- Hardcover: 79 pages
- Publisher: Dallas Museum of Art; illustrated edition edition (February 1999)
- Language: English
- ISBN-10: 0936227257
- ISBN-13: 978-0936227252
- Product Dimensions: 30.7 x 23.1 x 1.5 cm
- Shipping Weight: 726 g
- Average Customer Review: 5.0 out of 5 stars See all reviews (3 customer reviews)
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Amazon Bestsellers Rank:
#2,287,513 in Books (See Top 100 in Books)
- #6 in Books > Arts & Photography > Artists, A-Z > ( M-O ) > Marden, Brice
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Product Details |
Product Description
From Library Journal
After 20 years of exploring the possibilities of large, flat panels of color, Brice Marden felt so exhausted as an artist that he considered giving up painting altogether. His interest was rekindled by a superb exhibition of Asian calligraphy. Completely changing his method of working, he started to explore the enormous complexity of line as a method of artistic expression. Marsden drew on a close study of Chinese calligraphy and a deep interest in Greek mythology to create a vibrant and spontaneous way of working that fuses a subtle command of color with a striking pattern of looping lines, freely painted. This catalog pairs a clear explanatory text with excellent color reproductions of 43 of his works, creating an excellent introduction to the best works of one of the major American painters of the late 20th century.ADavid McClelland, Philadelphia
Copyright 1999 Reed Business Information, Inc.
Copyright 1999 Reed Business Information, Inc.
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Most helpful customer reviews
5.0 out of 5 stars
His finest work yet,
By
This review is from: Brice Marden: Work of the 1990s : Paintings, Drawings, and Prints (Hardcover)
Brice Marden has been considered a master of his craft for nearly three decades and his recent paintings are the most powerful yet. Abandoning the rigid rectangles of his previous work, Marden has embarked upon a looser, yet structural form. The surface and application are still meticulate, reminding one of the sensuality of the oil and beeswax mix of the 60's work. Using what seems to be Oriental calligraphy and free-form drawing as inspiration, these new works are at once arresting in their complexity and somber in their exquisite use of color. He has taken his extensive knowledge of color from the 'rectangle' years and applied them to this new series of intersecting and twisting lines. I find myself in awe of these paintings, having seen some them in New York two years ago and this catalog has faithful reproductions, an oversize format and a very fair price
5.0 out of 5 stars
His finest work yet,
By
This review is from: Brice Marden: Work of the 1990s : Paintings, Drawings, and Prints (Hardcover)
Brice Marden has been considered a master of his craft for nearly three decades and his recent paintings are the most powerful yet. Abandoning the rigid rectangles of his previous work, Marden has embarked upon a looser, yet structural form. The surface and application are still meticulate, reminding one of the sensuality of the oil and beeswax mix of the 60's work. Using what seems to be Oriental calligraphy and free-form drawing as inspiration, these new works are at once arresting in their complexity and somber in their exquisite use of color. He has taken his extensive knowledge of color from the 'rectangle' years and applied them to this new series of intersecting and twisting lines. I find myself in awe of these paintings, having seen some them in New York two years ago and this catalog has faithful reproductions, an oversize format and a very fair price
5.0 out of 5 stars
His finest work yet,
By
This review is from: Brice Marden: Work of the 1990s : Paintings, Drawings, and Prints (Hardcover)
Brice Marden has been considered a master of his craft for nearly three decades and his recent paintings are the most powerful yet. Abandoning the rigid rectangles of his previous work, Marden has embarked upon a looser, yet structural form. The surface and application are still meticulate, reminding one of the sensuality of the oil and beeswax mix of the 60's work. Using what seems to be Oriental calligraphy and free-form drawing as inspiration, these new works are at once arresting in their complexity and somber in their exquisite use of color. He has taken his extensive knowledge of color from the 'rectangle' years and applied them to this new series of intersecting and twisting lines. I find myself in awe of these paintings, having seen some them in New York two years ago and this catalog has faithful reproductions, an oversize format and a very fair price
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