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Business the
 
 

Business the [Paperback]

Iain Banks
3.6 out of 5 stars  See all reviews (25 customer reviews)

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Paperback, Aug 8 2000 --  

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Iain Banks is a multi-generic, multi-task dream. On one hand, he's produced a series of science fiction novels (Feersum Endjinn, Inversions) that have achieved cult status in his native Britain. On the other hand, he has dipped into the world of contemporary fiction with a number of equally successful works (The Bridge, Complicity). Fans of both rely on Banks's acidic wit, elegantly clever prose, and sometimes befuddling but always fascinating plot twists.

The Business, a sly satire of corporate success, begins with every promise of fulfilling those standards. Kathryn Telman, "a senior executive officer, third level (counting from the top) in a commercial organization which has had many different names through the ages but which, these days, we usually just refer to as the Business," has been selected to negotiate the Business's purchase of the sovereign state of Thulahn (where "the royal palace is heated by yak dung" and the "national sport is emigration"). Corporate takeovers are small potatoes compared to the acquisition of an entire country, and Kathryn's politely scheming superiors have set their sights on a seat at the United Nations and the "unrestricted use of that perfect smuggling route called the diplomatic bag."

Kathryn's voice, at once polished and gritty, is the novel's strongest point. Her wry dissections of the Business, its motives and ambitions, its members, and the delightful irony of negotiating with Thulahn's crown prince (who is more interested in matrimony than marketeering) are sheer reading pleasure. And the notion of an ancient, omnipotent, secretive corporation is a great starting point for any number of stories. But The Business is, sadly, next to bankrupt on the level of plot. Of the two storylines that structure the novel (the takeover of Thulahn and Kathryn's growing suspicion of high-level fraud), neither amounts to much. Their development and resolution, such as they are, seem so haphazard that the reader might wonder whether Banks just lost interest in his own story.

For dedicated Banks fans, The Business may not be on a par with his other outings, but the pleasure of his prose is nonetheless satisfying. Newcomers to the Banks mystique, having no points of reference, may be well content with his arch humor and forceful characterization. --Kelly Flynn --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Ever since The Wasp Factory first bent readers' minds in 1984, prolific Scottish author Banks has tantalized and terrified with his eerily accurate representations of humanity at its twisted best and worst. Lighter in mood than some of his previous novels, his latest, a bestseller in Great Britain, is still shot through with sinister undertones. In a recognizable but slightly tilted 1998, Kathryn Telman works for the Business, a mysterious corporation that predates the Christian church and at one point owned the Roman Empire. Plucked from poverty in West Scotland at the age of eight, she has been groomed for the fast track ever since. Thirty years later, despite her power, money and success, she is finally beginning to wonder just what the Business is all about. Why was she pulled out of Scotland just as she noticed something amiss at a subsidiary chip factory? Why has she been summoned by a munitions-collecting higher-up to talk his nephew out of writing an incendiary anti-Islamic screenplay? Why has the Business's sinister head of security sent her a dirty DVD showing the wife of Kathryn's colleagueDand secret loveDin an illicit tryst? And why suddenly appoint her "ambassador" to Thulahn, a remote Himalayan principality the Business is buying in order to gain its own seat in the U.N.? Banks offers a hilarious look at international corporate culture and the insatiable avarice that drives it, but he suggests the positive potential of globalization, too. Less overtly eccentric and sensationalistic than favorites like The Wasp Factory and A Song of Stone, the novel is a clever, genre-bending pleasure. (Nov.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

25 Reviews
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Average Customer Review
3.6 out of 5 stars (25 customer reviews)
 
 
 
 
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4.0 out of 5 stars A netsuke monkey and a twelve sided thruppeny bit, Aug 27 2007
By 
Craobh Rua "Craobh Rua" (N. Ireland) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: The Business (Paperback)
Iain Banks was born in Scotland in 1954 and published his first book  "The Wasp Factory"  in 1984. In the years since, he's won critical acclaim, topped best-seller lists and has even written Science Fiction books under the cunning nom-de-plume 'Iain M. Banks'. "The Business" was first published in 1999, and is his tenth non sci-fi book.

