From School Library Journal
Starred Review. Grade 9 Up–Boyne has written a sort of historical allegory–a spare, but vividly descriptive tale that clearly elucidates the atmosphere in Nazi Germany during the early 1940s that enabled the persecution of Eastern European Jews. Through the eyes of Bruno, a naive nine-year-old raised in a privileged household by strict parents whose expectations included good manners and unquestioning respect for parental authority, the author describes a visit from the Fury and the familys sudden move from Berlin to a place called Out-With in Poland. There, not 50 feet away, a high wire fence surrounds a huge dirt area of low huts and large square buildings. From his bedroom window, Bruno can see hundreds (maybe thousands) of people wearing striped pajamas and caps, and something made him feel very cold and unsafe. Uncertain of what his father actually does for a living, the boy is eager to discover the secret of the people on the other side. He follows the fence into the distance, where he meets Shmuel, a skinny, sad-looking Jewish resident who, amazingly, has his same birth date. Bruno shares his thoughts and feelings with Shmuel, some of his food, and his final day at Out-With, knowing instinctively that his father must never learn about this friendship. While only hinting at violence, blind hatred, and deplorable conditions, Boyne has included pointed examples of bullying and fearfulness. His combination of strong characterization and simple, honest narrative make this powerful and memorable tale a unique addition to Holocaust literature for those who already have some knowledge of Hitlers Final Solution.
–Susan Scheps, Shaker Heights Public Library, OH Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From AudioFile
In this Holocaust novel, Bruno leaves his wonderful Berlin home with his parents because of "the fury." Boyne's depiction of time and place becomes real with Michael Maloney's characterization of this displaced 9-year-old, who rapidly goes from excited confusion to indignant anger. Maloney's narrative bits are a calm counterpoint to the bewilderment of the protagonist, who finds himself at "Off With," where he is surrounded by people dressed in striped pajamas. Maloney continues to dramatize Bruno's moods as he makes friends with a young prisoner and observes the cruelty of a controlling soldier. Making Bruno real is crucial to our acceptance of his innocent horror, essential to filling in all the author doesn't say, and necessary to establishing the emotional balance we need to hear this disturbing story. S.W. © AudioFile 2007, Portland, Maine--
Copyright © AudioFile, Portland, Maine
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