- Hardcover: 256 pages
- Publisher: HarperCollins Canada / Fiction (Mar 9 2000)
- Language: English
- ISBN-10: 006019555X
- ISBN-13: 978-0060195557
- Product Dimensions: 23.9 x 15 x 3 cm
- Shipping Weight: 680 g
- Average Customer Review: 4.6 out of 5 stars See all reviews (8 customer reviews)
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Product Details |
Product Description
From Amazon
The Prodigal Daughter is coming home. Bring on the fatted calf--or at the very least an order of onion rings and a stiff shot of Kentucky bourbon. Sally Alder, once the hard-living, hard-drinking, better-than-average singing star of the Laramie, Wyoming, country-and-western bar scene is back in her hometown for the first time in 17 years. And to the amazement (and horror) of many, she's back as a respected scholar and holder of the Dunwoodie Distinguished Chair in American Women's History at the University of Wyoming. It's a career move that doesn't sit well with many of her new colleagues, as police chief Dickie Langham muses: "He decided that she would be making more than enough to infuriate the average chronically underpaid Wyoming history professor.... How much worse that Sally was somebody who had once put herself through a master's program in history by singing songs like 'Up Against the Wall, Redneck Mothers.'"
Sally has been hired, in part, to write the biography of Margaret Dunwoodie, a well-known frontier poet whose work is troubling, seductive, and hilarious (Sally's favorite poem is "Still Life of Fascists with Herefords"). As Sally makes her way slowly through a lifetime's worth of papers, poems, letters, and shopping lists, she finds her attention drifting more toward the present than the past; how to reposition herself in Laramie society, how to negotiate a newly explosive courtship with former lover Hawk Green--these seem far more pressing than Dunwoodie's story. Brown-Eyed Girl is no fast-paced thriller; Swift is content to let her story drift as peacefully as spring snow moving across the plains.
For that reason, the brusque demands of plot, action, and mystery seem to strike a foreign chord upon their introduction. When a distant relative of the poet, disgruntled at having been denied what he considers his rightful inheritance, joins forces with reactionary millionaire Teton County rancher Elroy Foote to menace Sally and steal a fortune they are convinced is hidden among the papers, the novel teeters precariously on the verge of trying to become something it isn't. But Swift wisely retreats from overinvesting in a plot that is, it must be said, too weak to support itself. She chooses instead to treat Foote and his henchmen with a sly sense of the absurd: "Most of the Unknown Soldiers were intellectually challenged good ol' boys and mentally rearranged Vietnam vets who thought for various reasons (too many wilderness areas, too many missile silos, the advent of bad cappuccino at the local Diamond Shamrock) that foreigners and the federal government were engaged in a secret plot to take over Wyoming."
Though the capital-M Mystery aspect of Brown-Eyed Girl is perhaps more a distraction than an attraction, the little mysteries of the human personality--the foibles of friends, lovers, and enemies--more than make up for its intrusion. Swift's talent for person and place will easily woo you away from plot. --Kelly Flynn
From Publishers Weekly
As much a mainstream story of two gutsy Wyoming women as it is a mystery, Swift's first novel captivates. Meg Dunwoodie, a newspaperwoman well known for her tough, incisive political reporting, returned to her native Wyoming from Europe just as WWII broke out and never left home again. Like Emily Dickinson, she became famous for her poetry only after her death. Now her estate has endowed a chair in American women's history at the University of Wyoming. History professor Sally Alder is appointed to the professorship on the condition that she live in Meg's house in Laramie and write the poet's biography. Sally, who was locally famous as a "hell-raising" bar singer 20 years earlier and is struggling with changes in her life, returns to Wyoming to begin to uncover the truth about Meg's past. But someone keeps breaking into the house, perhaps to look for the cache of Krugerrands that are the stuff of local legend. Unknown parties paint Sally's car with swastikas, while strangers in camouflage gear descend on the town during a blizzard. Skinheads, neo-Nazis, professors, lawmen, barmaids and others with secrets of their own converge as Sally unravels Meg's story, discovering why the woman buried herself in smalltown America after living the life of a European sophisticate. Swift develops her engaging tale gracefully, with a real feel for the atmosphere of its Wyoming setting. Agent, Elaine Koster. (Apr.)
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
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Most helpful customer reviews
4.0 out of 5 stars
Love Jennifer Cruisie? Meet Viginia Swift!,
By
This review is from: Brown-Eyed Girl (Mass Market Paperback)
Swift has a witty, intelligent book here full of good laughs and very nice writing. The mystery is intriguing, the relationships real and the characters absorbing. Mustang Sally reminds me of myself, and friends, who have finally grown older but not totally "up" (to paraphrase Jimmy Buffett); wiser and more experienced but not dead to adventure and passion yet! If you like Jennifer Cruisie and Suzann Ledbetter, this book will appeal to you.
4.0 out of 5 stars
fun read,
By
This review is from: Brown-Eyed Girl (Mass Market Paperback)
This book is a light cross between mystery and romance that does not take itself too seriously and laughs at everything. i really enjoyed it, primarily because of the writing style and succession of implausible but entertaining events.
5.0 out of 5 stars
Best of Genre,
By
This review is from: Brown-Eyed Girl (Hardcover)
In this novel, the central character Sally Alder has traded in the edgy existence of a hard-living, cattle-country bar singer for a respectable career as a history professor. However, the bequest of a wealthy poetess gives Sally an opportunity to revisit the scene (and perhaps the meaning) of her prior life.The plot careens in several directions. First, Sally renews a relationship with a former boyfriend, whose love-making now combines the mature sophistication of middle age with the stamina of an adolescent. (Perhaps this is plausible. I can only testify to the possibility of the opposite mixture.) Next, Sally unravels the mysterious background of the poetess. Finally, she survives the self-thwarting schemes of a right-wing militia and a selfish set of sexist professors. I can curl up with writing like this (p. 100): "People on the high plains got real squirrelly the week before Thanksgiving. They knew there'd be a snowstorm that would shut down the roads relatives would try to travel, strand thousands in the Denver airport en route to turkey dinners and family feuds, generally [mess] up everyone's plans and leave the world so [dang] silent and beautiful into the bargain that you felt guilty for resenting the inconvenience." In fact, I can say without hesitation that of all books in the comic-western/mystery-romance/academic-feminist genre, this is the best that I have ever read. But you have to be open to that kind of crazy concoction to enjoy this novel. If you prefer to keep Larry McMurtry, Sara Paretsky, and A.S. Byatt in separate places, then this might not be your cup of tea.
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