Book of Five Rings: The Classic Guide to Strategy [Hardcover]

The text is dry, and the sections are short. They are intended (a) for swordfighters, and (b) to be meditated on. The principals in this book would take a swordfighter years to master. In fact, at one point he says one should study for about 3 years (he gives a specific number of weeks) and then practice for 30 or so more years.

How does this translate into my life? I'm not sure. I don't have enough of a background in swordfighting, the culture, etc. to know how these concepts apply to my life. If perhaps I had a guide, in the form of commentary, I could more easily integrate these concepts into my life. As is, however, this book isn't of much use to me, except as reference for the day when I do have commentary.

I reccomend, instead, Cleary's Classics of Strategy and Counsel. This trilogy of books includes the Art of War, Mastering the Art of War, The Lost Art of War, The Silver Sparrow Art of War, Thunder in the Sky, The Japanese Art of War, The Book of Five Rings, Ways of Warriors, Codes of Kings (which includes several works), The Art of Wealth, Living a Good Life, The Human Element, and Back to Beginnings.

In addition to the text, there is often commentary, and supplementary material that can put the text in context and aid the student on his or her journey. Amazon lists several of these as the same book...

The history is great. The photos are. . . Photos.

If you've any interest in this subject, find a copy of the Shambhala Dragon Edition by Thomas Cleary. It's much more complete, much more more readable, and was actually translated by Thomas Cleary(!), a world reknown scholar on the subject.

This poor representation of such a powerful, important book almost relagates it to the dingy shelf of the "coffee-table book.", and that's a real same.

For one thing, I had not understood that the character in the samurai collection that Mifune had been portraying had actually been an historic individual living in a unique period of Japanese history. Why I should have been surprised, I don't know, since the exploits of the likes of Pat Garret, Wyatt Earp, and Doc Holiday became the basis for a good deal of 19th and 20th Century pulp fiction, TV series, and movies in the United States. In fact, the period in Japanese history that the translator describes sounds not unlike the "Wild West." The sod busters and the ranchers have made their peace, leaving hundreds of gunmen unemployed. The lucky ones find work as lawmen while the unlucky wander the country looking to enhance their reputations by lethal confrontations to see who's "fastest on the draw." The winner may ultimately find a job as a peace keeper; the loser finds a spot on boot hill. In the case of the American western, the contestants use guns; in the case of the Japanese samurai, they use swords and other equipment. Still there seems something more to it. The something more, I think, is a philosophy, a school, an etiquette, even an art that leaves the Western mind a little uncomfortable.

With some of the techniques of sword work and battle strategy, I think that as Musashi himself informs the reader, it is very difficult to "write" how to do a mechanical task. One can only convey the "feeling" that performing such a task has for the expert writer on the subject. In modern times this facet of the learning process is overcome by photo illustrations, but even then only to a very limited extent. As the author points out, there is no substitute for experience with the process and practice, practice, practice. Even the very limited experience I acquired years ago when I took fencing lessons helped me picture more clearly some of the moves the author described.

Part of the difficulty in connecting with the author's experience as he performs the various actions of sword fighting may be that this book is a translation from the Japanese, was originally written in an older version of the language, and embodied an ancient version of the culture itself, one that is no longer available even to modern Japanese let alone a Western translator. A warrior of Musashi's time may well have connected far better with the similes he uses than a modern person. The unique benefit of this fact, however, is that a great deal can be read into the work. Part of this is the author's intention, but part of it is due to the very ambiguity of the work. Just as the author himself suggests, the reader who does not concentrate on the words but allows the mind to float over them makes all sorts of interesting discoveries. For instance a book on dealing with problem people suggested a technique much like Musashi's "To Know the Times," essentially to match the rhythm and intensity of the subject until one can gain control of that rhythm to de-escalate it. His "To Become the Enemy" immediately brought to my mind the individual characters of Civil War generals Robert E. Lee and his opponent George McClelland. As Musashi suggested, the enemy always feels he is outnumbered which means that a few may defeat many if they are trained in The Way. Or as Lee is reputed to have said before a battle, "The Army of the Potomac is a very good one, unfortunately General McClelland brought himself along." Lee understood The Way. He knew that McClelland's personality, or lack of The Way, produced vast armies of the enemy in his mind.

In all a very interesting and surprising book, one I expect to read again and again to mine for concepts. For a slender 95 pages, the author, like a good poet, has packed each word with a maximum of information because they encapsulate concepts and principles.