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Body Politic
  

Body Politic [Paperback]

Paul Johnston
2.8 out of 5 stars  See all reviews (6 customer reviews)

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From Publishers Weekly

This bleak, near-future hunt for a vicious serial killer won Britain's Creasy Award for best first novel and should capture admiring attention here as well. In the year 2020, Edinburgh is a virtual city-state (founded on the ideas of Plato's Republic) ruled by a benevolently despotic council riddled with corruption. This highly regimented society has lost most traces of individualism. Gone, too, are televisions, private cars, unsanctioned books and musicAas well as most crime, at least until the reemergence of a serial killer known as the ENT (ear, nose and throat) man for his bizarre attentions to his victims. Shocked by the first murder in five years, the council is desperate enough to bring back disgraced private investigator Quintilian Dalrymple, a jazz-loving iconoclast with previous experience of the ENT man. Johnston's spare style doesn't hinder him from effectively limning a society drastically altered by desperate circumstances, and, at the same, spinning a thoroughly entertaining chase novel. Edinburgh's physical and spiritual transformation makes an intriguing backdrop, while Quint, a private eye of the classic mold contending with inept bureaucrats, corruption and a determined killer, makes a first-rate hero. Offbeat but on target, this is one exciting debut.
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews

Edinburgh, 2020. The Enlightenment that swept through the city years ago has virtually eliminated crime, along with individuality, spontaneity, blues music, and anything citizens might have wanted to do after the 10 p.m. curfew. So it's a matter of considerable concern when the Public Order Directorate discovers that guardswoman Knox 96, a.k.a. Sarah Spence, has been murdered in a way eerily reminiscent of the Ear, Nose, and Throat Man, whose horrible mutilations still haunt the public memory since his last killing five years ago. Edinburgh's official guardians immediately summon Quintilian Dalrymple, who quit the Directorate to work as a Parks laborer and sometime private eye, to clear up the mystery before it affects the tourist trade. But Quint is reluctant to return to his old job, not only because he's just taken on a private clientKatharine Kirkwood, whose brother Adam has been missing for ten daysbut because he knows the rash of murders that's just beginning isn't the work of the ENT Man, whom he killed himself five years ago in revenge for his lover's death. It looks like Quint and Katharine will have to settle for uncovering a sex-slaves racket, medical-research corruption, and an avenger even more ruthless than Quint en route to realizing that ``in the perfect city, the only way to express free will was to commit murder.'' Forget the rickety, overstuffed plot and you'll see why Johnston's bone-chilling dystopia took Britain's John Creasey Award for the year's best crime debut. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

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6 Reviews
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Average Customer Review
2.8 out of 5 stars (6 customer reviews)
 
 
 
 
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2.0 out of 5 stars Intriguing Setting Doesn't Hold Up Flat Story, Jun 12 2001
By 
A. Ross (Washington, DC) - See all my reviews
(REAL NAME)   
The debut in Johnston's series set in Edinburgh circa 2020 suffers from having a more interesting setting than plot-which is a rather banal serial-killer number. In this world, the UK has dissolved and Edinburgh exists as a kind of repressive city-state run according to Plato's Republic. The "Enlightenment" led to the elimination of crime, along with individuality, resulting in a combination Stalinist/Puritan society rife with rules, regulations, fines and work camps. The city's primary economic driver is tourism, which the city achieves by combining the gambling of Las Vegas with the sex trade of Amsterdam. Unfortunately, while Johnston does a good job showing how corruption undermines this dystopian society, he never develops the city and its people enough to fully convince. The lives and status of "guardians" (police) are well-depicted, but we never see much of the average citizen and how the rest of the city functions (perhaps this developed later in the series).

The book's nominal hero, Quint, is a standard issue haunted former policeman hero who is recalled from disgrace by the city officials who decide he is the only one with the knowledge/skills to solve the murder of a public guardian-the city's first murder in years. He's typically reluctant, nosy, lustful, burdened with old guilt, and all those other noir detective traits, but his character never quite fully develops. It doesn't help that Quint's parents were both founding members of the Enlightenment, and that his mother is the head of the council. In any event, he is assigned to track down a grisly killer before any damage is done to the tourist industry. This part of the book (ie. the story) is pretty standard stuff, and the few red herrings are easily recognized for what they are. If you're looking for a mystery with an unusual setting, thus might fit the bill, just don't expect the story to live up to the milieu. Future entries in the series may be more fulfilling.

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2.0 out of 5 stars Edinburgh's Future? No thanks., July 31 2000
It's Scotland, but not as we know it. In the year 2021 the UK has broken up, and Edinburgh is now a city-state run on the lines of Plato's Republic, with a good measure of corruption thrown in. Unfortunately, that's about as interesting as this book ever gets. The plot is very standard 'grizzly murder' fare and the tone is so cynical that I found it impossible to care about any of the characters, especially the protagonist, Quintillian Dalrymple. I suspect Paul Johnson's reputation has benefitted from the current high level of interest in Edinburgh crime writing. However, for better characters and plots try Ian Rankin; for better writing, try Iain Banks and for grizzlier murders try Christopher Brookmyre. Maybe Johnson's writing will improve. I hope so. In the meantime, I'd certainly recommend this book to someone who is intrigued by a crime novel set in the Edinburgh of the imaginary future. Sound like you?
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4.0 out of 5 stars A truly unique well paced debut novel, Aug 5 1999
By 
Larry Gandle (Tampa, Florida) - See all my reviews
I have read this novel over a year ago after it won the Creasey award which is the British equivalent of the Edgar Award for best first novel. I found it to be refreshingly differnt and well thought out. Edinburgh in 2020 is actually based on Plato's Republic and starkly shows us the problem with this system. It is, in a sense, a science fiction novel on the order of Bladerunner in that the reader enters a truly different world. The book is well paced full of fascinating characters. I give a high grade, as well, to the novel's unique and original premise. Its well worth your time. Larry Gandle
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