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Brighton Rock (New Windmills)
 
 

Brighton Rock (New Windmills) [Hardcover]


4.4 out of 5 stars  See all reviews (25 customer reviews)

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25 Reviews
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4.4 out of 5 stars (25 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
2.0 out of 5 stars Madness & Guilt at The Beach, Jun 17 2004
By 
A. Ross (Washington, DC) - See all my reviews
(REAL NAME)   
Having worked my way through about a third of Greene's output, I was quite looking forward to this entertainment about a teenage gangster in 1930s Brighton. At first, the atmosphere met my expectations, with the seedy underbelly of the holiday getaway exposed, with shabby bars, and razor gangs fighting for their slice of the protection rackets. However, the story's themes left me largely unsatisfied, as cardboard characters go through the motions of embodying larger ideas and forces. The book starts with the murder of a corrupt London newspaperman, who is killed by a minor Brighton gang. This gang is led by Pinkie, a 17-year-old sociopath who has filled the void left by the death of the previous leader. Although the newpaperman's murder goes off without a hitch, and the gang appears to be in the clear, problems starts when a hooker with a heart of gold starts poking her nose into the affair. With little to motivate her other than a fleeting connection to the dead man and an awfully stubborn notion of justice, Ida sets out to unmask the truth. Meanwhile, Pinkie's not totally convinced that the gang's tracks are covered and does a little checking around himself. Both PInkie and Ida realize that there is an unwitting witness who, a 16-year-old waitress, named Rose. The story then boils down to a tug-of-war between Pinky and Ida for Rose's loyalty.

Pinkie is a misanthropic pessimist, who looks to violence as the solution to most problems, and is profoundly mentally disturbed, especially when it comes to sex, which a repressive Catholic upbringing has sullied. Ida is his opposite, a fun-loving, happy-go-lucky (and disproportionately represented) type, the hooker who enjoys her work. Pinkie is a brooding thug, with little motivation other than to be on top of the world, preferably with his boot at its neck. Ida is all about carpe diem, living in the moment, and not worrying too much about what tomorrow will bring. Rose sits between them as a naive blank slate, with nothing driving her beyond senseless schoolgirl infatuation. Watching these characters circle each other with scheme and counter-scheme never gets very interesting. They are much much too broad to be believed in, and as vessels of larger themes they never measure up. Nor are the supporting characters of any help, each one more thinly sketched than the one before. It's all very melodramatic, and ends in the only way possible. In interviews, Greene admits his own dissatisfaction with this book. He started it as a straight detective story, and then reconfigured it, which is why the tone veers so strangely partway through.

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1 of 1 people found the following review helpful
2.0 out of 5 stars sterile, May 24 1998
By A Customer
I read this book because Truman Capote (a great writer) claimed it in an interview as a great novel. Boy was I disappointed. Nothing propelled me to keep turning the pages, and the Catholic symbolism in the book was ridiculously incessant, and only something a fanatical converted Catholic like Greene could have included to such a degree. Pinkie holds a wire flower and pierces his palm with it. Well, that is obviously symbolic of the nails through Jesus' hands...but for what purpose to the story, or to that scene that has nothing religious or metaphyscial in it? And while Greene is capable of great writing, I didn't find any of it in this book.
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1 of 2 people found the following review helpful
5.0 out of 5 stars "Only God may judge me", April 12 2004
By 
If you can get over the fact that the menacing antihero is named Pinky, and resist the urge to put words his mouth along the lines of, 'Eh, Dallow, wot are we going to do tonight? Wee-hee-hee; narf!', you'll find this to be one of the most rewarding thrillers out there. Its style gathers enormous momentum, with long, elaborate sentences like gasps of air, and it's difficult to put down. The character of Pinky is one of Greene's most compelling; like any great villian, he arouses both sympathy and disgust, and his eventual failure is almost dissapointing. Greene's usual themes of guilt and redemption and poverty are well turned-out. Also interesting is the half-revealed backstory, never made explicit; the pace of the novel is such that there's no time for exposition. It's a brilliant, vicious knife-thrust of a book, and one of Greene's best.
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