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The Brief Wondrous Life of Oscar Wao
 
 

The Brief Wondrous Life of Oscar Wao [Hardcover]

Junot Diaz
3.9 out of 5 stars  See all reviews (11 customer reviews)
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From Publishers Weekly

SignatureReviewed by Matthew SharpeAreader might at first be surprised by how many chapters of a book entitled The Brief and Wondrous Life of Oscar Wao are devoted not to its sci fi–and–fantasy-gobbling nerd-hero but to his sister, his mother and his grandfather. However, Junot Diaz's dark and exuberant first novel makes a compelling case for the multiperspectival view of a life, wherein an individual cannot be known or understood in isolation from the history of his family and his nation.Oscar being a first-generation Dominican-American, the nation in question is really two nations. And Dominicans in this novel being explicitly of mixed Taíno, African and Spanish descent, the very ideas of nationhood and nationality are thoughtfully, subtly complicated. The various nationalities and generations are subtended by the recurring motif of fukú, the Curse and Doom of the New World, whose midwife and... victim was a historical personage Diaz will only call the Admiral, in deference to the belief that uttering his name brings bad luck (hint: he arrived in the New World in 1492 and his initials are CC). By the prologue's end, it's clear that this story of one poor guy's cursed life will also be the story of how 500 years of historical and familial bad luck shape the destiny of its fat, sad, smart, lovable and short-lived protagonist. The book's pervasive sense of doom is offset by a rich and playful prose that embodies its theme of multiple nations, cultures and languages, often shifting in a single sentence from English to Spanish, from Victorian formality to Negropolitan vernacular, from Homeric epithet to dirty bilingual insult. Even the presumed reader shape-shifts in the estimation of its in-your-face narrator, who addresses us variously as folks, you folks, conspiracy-minded-fools, Negro, Nigger and plataneros. So while Diaz assumes in his reader the same considerable degree of multicultural erudition he himself possesses—offering no gloss on his many un-italicized Spanish words and expressions (thus beautifully dramatizing how linguistic borders, like national ones, are porous), or on his plethora of genre and canonical literary allusions—he does helpfully footnote aspects of Dominican history, especially those concerning the bloody 30-year reign of President Rafael Leónidas Trujillo. The later Oscar chapters lack the linguistic brio of the others, and there are exposition-clogged passages that read like summaries of a longer narrative, but mostly this fierce, funny, tragic book is just what a reader would have hoped for in a novel by Junot Diaz.Matthew Sharpe is the author of the novels Jamestown and The Sleeping Father. He teaches at Wesleyan University.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From AudioFile

Although the listener may be a bit confused at times, both Jonathan Davis and Staci Snell do well in narrating Diazs long-awaited novel in Spanglish, a difficult English and Spanish language mix that characterizes the culture presented. Diaz presents the impoverished side of the Dominican Republic with a no-holds-barred approach. Exposing both the raw, carnal explorations of young protagonists and the environments that molded them, Davis and Snell work hard at portraying the intentions of each character, as well as the snarling contempt of their world. The settings of the stories from Diazs first book, DROWN, include New Jersey and New York. They are well done and realistic. D.L.M. © AudioFile 2008, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.

Inside This Book (Learn More)
First Sentence
They say it came first from Africa, carried in the screams of the enslaved; that it was the death bane of the Tainos, uttered just as one world perished and another began; that it was a demon drawn into Creation through the nightmare door that was cracked open in the Antilles. Read the first page
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Customer Reviews

11 Reviews
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Average Customer Review
3.9 out of 5 stars (11 customer reviews)
 
 
 
 
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15 of 15 people found the following review helpful:
5.0 out of 5 stars 'Tis Better to Have Loved and Lost Than to Never Love at All, Feb 9 2008
By 
Donald Mitchell "Jesus Loves You!" (Thanks for Providing My Reviews over 109,000 Helpful Votes Globally) - See all my reviews
(TOP 10 REVIEWER)    (#1 HALL OF FAME)   
This review is from: The Brief Wondrous Life of Oscar Wao (Hardcover)
The Brief Wondrous Life of Oscar Wao is a family saga about identity, love, loss, oppression, hexes, sexuality, and fate. Don't give up during the first 50 pages where Oscar, the fat science-fiction and fantasy aficionado Dominican-American in the ghetto, is introduced . . . it's the least interesting part of the book.

