- Paperback: 181 pages
- Publisher: University of California Press (Jan 2 2002)
- Language: English
- ISBN-10: 0520228561
- ISBN-13: 978-0520228566
- Product Dimensions: 20.9 x 14 x 1.2 cm
- Shipping Weight: 240 g
- Average Customer Review: 4.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: #393,883 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Product Details |
Product Description
Product Description
Today women are lifting weights to build muscle, wrapping their bodies in seaweed to reduce unwanted water retention, attending weigh-ins at diet centers, and devoting themselves to many other types of "body work." Filled with the voices of real women, this book unravels the complicated emotional and intellectual motivations that drive them as they confront American culture's unreachable beauty ideals. This powerful feminist study lucidly and compellingly argues against the idea that the popularity of body work means that women are enslaved to a male-fashioned "beauty myth." Essential reading for understanding current debates on beauty, Body Work demonstrates that women actually use body work to escape that beauty myth.
Debra Gimlin focuses on four sites where she conducted in-depth research--a beauty salon, aerobics classes, a plastic surgery clinic, and a social and political organization for overweight women. The honest and provocative interviews included in this book uncover these women's feelings about their bodies, their reasons for attempting to change or come to terms with them, and the reactions of others in their lives. These interviews show that women are redefining their identities through their participation in body work, that they are working on their self-images as much as on their bodies. Plastic surgery, for example, ultimately is an empowering life experience for many women who choose it, while hairstyling becomes an arena for laying claim to professional and social class identities.
This book develops a convincing picture of how women use body work to negotiate the relationship between body and self, a process that inevitably involves coming to terms with our bodies' deviation from cultural ideals. One of the few studies that includes empirical evidence of women's own interpretations of body work, this important project is also based firmly in cultural studies, symbolic interactionism, and feminism. With this book, Debra Gimlin adds her voice to those of scholars who are now looking beyond the surface of the beauty myth to the complex reality of women's lives.
Debra Gimlin focuses on four sites where she conducted in-depth research--a beauty salon, aerobics classes, a plastic surgery clinic, and a social and political organization for overweight women. The honest and provocative interviews included in this book uncover these women's feelings about their bodies, their reasons for attempting to change or come to terms with them, and the reactions of others in their lives. These interviews show that women are redefining their identities through their participation in body work, that they are working on their self-images as much as on their bodies. Plastic surgery, for example, ultimately is an empowering life experience for many women who choose it, while hairstyling becomes an arena for laying claim to professional and social class identities.
This book develops a convincing picture of how women use body work to negotiate the relationship between body and self, a process that inevitably involves coming to terms with our bodies' deviation from cultural ideals. One of the few studies that includes empirical evidence of women's own interpretations of body work, this important project is also based firmly in cultural studies, symbolic interactionism, and feminism. With this book, Debra Gimlin adds her voice to those of scholars who are now looking beyond the surface of the beauty myth to the complex reality of women's lives.
From the Inside Flap
"Beautifully written, cleverly argued, and skillfully researched, Debra Gimlin's Body Work goes beyond the argument that the beauty industry exists only to control women. Instead, Gimlin examines women's relationship to beauty from a feminist sociological perspective, finding that women are not dupes of the beauty industry but rather use body work in both empowering and degrading ways. It's about time a sociologist delved into women's complicated relationship to the beauty industry!"--Verta Taylor, author of Rock-a-By Baby: Feminism, Self-Help, and Postpartum Depression
"This fascinating study reveals how changing the body is really an effort to reconstruct the self-from aerobics, cosmetic surgery, and hair salon makeovers to therapeutic groups about accepting one's "fat" body. Gimlin fuses theoretical acuity with tender analysis, enabling the reader to engage critically and empathetically with these quotidian social constructionists. With efforts to transform the body becoming ever more frenzied as Baby Boomers age, this book is both timely and important."-- Michael Kimmel, author of Manhood in America: A Cultural History
"Gimlin effectively demonstrates how the business of beauty is ultimately not about abstruse theories but rather about how women negotiate beauty to transact in everyday life. This perception that beauty may be the one area where the personal is not political recasts all theories previously forwarded on the subject and adds significantly to the literature about the culture of beauty."--Raquel Scherr, author of Face Value: The Politics of Beauty
"This thoughtful, interesting, and well-written book emphasizes the complexities of contemporary U.S. women as they negotiate identity through both participation and resistance to dominant beauty ideologies."--Sarah Banet-Weiser, author of The Most Beautiful Girl in the World
"Much more than a straightforward feminist critique of the beauty industry, Body Work offers a nuanced and sensitive analysis of the types of work that women do to construct and to maintain an identity with which they can live comfortably, steering clear of representations of women as passive victims of oppressive structures."--Nilufer Isvan, Assistant Professor of Sociology, State University of New York at Stony Brook
"This fascinating study reveals how changing the body is really an effort to reconstruct the self-from aerobics, cosmetic surgery, and hair salon makeovers to therapeutic groups about accepting one's "fat" body. Gimlin fuses theoretical acuity with tender analysis, enabling the reader to engage critically and empathetically with these quotidian social constructionists. With efforts to transform the body becoming ever more frenzied as Baby Boomers age, this book is both timely and important."-- Michael Kimmel, author of Manhood in America: A Cultural History
"Gimlin effectively demonstrates how the business of beauty is ultimately not about abstruse theories but rather about how women negotiate beauty to transact in everyday life. This perception that beauty may be the one area where the personal is not political recasts all theories previously forwarded on the subject and adds significantly to the literature about the culture of beauty."--Raquel Scherr, author of Face Value: The Politics of Beauty
