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Brazil [Blu-ray] (Bilingual)

163 customer reviews

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Product Details

  • Format: AC-3, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen, NTSC
  • Language: English
  • Subtitles: French, Spanish
  • Dubbed: French
  • Subtitles for the Hearing Impaired: English
  • Region: All Regions
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Universal Studios Home Entertainment
  • Release Date: Sept. 11 2012
  • Run Time: 132 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (163 customer reviews)
  • ASIN: B004V8W54Q
  • Amazon Bestsellers Rank: #8,617 in DVD (See Top 100 in DVD)
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Product Description

Product Description

Jonathan Pryce (Pirates of the Caribbean), Robert De Niro (The Godfather) and Michael Palin (Monty Python and the Holy Grail) star in this landmark cult classic that dazzles and thrills with its Academy Award nominated, groundbreaking art direction and sharply satirical original screenplay. In a future world, a government clerk finds his life destroyed when he tries to correct an administrative error that caused a massive chain reaction of mistaken identity. Despite his efforts, he finds himself an enemy of the state. Hailed as a modern masterpiece, visionary director Terry Gilliam’s (Fear and Loathing in Las Vegas) pitch-black comedy takes a highly imaginative and chilling look at a “perfect” future where technology reigns supreme and bureaucracy overrules love for the sake of efficiency.

If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unravelling this bureaucratic glitch, he himself winds up labelled as a miscreant.

The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --Jim Emerson --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

4.3 out of 5 stars

Most helpful customer reviews

7 of 7 people found the following review helpful By B. Campbell on Oct. 2 2006
Format: DVD
Brazil is a masterpiece of cinematic brilliance, and arguably Terry Gilliam's best film. I loved this movie when I first saw it in 1985 and still do today, having just purchased the newly released 3 disc HD Criterion edition. This is one of the best sci-fi's ever shot, reminiscent of 1984 but with a comedic slant. The visuals are fantastic and bizarre, thus the oscar for Best Art Direction-Set Decoration. Terry and company also won for best screenplay. This movie is one of a kind, though that can be said for most of Gilliam's work. The plot follows one Sam Lowry, a government employee, through his quest to find justice for a man wrongly accused of a crime due to a typographical error on a government form. Some of it won't make sense right away, but be patient. Whatever you do, do not rent or buy the abbreviated 94 minute version.

The full version clocks in at 142 minutes and is

thoroughly enjoyable. A true visionary made this film and it needs to be seen by any open-minded movie buff.
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2 of 2 people found the following review helpful By A Customer on May 7 2000
Format: VHS Tape
Filled with deep symbolism and dark humor, "Brazil" is a dynamic movie that, in Terry Gilliam's words, is not about the future, "but the present." There are some moments of sheer genius in this film. One is the restaurant scene in which a terrorist bomb explodes on the other side of where some characters are eating. The unharmed patrons pause for a moment, then, unblinking and without turning, go back to their meals and conversation. The musicians, some slightly charred, resume playing. And, capping it off, Sam's youth-obsessed mother, Ida (the divine Katherine Helmond) says to her friend, "What were we saying?" as workers scramble to set up a screen so that the dying and burning cannot distort the lovely view. This is Grade-A commentary on the way civilians ignore horrible crimes because of their commonplace occurrances. It often takes a presidential assassination, a bombed federal building with millions trapped inside, a downed airplane lost at sea, a Columbine High School, a Titanic, or a towering inferno to make everyone look up for two seconds before you hear them say "Oh, God, is that STILL in the papers?" Another shining moment is actually several moments. Ida's gruesome but intriguing plastic surgery, along with her increasing youth throughout the picture, goes up alongside her friend. This friend, visiting an "acid man," rapidly deteriorates throughout the film until she is a nasty, gelatinous mess, tipping its hat (so to speak) to the Beverly Hills facelift crowd. The other great achievement is the repeated appearance of forms. Forms, forms, you can't repair a wire, or even get another form, without one. Beauracracy is another great target of "Brazil.Read more ›
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1 of 1 people found the following review helpful By Andrey Shmatov on Jan. 17 2013
Format: Blu-ray Verified Purchase
In a nutshell, if you love a movie that is NOT main stream and eccentric, you will love this one. The whole cinematography is a masterpiece. I haven't seen anything like that before. Its a long movie but it does grab and consume you. The cast is awesome incl. Robert De Niro, Jonathan Pryce etc. I would say this one is a real spectacle when it comes to unusual movies.
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Format: Blu-ray
BRAZIL [1985/2014] [Limited Edition Steelbook] [Blu-ray] [UK Release] The Truth Will Make You Free! It’s Only A State Of Mind!

It's only a state of mind. Jonathan Pryce stars as Sam Lowry in this surrealistic spectacle about a daydreaming bureaucrat trapped in a future dystopia where love is forbidden from interfering with efficiency. But with the help of an underground superhero [Robert De Niro] and a beautiful mystery woman [Kim Greist], Sam learns to soar to freedom on the wings of his untamed imagination, or so he thinks. Acclaimed filmmaker Terry Gilliam directs with an acerbic wit and poet's eye that dazzles like never before in glorious high.

FILM FACT: Awards and Nomination: Academy Awards®: Nominated: Original Screenplay. Nominated: Best Art Direction for Norman Garwood and Maggie Gray. Ary Barroso's 1939 song "Aquarela do Brasil" ("Watercolor of Brazil", often simply "Brazil") in a version specifically performed by Geoff Muldaur is the leitmotif of the movie, although other background music is also used. Michael Kamen, who scored the film, originally recorded "Brazil" with vocals by Kate Bush. This recording was not included in the actual film or the original soundtrack release; however, it has been subsequently released on re-pressings of the soundtrack. According to Gilliam in an interview with Clive James in his online programme “Talking in the Library,” to his surprise ‘BRAZIL’ is apparently a favourite film of the far right in America.
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By Johnny Rocker on April 1 2015
Format: DVD
Textbook classic in brilliance, greed, egos, and different cultures all focusing on one objective - the movie Brazil. Any fan of cinema should own this set - whether they like Terry Gilliam's work or not. As it's probably the most definitive expose of how 'weird little art house sleepers' turn into this giant world renowned masterpiece studied from every angle. Had the past great directors had to endure what Gilliam did, epics like Citizen Kane, 2001: A Space Odyssey, American Graffiti, and Blade Runner would be less than what is Brazil today. Sure, the other movies had to endure flack, disdain, and maybe overwrought praise to obtain their stature today. But the bi-polar vision within and outside the movie of Brazil is fascinating from a artistic, economic, psychological and cultural perspective. What is Brazil so negative towards? What is Brazil so controversial of? What damages could Brazil create? What if Brazil is totally misunderstood as to what Brazil is? A riddle wrapped in an enigma all edited and crammed into two to three showings a night for the unwittingly paying movie goer around the world. And to this day, no one inside or outside of the movie creation and business of it can rightfully say what Brazil is. It's a costly vision that suffered costly losses. It put A list actors in the back seat and glorified nobodies. It promoted homeland terrorism to single out it's unlikely hero. And in the end, nobody wins - or do they? And thankfully with this fantastic Criterion set of Brazil - we ALL win. Or do we....? We have enough to look at to forever keep us guessing if tainted visions were the best decisions - uncut, or brutally reworked. And that to me IS the true beauty of Brazil, inside and out.
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