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Breakfast at Tiffanys
 
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Breakfast at Tiffanys

Audrey Hepburn , George Peppard , Blake Edwards    Unrated   DVD
4.6 out of 5 stars  See all reviews (141 customer reviews)
Price: CDN$ 14.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Breakfast at Tiffany's Breakfast at Tiffany's 4.6 out of 5 stars (141)
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From Amazon.co.uk

No film better utilises Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewellery. George Peppard is her upstairs neighbour, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay and Hepburn's mix of knowing experience and naivety combine to create one of the great screen romances and a refined slice of high-society bohemian chic. --Sean Axmaker

Amazon.com Essential Video

No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker

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Customer Reviews

141 Reviews
5 star:
 (107)
4 star:
 (22)
3 star:
 (6)
2 star:
 (2)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (141 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Good for ALL ages!, July 5 2004
This review is from: Breakfast at Tiffanys (DVD)
Because of the fact that I'm only 17 years old, I just got around to watching this movie. I'd always heard about it but I never knew what it was about. And, to be quite honest, I didn't even think about watching it because I thought it was in black and white! (Eh, I didn't know when it was made!)

My dad made me watch it this past weekend and I fell in love with it! Unlike most romantic comedies made today, both main characters are broke. It doesn't follow the mold of: poor/average girl falls for rich guy blah blah blah or the other way around. It was funny (Mickey Rooney's character was HILARIOUS!) and sad (when Holly finds out about Fred) and sappy (the last 20 minutes) all at the same time.

This movie is great for anyone, whether you saw it the first time around or you're a "late viewer" like me.

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3 of 3 people found the following review helpful:
5.0 out of 5 stars Gorgeous! Film you can really watch multiple times!, Jun 4 2004
By 
Otto Yuen (Toronto, ON Canada) - See all my reviews
This review is from: Breakfast at Tiffanys (DVD)
Film starts with Audrey Hepburn stopping by Tiffany & Co. in the morning at 6am, having her breakfast pretzel and coffee while standing in front of the Tiffany store, looking through the window and staring at the beatiful Tiffany's jewellery. She feels calm, relax, joyfully walking back to her apartment. Story begins with her new neighbor....

This is a truly gorgeous romantic film, a real classic. A film really you can watch many many times without getting bored. Since 1961, I'm sure lots of people agree and have been watching this film again and again and again during this 40 years. Oscar winning music, beautiful theme song 'Moon River' meets with gorgeous romantic story.

"Moon river wider than a mile
I'm crossing you in style someday
You dream maker, you heartbreaker
Wherever you're going I'm going your way
Two drifters off to see the world
There's such a lot of world to see
We're after the same rainbows end
Waiting round the band
My huckleberry friend, moon river

And me..."

Such charming may wonder you ever find a counterpart from nowadays. Overall, buy it own it watch it feel it and re-watch it.

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Such a lot of world to see, Jan 10 2009
By 
E. A Solinas "ea_solinas" (MD USA) - See all my reviews
(HALL OF FAME)    (TOP 10 REVIEWER)    (REAL NAME)   
This review is from: Breakfast at Tiffanys (DVD)

Audrey Hepburn had a lot of memorable, glamorous roles as highly individual, sensitive young women.

But her most iconic turn was as Holly Golightly, a frivolous young woman with a highly sensitive core. Hepburn is a ball of shimmering charm here, whether she's setting hats on fire or chasing nameless cats through the rain, and she's able to shine brightly enough to obscure a few flaws (such as Mickey Rooney). The other actors do serviceable jobs, but she's undeniablythe star.

"Breakfast at Tiffany's" is a daily ritual for Holly Golightly (Hepburn), a social butterfly who hosts parties, entertains drunken men for their fifty-dollartips, and dreams of owning a horse farm in Mexico with her brother. When kept-man Paul Varjak (George Peppard) moves into a neighboring apartment -- courtesy of his rich patroness -- he is instantly enchanted by the ditzy, sweet-natured Holly.

But for all Holly's fun, Paul starts to realize that all is not well with her. She's desperate to marry a spectacularly wealthy man, parties with wild crowds, visits a notorious gangster in jail, and hides that she was an illiterate teen bride to a hick doctor. As Holly's life starts to deteriorate, Paul sets out to show her what her life will be like without real love.

Reportedly Truman Capote wasn't happy with the movie version of "Breakfast At Tiffany's" -- they changed the ending from his short story's, and he didn't like Hepburn as Holly Golightley. But this is one case where the movie's quality is not reflected by what the author thought of it -- taken on its own merits, it's a fine chocolate with a bittersweet center.

Much of the movie is devoted to the friendship (and unspoken attraction) between Holly and Paul, and how it disrupts their comfortable shallow lives. Paul spends the whole movie unravelling the unhappy tale of Holly's life as she starts spinning out of control. Things climax nastily with Holly's already-questionable reputation being sullied, but the finale is an exquisite mix of brutal honesty, true love and a very unglamorous rainstorm.

That said, it's a pretty hilarious movie -- witty dialogue ("... if you like dark, handsome, rich-looking men with passionate natures and too many teeth") and plenty of kooky humour ("TIMBER!" Holly yells as a drunken model keels over, followed by the crowd parting like the Red Sea). And there are plenty of charming, warm'n'fuzzy moments, like the cute day trip through New York.

One thing that will make viewers cringe: Mickey Rooney's caricatured Japanese landlord who objects to Holly's parties. Not. Funny.

Though she was no party girl, Audrey Hepburn is pitch-perfect as Holly -- she can be flaky and adorable ("I'm CRAAAZY about Tiffany's?"), chattery and glamorous, with a cat she refuses to name because they're just a pair of "poor slobs who don't belong to anybody." But she can just as easily flip the switch to show the wounded, almost childlike side.

George Peppard is just as good -- albeit less winsome -- as a writer-turned-kept-man-turned-writer-again, whose protective affection for Holly grows as the movie goes on, but who has to get through her ironclad defenses. And Patricia Neal rounds out the cast nicely as the icy, cynical woman whom Paul gives his non-literary services to.

Hepburn is the flawed diamond at the heart of "Breakfast at Tiffany's," and her charm and acting ability elevate this beyond just another adorable romantic comedy.
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