"This thoughtful, interesting, and well-written book emphasizes the complexities of contemporary U.S. women as they negotiate identity through both participation and resistance to dominant beauty ideologies."--Sarah Banet-Weiser, author of The Most Beautiful Girl in the World
"Much more than a straightforward feminist critique of the beauty industry, Body Work offers a nuanced and sensitive analysis of the types of work that women do to construct and to maintain an identity with which they can live comfortably, steering clear of representations of women as passive victims of oppressive structures."--Nilufer Isvan, Assistant Professor of Sociology, State University of New York at Stony Brook
Inside This Book
(Learn More)
First Sentence
"You have to let your clients know that this is what you do and you know best, or at least better than they do, what looks best on them," says Joanna, one of the beauticians at Pamela's Hair Salon, as she explains how she convinces her customers to accept her hairstyling advice. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
"You have to let your clients know that this is what you do and you know best, or at least better than they do, what looks best on them," says Joanna, one of the beauticians at Pamela's Hair Salon, as she explains how she convinces her customers to accept her hairstyling advice. Read the first page
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Concordance
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Most helpful customer reviews
4.0 out of 5 stars
Body Perfect,
By A Customer
This review is from: Body Work: Beauty and Self-Image in American Culture (Paperback)
Gimlin achieves her purpose of sharing information on the justification behind body work through the format of her book. First, she presents her research then she provides a conclusion. Gimlin does this for each chapter, which changes as she looks at the different forms of body work. This allows the reader to assess the work and come to their own conclusion before reading her thoughts. This directly incorporates the reader into the book, which maintains their interest. The format is a major strength of the work.Another strength of the book is the quotes from interviews that Gimlin conducts with the subjects and her field research. The interviews add reality to the work and also encourage the interest of the reader. In Sociology, field research involves the researcher actually being in the environment of the subjects and even participating in their activities. This also adds to the element of realism and gives an everyday perspective of what women go through. These elements combine together to add personality to the work. A weakness of the book would be the author's focus on only female body work. For comparison purposes, including males in the study would open up interpretations for the double standards placed, or shed light on whether men have the same stigmas to overcome. Gimlin answers the question on her exclusion of males by stating, "While contemporary men must undoubtedly work to negotiate the relationship between body and self, women, more than men, face social pressures that make the negotiation difficult and complicated" (Gimlin, 12). An aspect of the book that I truly enjoyed was its feminist sociological viewpoint. So often we only see situations from a male viewpoint, even if the literature is geared towards women. Gimlin takes a whole new look at the beauty industry and its relationship to women and comes up with a perspective of the self-empowerment of women. We are not forced to conform by society, but we choose. As a young woman on my way out on my own, I value this book. It gives women a new outlook so that instead of feeling helpless and pressured to look a certain way in order to succeed and be happy, they can change or not change their body based on one thing: their own happiness. Gimlin's stress on empowerment is something every woman can take away from this book. Her message is reinforced by her format and the purpose of the book is accomplished.
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.0 out of 5 stars (1 customer review) 3 of 3 people found the following review helpful
4.0 out of 5 stars
Body Perfect,
By A Customer - Published on Amazon.com
This review is from: Body Work: Beauty and Self-Image in American Culture (Paperback)
Gimlin achieves her purpose of sharing information on the justification behind body work through the format of her book. First, she presents her research then she provides a conclusion. Gimlin does this for each chapter, which changes as she looks at the different forms of body work. This allows the reader to assess the work and come to their own conclusion before reading her thoughts. This directly incorporates the reader into the book, which maintains their interest. The format is a major strength of the work.Another strength of the book is the quotes from interviews that Gimlin conducts with the subjects and her field research. The interviews add reality to the work and also encourage the interest of the reader. In Sociology, field research involves the researcher actually being in the environment of the subjects and even participating in their activities. This also adds to the element of realism and gives an everyday perspective of what women go through. These elements combine together to add personality to the work. A weakness of the book would be the author's focus on only female body work. For comparison purposes, including males in the study would open up interpretations for the double standards placed, or shed light on whether men have the same stigmas to overcome. Gimlin answers the question on her exclusion of males by stating, "While contemporary men must undoubtedly work to negotiate the relationship between body and self, women, more than men, face social pressures that make the negotiation difficult and complicated" (Gimlin, 12). An aspect of the book that I truly enjoyed was its feminist sociological viewpoint. So often we only see situations from a male viewpoint, even if the literature is geared towards women. Gimlin takes a whole new look at the beauty industry and its relationship to women and comes up with a perspective of the self-empowerment of women. We are not forced to conform by society, but we choose. As a young woman on my way out on my own, I value this book. It gives women a new outlook so that instead of feeling helpless and pressured to look a certain way in order to succeed and be happy, they can change or not change their body based on one thing: their own happiness. Gimlin's stress on empowerment is something every woman can take away from this book. Her message is reinforced by her format and the purpose of the book is accomplished. |
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