The Black Keys are back with Brothers, a lushly produced album that hits you with a head-on assault of big bottom, soul searing blues rock. We are definitely surfing a wave of retro goodness on most of the tracks, especially when vocalist/guitarist Dan Auerbach stays in falsetto for the entire length of Everlasting Light accompanied by background vocalists giving a few "shoo shoo waahhh's " for full effect. Ten Cent Pistol is swaggering number, a throw-back to mid-seventies CCR that has some organ thrown in to fill out the sound. In fact, there is quite a bit of keyboard on this album compared to Attack and Release, and I find it is used sparingly enough that it doesn't detract from the guitar/drum aesthetic that has come to define The Black Keys. Drummer/producer Patrick Carney lays down, as usual, a heavy dose of big beats, making this a perfect album for window-rolled-down cruising on a summer day. Clocking in at just under an hour, sure they could have stripped away a few tracks to saturate the album into 40 minutes of rock honey, but I like the length. The two minute interlude of Black Mud, an instrumental track, serves as the perfect runway for the foot stomping She's Long Gone. Along with some Gary Glitter channeling on Howlin' For You, these 15 tracks of full-on rock are a highly referential offering from a band that just keeps doing what it does best.