- Audio Cassette
- Publisher: Audio Literature; Unabridged edition (January 1999)
- Language: English
- ISBN-10: 0787118303
- ISBN-13: 978-0787118303
- Product Dimensions: 17.8 x 10.8 x 1.7 cm
- Shipping Weight: 100 g
Product Details
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So, what's a "brave dame"? "They're passionate about something besides passion," Isaacs writes. Take Jo March, Elizabeth Bennet, Katharine Hepburn, and Roz Russell, who prove "women are as competent and brave as the next guy." Her fave dame, Jane Eyre, "had high moral standards, stood up to injustice, and was willing to leave civilization and face the wild, even death, rather than do wrong."
Wimpettes, who outnumber dames in pop culture, believe in masochism, subterfuge, betrayal of women, and deriving identity from their man. "The world stops at the white picket of their fences.... larger causes--racial equality, justice--are left to the guys."
The book is a romp through books, movies, and TV, as Isaacs puts dozens of women in their place on the dame/wimpette spectrum. Anita Hill? Feh! "This über-wimpette testified before Congress how she endured vile sex talk from a superior rather than (1) report him for harassment ... or (2) tell him to shut the hell up." Buffy the Vampire Slayer and Frances McDormand in Fargo are dames; Ally McBeal and Anne Archer in Fatal Attraction are wimpettes. (Note, however, that Ethan Coen told Amazon.com McDormand is the bad guy in Fargo and Steve Buscemi the good guy.) Julia Roberts is a wimpette in My Best Friend's Wedding but a dame in Mystic Pizza and The Pelican Brief.
Ideally, Isaacs's book should start a lot of excellent arguments. Don't wimp out! --Tim Appelo --This text refers to an out of print or unavailable edition of this title.
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Anyway, being a woman, and a woman who loves film, any kind of film and literature, I was very disappointed with this book. I thought it was on about the same level as a college essay, not something that belongs in the Library of Contemporary Thought. It's too "listy" and doesn't give enough arguement or meat--breaking everyone down into wimpettes and near wimpettes or whatever. While I do agree that there aren't many good roles for women these days, I also disagree with many of Isaacs assertions and feel that she missed a lot of good movies. For instance, Joy Luck Club, a facinating movie about women, mothers and daughters, overcoming societies rules and roles, and self-worth is dismissed in one sentence because showing women cooking is supposed to be bad in movies beause it shows us in traditional roles. Huh?