The origins of the Business predate Christianity, and it - technically - owned the Roman Empire for an exceptionally short spell. (It turned out to be something of a mistake, and is considered to be the Business' most public mistake). The world headquarters re at Chateau d'Oex, in Switzerland, where there are - allegedly - some rather interesting items in their vaults. (These are rumoured to include a book that might just have made it into the Bible and some rather erotic doodlings sketched by Michelangelo). Although the Business has 'understandings' with several states and regimes, it is now planning to 'buy' its own country - allowing for a seat on the United Nations and diplomatic immunity for its senior executives. Officially, the country being considered if Fenua Uans, a small island in the Pacific.

Kate Telman is senior executive officer, third level with the Business. She started with Security, though has been keeping an eye on technology trends in recent years - luckily, her suggestions on where to invest have been paying off significantly. (As a result, she reached Level Three a good deal more quickly than she had dared hope). Kate is thirty eight years old and was born in Scotland, but holds joint British - US citizenship. Although she is currently on sabbatical, she has been with the organisation since she left school. She had been effectively groomed for the Business by Elizabeth Telman since childhood, following a chance meeting on the roadside in 1968. Elizabeth adopted Kate after her natural mother died, four years later. Now, with Elizabeth also dead, Freddy Ferrindonald is the closest thing to family she has left. Freddy, a step-brother of Elizabeth's, is also a high-ranking Business employee, not to mention exceptionally rich and just a little odd. He lives at Blysecrag House, which might just qualify as a stately home. (It has three hundred rooms and its cellars extend for two miles). The pair certainly get on very well together, and Kate admits to being very fond of Freddy.

Blysecrag is soon to be playing host to a very high-level meeting and some general hedonism - Kate is rather excited (and relieved) to have been invited. Unfortunately, Prince Suvinder Dzung from Thulan will also be among the other guests. Suvinder is a noted admirer of Kate's, but the admiration is entirely one way. Kate prefers Stephen Buzetski, another Business executive - unfortunately, he is proving to be stubbornly loyal to his wife. Events at Blysecrag lead to Kate doing a little more travelling and attending a few more meetings - leading to an offer she never seriously expected and didn't necessarily want. However, as time goes by, she becomes increasingly suspicious that the more senior executives are not being entirely straight about things...

Generally, I've found if a book has the name "Iain Banks" on the cover it's well worth reading. "The Crow Road" and "Whit" would both safely be included in my "10 Favourite Books of All Time", while "Canal Dreams" and "The Wasp Factory" would probably be knocking loudly on the door. In all those books, Banks has developed a strong 'lead' character whose past has contributed as much to the book as the 'current' events of the story. In comparison, "The Business" is a little weak : Kate's past isn't developed in the way Prentice McHoan's or Frank Cauldhame's are developed, while the story's 'current' events - meetings, parties and sightseeing  aren't quite as absorbing as the events of "Whit" and "Canal Dreams". However, "The Business" is still an Iain Banks book : even on an off-day, he'll tell a story a good deal more readable and a great deal more enjoyable than your average writer is capable of producing.
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3.0 out of 5 stars Doin' ' The Business ', May 5 2002
By 
Joan "Joan" (Santa Monica, CA United States) - See all my reviews
This review is from: The Business (Hardcover)
This is by no means his best writing however it's a much better book than it lets on to be and unlike a previous reviewer I rather liked the fact that we get hardly any insight into the mechinations of ' The Business .'
Telman's character is believable and it's an interesting enough journey she takes us on albeit a little too superficial. Once again though Mr. Bank's can't quite capture the nuance and timber of North American dialogue in spite of his brilliant skills in so many other ways.
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3.0 out of 5 stars Promised a lot, yet delivered a little., Mar 14 2002
By 
Philip Willis (Sydney, Australia) - See all my reviews
(REAL NAME)   
He is one of modern fiction's most original and inventive writers, but this time Iain Banks has gotten lazy with "The Business".

He creates the menacing, powerful and secretive organization known only as "The Business", then spends the entire novel not talking about it! Sure - we don't need to know EVERYTHING, but why make it the premise (and title) of the novel and then studiously avoid any details?

The main character, Kate, has some very interesting moral decisions to make, but the book is spent with her deciding to decide to decide on her decision. When she FINALLY makes her choices on her various interesting dilemmas the book is over!

I would have preferred to see Kate make her moral choices early (like say - in the first 100 pages), then see the CONSEQUENCES of her actions. Good drama is almost always about the decisions people make, right or wrong, and how people deal with the results.

Don't write Banks off though. I prefer: "The Use of Weapons", "The Player of Games" or "Whit".

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