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I Bought Andy Warhol
 
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I Bought Andy Warhol [Paperback]

Richard Polsky
4.0 out of 5 stars  See all reviews (17 customer reviews)
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So what was it like to be an art dealer in the go-go ‘80s? California-based private dealer Richard Polsky drops some juicy anecdotes into an account of his quest to add a Warhol painting to his personal collection. The title of his book, I Bought Andy Warhol, is a wink-wink reference to a film about a disgruntled Factory member who shot the artist in 1968. Polsky’s attitude is wryly bemused as he recounts tales of practical jokes, petty grudges, peculiar dining experiences, and other indignities that befall a little guy in a world of sharks. The cast of characters includes heavyweight New York dealers Ivan Karp, Jim Corcoran, and Larry Gagosian as well as mid-range collectors and artists better known in California than in Manhattan. Warhol himself makes no personal appearances, though Polsky assiduously tracks fluctuations in the superstar’s market value. Along the way, there are useful nuggets ranging from questions a potential art buyer should ask a dealer to typical auction house pricing strategies. The author is a likeable character who demonstrates surprising candor about trying to make a living in the early ‘90s, when art prices plummeted. While some readers may be taken aback by Polsky’s relentless stress on the monetary worth of a work of art as opposed to its aesthetic value, his book is a gossipy account of running a unique kind of business, selling one-of-a-kind products in a highly volatile market. —Cathy Curtis --This text refers to the Hardcover edition.

Review

"I Bought Andy Warhol is a wry, smart, intimate journey through the contemporary art world. Polsky's pursuit of Warhol is a perfect chance to see the art market and its characters in high relief." -- Susan Orlean

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Customer Reviews

17 Reviews
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4.0 out of 5 stars (17 customer reviews)
 
 
 
 
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5.0 out of 5 stars Playing with the sharks, Mar 25 2012
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This review is from: I Bought Andy Warhol (Hardcover)
A fascinating romp through the wild and wacky world of the high end art market. Richard's quest for a Warhol is the common thread to a lively and entertaining tale of a second string art dealer's career. Peppered with anecdotes of his encounters with the major players in the art world one wonders if he was ever invited to lunch again with the irreverent reflections of some crass behaviour on the part of America's tastemakers. A must read for anyone who has ever wondered what goes on behind the scenes.
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4.0 out of 5 stars Picaresque to a fault, April 14 2004
By 
Kevin Killian (San Francisco, CA United States) - See all my reviews
(REAL NAME)   
This review is from: I Bought Andy Warhol (Hardcover)
Richard Polsky is an endearing clown who is constantly taken advantage of and browbeaten by sharper operators. His book details his ten year search of the perfect Warhol, and is fairly persuasive regarding the artisric merit of the late self-portraits he calls the "Fright Wigs." There's a particularly virulent one on the cover of his book. The antics of the art dealers he encounters are fit for "The Bonfire of the Vanities," and you will want to slap a few of them silly should you run into them shortly after being introduced to them in the pages of Polsky. Most people, he tells us, suffer from low self-esteem, but to a man (or woman), gallerists suffer from "high self-esteem," i.e. they think they're better than they actually are. Polsky paints himself as a man in over his head, and comparisons to Woody Allen have been made, but a better comparison might be Larry David . . . it's as if "Curb Your Enthusiasm" was set in the high-priced world of contemporary visual art . . . just as vulgar, crass and profane.
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5.0 out of 5 stars Fun, light, easy reading., Feb 8 2004
By A Customer
This review is from: I Bought Andy Warhol (Hardcover)
I have been looking forward to this book for quite a while since I enjoy Polsky's columns for artnet.com and thought this Art Market Guides were incredibly helpful. But, after finishing the book, I found it amazing how sorry I felt for Polsky. The entire book was permiated with this sad undertone where time after time Polsky is reminded of his status as a bit player in the art market (you'll feel the same way when he complains about having to pay for lunch with two big dealers after losing a dice roll). At the end, he got his Warhol, but it's not a particularly fun journey to get there, and the reader is thinking, "Why didn't he just pick one up at one of the Contemp/Modern day sales." If you are interested in the market though, this book is a must-read. Same if you like Warhol. Looking forward to another book from Polsky, hopefully with some fresher material since if you've read his Market Guides and his Artnet columns, you read the bulk of this book. But, he does bring a blue-collar mentality to the art market, and that in and of itself is very refreshing.
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