and swirling keyboards fill up the gaps between their story-songs, which focus on everything from a religious dog in the fuzzy organ-pop "My Dog Was Lost But Now He's Found," to doing legal work in guitar-heavy "Mason City."

If you want to get technical, nothing here makes sense. But like Neutral Milk Hotel, it makes sense if you ignore all your musical senses, and just listen to it by itself. The wild stylistic changes in the middle of songs, the nonsensical lyrics, and the mix of acoustic and keyboard seem like a trio of death knells for this album. Instead, they add to the magic and whimsy of it.

At first glance, the songs seem incomprehensible. Or worse, absurd. But just keep listening -- sooner or later it clicks, and the unique writing of each song shines out.
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By E. A Solinas HALL OF FAMETOP 50 REVIEWER on March 19 2007
Format: Audio CD
Every now and again, there comes an indie-rock band that really blows the mind. Neutral Milk Hotel, Radiohead and the Flaming Lips are among those bands -- and now the Fiery Furnaces join their ranks, with the rock opera "Blueberry Boat." Sprawling, quirky and musically epic, this is undoubtedly an indie classic in the making.

Piano and sputtering keyboards open the enormous intro song -- it's ten minutes long, no kidding. Then Eleanor Friedburger's sweet, singsong vocals kick in, singing a sprawling pop song. It sounds like a child's nursery rhyme on acid, full of deceptively simple rhythms, sparkling melodies and Inuit words tossed into the mix. A sugnacoon, by the way, is a coat.

That ten-minute opener also gives an idea of what the band is all about -- strange ideas, set into stories against a backdrop of indierock. Echoing guitars and swirling keyboards fill up the gaps between their story-songs, which focus on everything from a religious dog in the fuzzy organ-pop "My Dog Was Lost But Now He's Found," to doing legal work in guitar-heavy "Mason City."

If you want to get technical, nothing here makes sense. But like Neutral Milk Hotel, it makes sense if you ignore all your musical senses, and just listen to it by itself. The wild stylistic changes in the middle of songs, the nonsensical lyrics, and the mix of acoustic and keyboard seem like a trio of death knells for this album. Instead, they add to the magic and whimsy of it.

At first glance, the songs seem incomprehensible. Or worse, absurd. But just keep listening -- sooner or later it clicks, and the unique writing of each song shines out.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again.
By E. A Solinas HALL OF FAMETOP 50 REVIEWER on Feb. 19 2005
Format: Audio CD
Every now and again, there comes an indie-rock band that really blows the mind. Neutral Milk Hotel, Radiohead and the Flaming Lips are among those bands -- and now the Fiery Furnaces join their ranks, with the rock opera "Blueberry Boat." Sprawling, quirky and musically epic, this is undoubtedly an indie classic in the making.

Piano and sputtering keyboards open the enormous intro song -- it's ten minutes long, no kidding. Then Eleanor Friedburger's sweet, singsong vocals kick in, singing a sprawling pop song. It sounds like a child's nursery rhyme on acid, full of deceptively simple rhythms, sparkling melodies and Inuit words tossed into the mix. A sugnacoon, by the way, is a coat.

That ten-minute opener also gives an idea of what the band is all about -- strange ideas, set into stories against a backdrop of indierock. Echoing guitars and swirling keyboards fill up the gaps between their story-songs, which focus on everything from a religious dog in the fuzzy organ-pop "My Dog Was Lost But Now He's Found," to doing legal work in guitar-heavy "Mason City."

If you want to get technical, nothing here makes sense. But like Neutral Milk Hotel, it makes sense if you ignore all your musical senses, and just listen to it by itself. The wild stylistic changes in the middle of songs, the nonsensical lyrics, and the mix of acoustic and keyboard seem like a trio of death knells for this album. Instead, they add to the magic and whimsy of it.

At first glance, the songs seem incomprehensible. Or worse, absurd. But just keep listening -- sooner or later it clicks, and the unique writing of each song shines out.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
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