Bridget Jones wants to have it all - and once she's given up smoking and got down to 8st 7lbs, she will. This book is about a year in the life of a single girl on an optimistic but doomed quest for self-improvement.
At the beginning of Helen Fielding's exceptionally funny second novel, the thirtyish publishing puffette is suffering from postholiday stress syndrome but determined to find Inner Peace and poise. Bridget will, for instance, "get up straight away when wake up in mornings." Now if only she can survive the party her mother has tricked her into--a suburban fest full of "Smug Marrieds" professing concern for her and her fellow "Singletons"--she'll have made a good start. As far as she's concerned, "We wouldn't rush up to them and roar, 'How's your marriage going? Still having sex?'"
This is only the first of many disgraces Bridget will suffer in her year of performance anxiety (at work and at play, though less often in bed) and living through other people's "emotional fuckwittage." Her twin-set-wearing suburban mother, for instance, suddenly becomes a chat-show hostess and unrepentant adulteress, while our heroine herself spends half the time overdosing on Chardonnay and feeling like "a tragic freak." Bridget Jones's Diary began as a column in the London Independent and struck a chord with readers of all sexes and sizes. In strokes simultaneously broad and subtle, Helen Fielding reveals the lighter side of despair, self-doubt, and obsession, and also satirizes everything from self-help books (they don't sound half as sensible to Bridget when she's sober) to feng shui, Cosmopolitan-style. She is the Nancy Mitford of the 1990s, and it's impossible not to root for her endearing heroine. On the other hand, one can only hope that Bridget will continue to screw up and tell us all about it for years and books to come. --Kerry Fried
There are many similarities between Bridget Jones's Diary and Jane Austen's Pride and Prejudice. In both stories, the heroine is attracted to a charming rogue and repelled by his haughty former friend (whose name happens to be Darcy in both cases.) In both stories, the rogue wins her sympathy by telling her about all the rotten things his ex-friend did to him. But both heroines later discover that you can't believe everything you hear - and Darcy turns out to be the real charmer. With all these parallels, it isn't hard to determine that Helen Fielding is an Austen admirer, and that all of these similarities to Pride and Prejudice are intentional.
This book is witty and hilarious, from Bridget's list of New Years Resolutions on page 1 to her summary of the year on page 271. Furthermore, each of the characters is incredibly believable (especially Bridget), which makes it very easy for the reader to relate to this book.