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Brooklyn Hardcover – Large Print, Jul 2009

7 customer reviews

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Hardcover, Large Print, Jul 2009
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Product Details

  • Hardcover: 358 pages
  • Publisher: Center Point Pub; Lrg edition (July 2009)
  • Language: English
  • ISBN-10: 1602855307
  • ISBN-13: 978-1602855304
  • Product Dimensions: 21 x 12.5 x 2.8 cm
  • Shipping Weight: 544 g
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: #2,684,495 in Books (See Top 100 in Books)
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Product Description


“Tóibín’s genius is that he makes it impossible for us to walk away.”
The New Yorker

"Brooklyn is Colm Tóibín's most beautifully executed novel to date.... Reading Tóibín is like watching an artist paint one small stroke after another until suddenly the finished picture emerges to shattering effect."
Times Literary Supplement

"Disarmingly effective and affecting."
National Post

"A small masterpiece"
The Guardian

"Tóibín is himself a master — like his countryman William Trevor — of a kind of deep gentleness, even as the darkness falls on his characters.... Here is a writer who quietly watches and reports, shocked at nothing, missing nothing."
Globe and Mail --This text refers to the Paperback edition.

About the Author

Colm Tóibín’s most recent novel, The Master, won the International IMPAC Dublin Literary Award, Le prix du meilleur livre étranger, and the Los Angeles Times Book Prize, and was shortlisted for the Man Booker Prize. His other books of fiction include The Story of the Night, The Blackwater Lightship, a finalist for the Man Booker Prize and the International IMPAC Dublin Literary Award, and the short fiction collection Mothers and Sons. Tóibín was one of the 2008 Scotiabank Giller Prize judges in Toronto. He lives in Dublin, Ireland. --This text refers to the Paperback edition.

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Customer Reviews

3.7 out of 5 stars
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Most helpful customer reviews

5 of 5 people found the following review helpful By Schmadrian on Aug. 26 2009
Format: Hardcover
As a reader, when I read a novel, especially when I'm 'reviewing' one, in the end, my primary question is: 'Am I glad I spent the time on it?'

As a writer, when I read a novel (or a screenplay, or article, or any other piece of writing), especially when I'm 'reviewing' one, in the end, my primary question is: 'Would I like to have written it?'

In the case of Tóibín's 'Brooklyn', the answers would be, in order, 'Yes', and 'No'.

'Brooklyn' was such a strange animal to me. I write as I speak, as I converse, as I express myself in most ways: pithiness rarely rules the day. So to have such a poignant tale told with such reserve, by way of a narrative that's not that far off point-form...this style of writing is not my default choice. However, perhaps because of its -to me, maybe just to me- unusual qualities in this regard, it found a special place in my heart. Its quirkiness was endearing...and I do not mean that in a patronizing way in the least. (For the record, my heroes are John Irving, Pat Conroy, Mark Helprin and Ann-Marie MacDonald. One of my favourite stretches within a novel would be the first forty-or-so pages of Don Delillo's 'Underworld'. Now *that* is writing.) Yes, I'd be curious to read a 'filled-out' version of this 269-page threadbare novel. Yes, there were times I longed for 'more'. But its charms...and its effectiveness...were beyond question for me. So yes, I'm glad I spent the time reading it, I enjoyed it a ton.

But I could never see writing it. If I tried to accomplish even a short story cut from the same cloth, it would, no doubt, be terribly affected, and if successful, more an exercise in determination than creation.
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5 of 5 people found the following review helpful By Brigid O'Sullivan on Jan. 7 2010
Format: Hardcover
I know how respected and Booker-nominated this author is and this is the first time I've picked up one of his books. I was disappointed. I never engaged with the main character Eilis, in fact I found her irritating to the extreme. Toibin's style of writing was pedantic and several subplots rambled off by themselves.

The secondary love affair of Eilis did not ring true for a second and the ending of the novel left me frustrated and feeling slightly ripped off.

However, the book got 3 stars from me for the vivid descriptions of small town Ireland and its characters in the 60's and the crossing by liner to New York in that era was beautifully done.

Would I go back to Toibin for second helpings? No.
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1 of 1 people found the following review helpful By Kona TOP 500 REVIEWER on April 27 2010
Format: Hardcover
After WWII, a young Irish woman named Eilis comes to America and settles in Brooklyn. She works in a ladies' clothing store, goes to night school, and meets a nice young man.

If you think that was a generic synopsis, wait till you read this book. It's nothing but generic sentences lumped into non-descript paragraphs. There is very little 'in the moment' action and every page reads like a summary ("She went to work and then came home," etc.) Nothing much happens until the last 30 pages.

There is neither action, drama, nor antagonist and I would hardly call Eilis a heroine; she's meek and mousy, says yes to everything, and is so stoic she lacks personality. Reading this book was like looking at a painting through gauze; it was okay but lacked enough detail to make me really like it.
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12 of 15 people found the following review helpful By Walter Hypes on April 19 2009
Format: Hardcover
Set in Ireland and Brooklyn in the 1950's this rather sad, melancholy novel traces the gradual maturing of Eilis Lacey who leaves her homeland and her beloved home for a time to work in America, leaving her mother, her sister Rose, and her friends. Living in the small village of Enniscorthy and still young and full of hopes and dreams, Eilis finds work at a shop, but the kindly Father Flood, the family pastor instills in Eilis a sense of adventure even as she bears the knowing gossip of her friends and the constant pressure from her mother to cross the Atlantic to seek her fortune. With Eilis's older bothers long gone to England for work, she grows older, always in the shadow of Rose, an avid golf player who seems to become ever more glamorous over the years. Elias is proud of her sister, of how she takes care of her appearance and whom she mixes with, so its not surprising that Eilis heeds her advice and tries to bury all of the fear and dread that she's going to lose her world in Ireland forever. She was looking forward to America and leaving home for the first time. America might be foreign but there was also "an almost compensating glamour attached to it."

Throughout her journey, Eilis is surrounded by characters who seem to have the best of intentions. Luckily, the kindly blond haired Georgina helps Eilis on the stormy voyage when she's wracked with sea sickness as she vomits up all of her boiled mutton amidst all of the shuddering and lunging as the huge ocean liner moves forward. Upon her arrival on Brooklyn, Ellis cannot believe the extent of her naiveté as she's forced to put up with the muddy humidity of summer and the freezing winters with the biting wind, carrying ice.
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