Breaking Into Freelance Illustration: A Guide for Artists, Designers and Illustrators Paperback – Sep 21 2009
|New from||Used from|
Customers Who Bought This Item Also Bought
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
About the Author
For Holly DeWolf, nothing is as gratifying as being involved in the illustration industry. Her creative habits have served her well and now as a creative mentor, she hopes to inspire others to build the creative business they want. Holly has been a freelance illustrator for the past fifteen years. She has been spotlighted on Designers who Blog, Illustrophile, and Design Inspiration. Holly also writes and teaches when she is not creating "handmade experiences" in paint. You can connect with Holly at www.hollydewolf.com.
Inside This Book(Learn More)
Top Customer Reviews
I do recommend this book to people who want to give this career a shot!
Most Helpful Customer Reviews on Amazon.com (beta)
At first, the book seemed to be geared towards stay-at-home moms looking to start a design business while working around the daily routine of running a home with kids. But, as the book progressed it offered good advice for all new home-based business owners. It definitely has given me some motivation to do what I thought may be a difficult field to break into. Also...it's a good book based purely on illustration and not co-mingled with graphic design. Well worth the read.
There is no slogging through the content in this book. It's packaged well in fun-sized, easily digestible morsels. This helps make it an addictive read. It's a flexible one, too--for the reader, it would be as comfortable to consume the entire book in a few longer sittings, as it would be to pop off a few pages at a time over the course of a couple weeks, say, on your daily commute.
>It features real-deal conversations, observations and advice from a variety of active, working illustrators and designers
I love that there's snippets from working professionals from all walks of illustration: children's, editorial, art licensing, logo designers, and more. This not only helps to illustrate personal experiences in so many different areas of the industry, but it also illuminates how similar all of our experiences as creative professionals are, how we all often struggle with the same fundamental challenges, and how some general solutions to these problems can be retro-fitted to our own particular situation with just a fresh eye and an open mind. Though each of us may concentrate on different areas of the industry and, as such, have very individualized, specific goals for our respective work, there is more that is fundamentally similar in all of our experiences than is different.
>A great introductory book for young illustrators... and a good reminder manual for the established
Many business books for creatives tout the same, classic, tried-and-true fundamentals. Good advice is good advice, right? This book shares some of the same, but also shares so much more--Holly's voice shines right through the words on the page. She's personable and honest, like a good friend who doesn't sugarcoat things. Holly acts as an invisible mentor, dispensing some real tough-love advice, but in a completely comfy, "positive-vibes" type of package. She definitely has a way with words, proving a strong ability to cover a lot of material in a way that's neither overwhelming nor disorganized, while maintaining her loose, conversational tone. All in all, it's an easily digestible book on the business of art that's great for artists who have an aversion to business books.
Quotes are obviously a big deal to this author, because the whole book is littered with cutesy, unnecessary quotes that don't always match the content of the chapter. The illustrations featured throughout the book are sometimes dated and stick pretty strictly to the author's greeting-card style rather than a broad range of styles. The author quotes other artists about their experiences and advice, which is nice, but these extended quotes sound a lot like unedited emails from friends.
With nuggets of wisdom such as "feel what you need to creatively feel," this book reads more like a motivational tool than a real nuts-and-bolts guide to the illustration industry. The more practical information, such as building a printed portfolio, tends to be vague and generalized. Meanwhile, the author spends too much time discussing lighter topics such as "creative diversions" to get your artistic juices flowing. (She collects Playmobil toys!)
I'm going to keep looking for another book on getting into the illustration industry.
However, maybe one fifth is worth reading, therefore one out of five stars.