|List Price:||CDN$ 23.99|
|Price:||CDN$ 17.83 & FREE Shipping on orders over CDN$ 25. Details|
|You Save:||CDN$ 6.16 (26%)|
Jonathan Pryce (Pirates of the Caribbean), Robert De Niro (The Godfather) and Michael Palin (Monty Python and the Holy Grail) star in this landmark cult classic that dazzles and thrills with its Academy Award nominated, groundbreaking art direction and sharply satirical original screenplay. In a future world, a government clerk finds his life destroyed when he tries to correct an administrative error that caused a massive chain reaction of mistaken identity. Despite his efforts, he finds himself an enemy of the state. Hailed as a modern masterpiece, visionary director Terry Gilliam’s (Fear and Loathing in Las Vegas) pitch-black comedy takes a highly imaginative and chilling look at a “perfect” future where technology reigns supreme and bureaucracy overrules love for the sake of efficiency.
If Franz Kafka had been an animator and film director--oh, and a member of Monty Python's Flying Circus--this is the sort of outrageously dystopian satire one could easily imagine him making. However, Brazil was made by Terry Gilliam, who is all of the above except, of course, Franz Kafka. Be that as it may, Gilliam sure captures the paranoid-subversive spirit of Kafka's The Trial (along with his own Python animation) in this bureaucratic nightmare-comedy about a meek governmental clerk named Sam Lowry (Jonathan Pryce) whose life is destroyed by a simple bug. Not a software bug, a real bug (no doubt related to Kafka's famous Metamorphosis insect) that gets smooshed in a printer and causes a typographical error unjustly identifying an innocent citizen, one Mr. Buttle, as suspected terrorist Harry Tuttle (Robert De Niro). When Sam becomes enmeshed in unravelling this bureaucratic glitch, he himself winds up labelled as a miscreant.
The movie presents such an unrelentingly imaginative and savage vision of 20th-century bureaucracy that it almost became a victim of small-minded studio management itself--until Gilliam surreptitiously screened his cut for the Los Angeles Film Critics Association, who named it the best movie of 1985 and virtually embarrassed Universal into releasing it. --Jim Emerson --This text refers to an out of print or unavailable edition of this title.
I would like it if I could see it - I enjoyed the movie when it was first in the cinemas, so decided to buy it to watch it again. Read morePublished 8 months ago by CaroleLynne
A story about hopes, dreams and bureaucracy, zanily shot and edited - a true work of art.Published 8 months ago by Anthony Prudori
It's premise is absurd of course but hilarious, I could watch this movie over and over again, and now that it is released on Blue Ray maes it all the more enjoyable.Published 19 months ago by Bysshe
This is a classic that you should see once. There is some psychological and physical violence that should disturb you, and great absurdist comedy that will make the reality... Read morePublished 21 months ago by Velma Darlene Facchi
I saw this movie years ago and loved it. The copy I purchased is new and just as wonderfully fresh and when I last saw it. Thank you for prompt service and a perfect copy!Published on July 23 2013 by macagirl
If you haven't seen this film, I think you should. Terry Gilliam makes fantastic movies, full of fantasy and a front seat view of crazy town. Read morePublished on May 31 2012 by Patrick
This movie is incredible. Neat special effects, strange gadgets, memorable characters (Sam Lowry, Harry Tuttle and Harvey Lime to name a few), and a mixture of action, romance... Read morePublished on June 6 2010 by J. Gregory