From there, you will be transported into the past and future lives of Oscar's sister, mother, aunts, grandparents, and college roommate. Those lives are, in part, shared to present the history of the evil, repressive regime of Trujillo and its heirs in the Dominican Republic. The stories shared in this book rival anything you've read about the disappeared ones in Argentina.

Any book with such a sad point needs a little levity to release the reader's emotions. Junot Diaz accomplishes that result by having Oscar be the most unRomeo-like Romeo you can imagine.

Beneath the story line, the book asks a classic question: How much should we suffer for love?

Oscar is in many ways a modern Don Quixote who is troubled by having sexual desires as well as platonic ones. The humor is more subdued, but the parallels are striking.

If all you know about the Dominican Republic is that great baseball players come from there, you'll be pleased with this story. It's sweet and sad at the same time.

If you don't know Spanish, keep a dictionary handy. You won't quite know what some of the references are otherwise.
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1 of 1 people found the following review helpful:
2.0 out of 5 stars More Bookish Thoughts..., May 30 2011
By 
Reader Writer Runner (Victoria, BC) - See all my reviews
(TOP 100 REVIEWER)   
As the 2008 Pulitzer Prize winner for fiction, Junot Diaz falls into an elite category of authors that includes Jhumpa Lahiri, Jeffrey Eugenides and Richard Russo. I have to admit, though, that The Brief Wondrous Life of Oscar Wao fell short of the mark; while I appreciated artistry of the novel, I didn't particularly enjoy it. In the first 50 pages, Diaz introduces Oscar, the obese, nerdy and entirely unlikable protagonist. It's a dry beginning but the book does improve when it delves into the lives of Oscar's sister, mother, grandparents and friends. As well as a family saga, the novel chronicles the era of the oppressive reign of Trujillo in the Dominican Republic. While the book successfully (and sometimes humourously) weaves together themes of identity, love, loss and fate, I found it gratuitously vulgar and uncaptivating. And as for its underlying question: how much suffering is love worth? I certainly wouldn't heed the advice of any of its characters!
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Good characterization...sometimes., Feb 17 2010
By 
I really love novels that intertwine different meta-narratives in order to tell the whole story.I think this is a feat that is not easily undertaken, and there are only a handful of authors that I've come across that can partake in storytelling from diverse perspectives, getting us to understand the internal logic of the different characters. I think Diaz has done this well. He does it all with a dash of edginess and dark humour, and incorporates history and culture into the story. He does shy away from any grandiose political statements, and talks about the horror of the reign of the Trujillo regime from a rather personalistic perspective (a la Trujillo was just a bad freakin' dude), as opposed to a more structural perspective, which is a bit annoying for those that know anything about the history of Latin American and US-propped dictatorships. I understand that a political statement was not his intention, though, although it did deal at length with racial relations.

While I enjoyed the meta-narratives and characterization of the book, oddly enough, I didn't dig on Oscar all that much. Someone else mentioned here that he was a stock character of the fat, science fiction-loving, introverted, sex/love-challenged variety, and I must agree. I had a hard time having any empathy for him, and read the book mostly for the other characters (I found his sister and especially his mother's stories interesting). When he was interactions with other characters, it's always in this obscure space-speak, variations of some middle-earth or extraterrestrial-like dialect. Who talks like this? Even geeks can relate more to people than this, no? Maybe Diaz thinks that he has un-stocked the stock character by combining two apparently contradictory identity traits: Loner, fat, game-less freak meets Dominicano (who are apparently renowned for their ability to procure punani). This might make him somewhat less cliché, but I still can't garner a whole lot of empathy for the dude. As the narrative changes, it is alternately told from a 1st person perspective (Oscar's sister, and Oscar's college roommate), and from a Greek chorus-like "we" perspective. Maybe it's because Oscar never gets to explain himself, but he just seems completely unable to relate to anyone, and Diaz doesn't really get into his head. He just kind of describes his life (which by and large consists of writing novels, and not getting laid) from the outside. It's hard to root for a character for whom you feel rather indifferent, and who has not been adequately dissected. We can understand why Lola (his sister) and Beli (his mom) are the way they are. I can't understand Oscar, and after reading, I was too annoyed with him to want to.

In fact, all the male characters in this book were underdeveloped in my opinion, and the female characters much more complex. From a male author, I'm not quite sure why this is, but it is. In any case, Diaz does a good job highlighting the rather schizophrenic identity to which diaspora gives rise, and I appreciated his humour, lack of pretension, diverse narratives as well as insight about race, and his ability to shed light on how people from the "old country" think. Would definitely recommend it.
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