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Working completely outside the mainstream, Stan Brakhage has made nearly 400 films over the past half century. Challenging all taboos in his exploration of "birth, sex, death, and the search for God," Brakhage has turned his camera on explicit lovemaking, childbirth, even actual autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all. Instead, Brakhage has pioneered the art of making images directly on film itselfstarting with clear leader or exposed film, then drawing, painting, and scratching it by hand. Treating each frame as a miniature canvas, Brakhage can produce only a quarter- to a half-second of film a day, but his visionary style of image-making has changed everything from cartoons and television commercials to MTV music videos and the work of such mainstream moviemakers as Martin Scorsese, David Fincher, and Oliver Stone.
Criterion is proud to present 26 masterworks by Stan Brakhage in high-definition digital transfers made from newly minted film elements. For the first time on DVD, viewers will be able to look at Brakhage's meticulously crafted frames one by one.
While you go out to see most other kinds of movies, you must go inward to see the extraordinary avant-garde films of Stan Brakhage. Foremost among American experimental film artists, Brakhage influenced the evolution of the moving image for nearly 50 years (his impact is readily seen on MTV), and this meticulously prepared Criterion Collection anthology represents a virtual goldmine of Brakhage's finest, most challenging work. Challenging because--as observed by Brakhage film scholar Fred Camper in the accompanying booklet--these 26 carefully selected films require the viewer to be fully receptive to "the act of seeing with one's own eyes" (to quote the title of one film, consisting entirely of autopsy footage), which is to say, open to the perceptual and psychological responses that are provoked by Brakhage's non-narrative shorts, ranging here from nine seconds to 31 minutes in length. While "Dog Star Man" (1961-64) is regarded as Brakhage's masterpiece, what emerges from this superb collection is the creative coherence of Brakhage's total vision. Through multilayered textures (often painted or scratched directly on film) and infinite combinations of imagery and rhythmic cutting, these films (most of them soundless) represent the most daring and purely artistic fulfillment of Criterion's ongoing goal to preserve important films on DVD. --Jeff Shannon
never before has a film gone from my dvd player to the sell pile on my desk in such a rush.
when i read that his 'visionary style' had influences seen on MTV and major motion... Read more
The eye is an extention of the brain, as Brakhage himself says. There is also a sort of mid-region between eye and brain: the mind's eye, that which interprets and analyses what we... Read morePublished on Jan. 21 2004
I'm really trying to see the value in these films. There's obviously no narrative, so the films would have to rely on beauty of composition. Sadly, there is none of that. Read morePublished on Jan. 4 2004 by Django
I had no previous experience with Brakhage's work before I bought this 2-disc set and I must say it is difficult viewing. Read morePublished on Dec 11 2003 by scharl
This is a great collection of films by the renowned avante-garde filmmaker Stan Brakhage; if you want to see Brakhage's films, THIS is the best video transfer you're ever likely to... Read morePublished on Aug. 22 2003 by C. G. Gross
Beautiful, moving films gorgeously transferred to DVD by the ever-reliable folks at the Criterion Collection. The packaging is excellent, the commentary and notes informative. Read morePublished on Aug. 14 2003 by Tom From NY
I'm reluctant to air my disappointment amongst so many glowing 5-star reviews, but honestly, I felt a little cheated after watching this collection. Read morePublished on July 24 2003 by J. W. Kennedy
This is an excellent collection of Brackhage movies. The quality is top notch. There is also some interesting interviev footage included. Read morePublished on July 16 2003 by David Cammack