- Audio CD (Aug 22 2008)
- Number of Discs: 1
- Label: Red House
- ASIN: B00000G4OF
- Average Customer Review: 5.0 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: #122,732 in Music (See Top 100 in Music)
Product Details
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| 1. Black Dog | |||
| 2. Whomp Bom | |||
| 3. Black Betty | |||
| 4. Honey Bee | |||
| 5. Crazy Fool | |||
| 6. Keep Your Hands Off Of Her | |||
| 7. Duncan And Brady | |||
| 8. Fine Soft Land | |||
| 9. Red Cross Store | |||
| 10. Lady Day | |||
| 11. Feeze To Me, Mama | |||
| 12. Ted Mack Rag | |||
| 13. Fannin Street | |||
| 14. Love Bug | |||
| 15. Can't Get My Rest At Night | |||
| 16. What's The Matter With The Mill | |||
| 17. Fixin' To Die | |||
| 18. My Little Woman | |||
| 19. Leavin' Here Blues | |||
| 20. Southbound Train | |||
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I've heard it said that Koerner "out-Dylans" Dylan, and I have to agree. "Duncan and Brady," "Crazy Fool," and "Lady Day" feature his fast-talking and -singing wit, and the one-man band rendition of his "Ted Mack Rag," along with the liner notes on it, amplify his sense of humor and talent.
As a harp player myself, I find myself drawn to Tony Glover's cuts, especially "Don't Let Your Right Hand Know" (which, however, is not on this album, but rather on "The Return of ...". "What's the Matter with the Mill," "Honey Bee," and "Can't Get My Rest at Night," which are on this album, are likewise excellent examples of his talented harp work.)
Dave Ray, whether doing an unaccompanied field holler, like Leadbelly's "Black Betty," playing his faster songs like "Freeze to Me Mama," or playing a racing 12-string bottleneck accompaniment to his slower-tempo vocal in "Fine Soft Land," is a real artist.
My album is at least 35 years old, and it shows. It's nice to know I can get a fresh copy on CD!
A few months later, she showed-up with "Blues, Rags, and Hollers", and my mind was blown. I rushed home from work straight-away and slipped the CD into the player with trepidation- would these guys sound as good as I remembered? Or would another memory best left in the past be diminished by the reality. Well, they were even better than I remembered. When Dave Ray suddenly burst into my late middle age world with "It's Alright" the music went right to the bone, complete with goosebumps. I'm a bit long in the tooth to be playing air- guitar, but there I was. And all these songs make me feel like that. The intensity of "One Kind Favor" is beyond wonderful, with Tony Glover's haunting harp intensifying every subtle riff of Dave's talking 12-String and haunting, strangely stirring vocals.
I think the boys might think this little review a bit over-the-edge, but I mean every word of it, in fact I think its understated. If you like acoustic blues-hell, if you like music, don't miss these albums.
Recently I heard George Carlin (another old fart) issue a dictum that white men should never sing the blues. He was referring of course to "The Blues Brothers" and in their case I heartily agree. But it is quite obvious that he's never heard Koerner, Ray, and Glover. I'm pretty sure that Bukka White, Leadbelly, Robert Johnson, and all the rest are smiling down on these three white boys with approval and respect.
Dean West
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