Buxtehude: Organ Works, Vol. 5 [Import]

Ton Koopman (Artist) | Format: Audio CD

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Product Details

Audio CD (Oct 13 2009)
SPARS Code: DDD
Number of Discs: 2
Format: Import
Label: Challenge Classics
ASIN: B001UJSUMU

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Disc: 1
1. Praeludium in E Major, BuxWV 142
2. Nun bitten wir den heiligen Geist, BuxWV 209
3. Te Deum laudamus, BuxWV 218
4. Praeludium in C Major, BuxWV 136
5. W�r Gott nicht mit uns diese Zeit, BuxWV 222
6. Toccata in D Major, BuxWV 155
7. Von Gott will ich nicht lassen, BuxWV 221
8. Praeludium in A Major, BuxWV 151
9. Praeludium in A Major, BuxWV 152
10. Herr Christ, der einig Gottes Sohn, BuxWV 19
See all 14 tracks on this disc
Disc: 2
1. Praeludium in A Major, BuxWV 153
2. Ich dank dir, lieber Herre, BuxWV 194
3. Herr Christ, der einig Gottes Sohn, BuxWV 192
4. Praeludium in E Major, BuxWV 143
5. Mensch, willt du leben seliglich, BuxWV 206
6. Nun bitten wir den heiligen Geist, BuxWV 208
7. The Complete Organ Works of Nicolaus Bruhns: Praeludium in E Major, (the larger)
8. Praeludium in E Major (the smaller)
9. Nun komm der Heiden Heiland
10. Praeludium in G Major

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Amazon.com: 5.0 out of 5 stars (1 customer review)

4 of 4 people found the following review helpful

5.0 out of 5 stars Buxtehude Rocks!, May 25 2009

By Paul Van de Water - Published on Amazon.com

These two discs constitute the tenth volume in Ton Koopman's series devoted to the complete works of Dieterich Buxtehude (1637-1707) and the fifth and final installment of Buxtehude's organ works. They are recorded on the organ at St. Wilhaldi in Stade, Germany, near Hamburg. The organ is a fine north German instrument that slightly post-dates Buxtehude's time--having been built by Erasmus Biefeldt in the 1730s and restored by Jurgen Ahrend in 1990. The album contains nine freely composed preludes in the virtuosic "stylus phantasticus," written for large organ with at least two manuals and pedal, plus eleven chorale-based works. One of the latter--the Te Deum, BuxWV 218--is described by Kerala Snyder as "one of [Buxtehude's] grandest and certainly his longest keyboard work." As a bonus Koopman includes four pieces that represent the complete surviving organ music of Nicolaus Bruhns (1665-1697), perhaps Buxtehude's most gifted student (excluding, of course, Bach, who spent three months with Buxtehude in 1705). Koopman's enthusiasm makes the music come alive and reveals Buxtehude as far more than Bach's greatest predecessor. The recording captures the organ and its venue with utmost clarity and realism. Few recent discs have given me such enjoyment.

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