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Bryter Layter
 
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Bryter Layter

Nick Drake Audio CD
4.5 out of 5 stars  See all reviews (11 customer reviews)
Price: CDN$ 11.33 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Usually ships within 10 to 13 days.
Ships from and sold by Amazon.ca. Gift-wrap available.

Frequently Bought Together

Bryter Layter + Five Leaves Left + Pink Moon
Price For All Three: CDN$ 30.83

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  • Usually ships within 10 to 13 days.
    Ships from and sold by Amazon.ca.
    Eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details

  • Five Leaves Left CDN$ 11.41

    Usually ships within 10 to 12 days.
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    Eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details

  • Pink Moon CDN$ 8.09

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Customers Who Bought This Item Also Bought


Product Details


1. Introduction
2. Hazey Jane II
3. At The Chime Of A City Clock
4. One Of These Things First
5. Hazey Jane I
6. Bryter Layter
7. Fly
8. Poor Boy
9. Northern Sky
10. Sunday

Product Description

From Amazon.co.uk

Bryter Layter, the second album from Nick Drake, came in 1970, and while not quite as melancholy as his debut, Five Leaves Left, there are certain brooding qualities that continued to propagate the Nick Drake mystique. Horn, flute and string arrangements lift such songs as "At the Chime of a City Clock" and "Hazy Jane I" and "II" out of the realm of sad, folk-guitar music into something jazzier and lighter, while the beautiful piano and simple guitar of "One of These Things First" laments what could have been without sounding like a song of despair. But two tracks featuring John Cale on various instruments (such as viola and harpsichord) have the dark fragility of "Pink Moon": the lovely "Fly" is a fragile apparition, and "Northern Sky" is a dreamy, brooding plea for long-lasting love. It's definitely not the same mood music as his starker work, but it's still a fine showcase for Nick Drake. --Lorry Fleming

Product Description

The second album from Nick Drake came in 1970, and while not quite as melancholy as his debut, Five Leaves Left, there are certain brooding qualities that continued to propagate the Nick Drake mystique. Horns, flute, and strings arrangements lift such songs as "At the Chime of a City Clock" and "Hazy Jane I" and "II" out of the realm of sad, folk-guitar music into something jazzier and lighter, while the beautiful piano and simple guitar of "One of These Things First" laments what could have been without sounding like a song of despair. But two tracks featuring John Cale on various instruments (such as viola and harpsichord) have the dark fragility of "Pink Moon": the lovely "Fly" is a fragile apparition, and "Northern Sky" is a dreamy, brooding plea for long-lasting love. Definitely not the same mood music as his starker work, but still a fine showcase for Nick Drake. --Lorry Fleming

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Customer Reviews

11 Reviews
5 star:
 (8)
4 star:
 (1)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (11 customer reviews)
 
 
 
 
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Most helpful customer reviews

5.0 out of 5 stars Pulls one along with a gentle tension, Jun 21 2004
This review is from: Bryter Layter (Audio CD)
"Bryter Layter" superbly pulls one along with a gentle tension: the music is arranged in a largely upbeat manner. Yet Nick Drake often sings about detachment as though it offers stability. It's as though he is the catalyst, melding jazzy riffs and structures with his lyrics that conjure up images of what was, what should have been, what could have been.

Even the instrumental tracks evoke a longing, a need for completion, a yin-yang that does not quite fit.

How anyone could quibble about the significance of this session escapes me: pairing Nick Drake with peers such as Thompson, Dave Pegg and Dave Mattacks from Fairport Convention; John Cale; and Chris McGregor who contributes some excellent piano on Poor Boy is like a folk-rock dream team.

Mr. Drake's delicate vocals and the deft arrangements are the gossamer that binds this session, and "Bryter Layter" should ultimately be remembered for its myriad strengths instead of a foil for the rest of Mr. Drake's work or as a prescient-laden testimony to Mr. Drake's subsequent depression and death.

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5.0 out of 5 stars instantly bryter, Mar 17 2004
By A Customer
This review is from: Bryter Layter (Audio CD)
I'll go out on a limb and just hope that everyone knows that feeling where you're happy through and through and yet there's this deep seated hinting towards a desperate need to cry. I've yet to find a word for it, but whatever the word is, that's what this album is. Musically, there's incredible talent. The lyrics are heads above most. But mostly, it's the feeling that you get out of this.
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5.0 out of 5 stars my personal favorite, but understandably criticized, Mar 9 2004
By 
B. Schuman (NY) - See all my reviews
(REAL NAME)   
This review is from: Bryter Layter (Audio CD)
I heard this album after I had already heard Five Leaves Left and Pink Moon, so I thought it was really weird to hear Nick Drake backed by a jazz band. It didn't seem to go along with him. But I listened to it while driving in a car at night on a rainy day, and it was perfect. I don't think the band dilutes him, I think it just makes this album very different from his two others.(which are definitely not identical to each other in the first place) Not only does it have different arrangements, it's more upbeat, musically if not lyrically. I really like the instrumentals, especially the title track- they're reminiscent of elevator music, but more energetic and more fun to listen to than anything that ever got played in an elevator. However, I can see why people complain, since in many songs, you have to listen hard to make out Nick's guitar. It's nice to hear John Cale on this album, I'm beginning to think that the six degrees of separation rule applies to session musicians as well as movie actors. Surprisingly, his distinctive viola playing suits Nick Drake just as well as it suited the Velvet Underground. This is probably the best of the "jazz-folk" albums of the late '60s and early '70s, it's more cohesive and balances the jazz and folk elements better than similar albums by Tim Buckley and Van Morrison, though both of them definitely did influence Drake. (Maybe it's not better than "Astral Weeks," but it's about as good, and easier to listen to) It also must be mentioned that Belle and Sebastian, and several other indie bands, literally owe their sound to this album(especially "Hazey Jane II"). If you want music that sounds good on a rainy day, but isn't sleep-inducing, or depressing, this is it. Being in a part of the world where there is a lot of precipitation, this album is in my CD player a lot, and it's my personal favorite of Drake's three masterpieces.
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