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Comment: Moderate wear on cover and edges. Minimal highlighting and/or other markings can be present. May be ex-library copy and may not include CD, Accessories and/or Dust Cover. Good readable copy.
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Cadillac Jukebox Paperback – 1996

17 customer reviews

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Paperback, 1996
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Product Details

  • Paperback
  • Publisher: Hyperion (1996)
  • Language: English
  • ISBN-10: 0786889187
  • ISBN-13: 978-0786889181
  • Product Dimensions: 16.8 x 10.2 x 3 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (17 customer reviews)
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Customer Reviews

4.1 out of 5 stars
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Format: Mass Market Paperback
I found four spelling errors in the book and even though they were all typos, I expect all the words in a book to be spelled correctly if I have to pay for it. When they're not, the publisher and author lose credibility.

All of chapter 13 could have been cut without changing the story line. It was unnecessary background information and it was an information dump that stopped the story in its tracks.

There are two places where he changes the point of view from first person to third person which is OK but the writing was exactly the same as in the first person POV writing, the voice was the identical.

There were too many characters. I had trouble keeping track of them and the story was so complicated that at the end I'm not sure what happened.

I hated the relationship between Karyn and the protagonist. I thought he was stupid to ever get involved with her. Maybe that's a part of being a man that I was unaware of until now, that men are attracted to women against their better judgment. But if that's true, then I have lost all respect for men.

But I did like the story. I thought he really made the location come alive for me. He made the characters realistic and sympathetic and I would consider reading more of his work.
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By A Customer on July 21 2003
Format: Mass Market Paperback
I spent my early adolescent years in southeastern Louisiana and have a lot of fond memories of this uniquely charming piece of America. Burke's Dave Robicheaux never fails to transport me back to the gumbo restaurant in a trailer, the trek through a Morgan City swamp that brought me awfully close to an alligator, and Pete Fountain's jazz club at the Hilton. Simply put, Burke knows Louisiana and how to evoke it.
Cadillac Jukebox is overall a good read. It's basically a tale of the dark motives that drive people across the line from good to bad. Unfortunately, Burke let the story get too complicated. I wish I had made a chart of the characters as I read the book, because keeping track of who's who got confusing. The storyline also spreads out to the point that staying on top of it becomes a chore.
I thought the story got formulaic at points. The mythological symbolism in the fate of the husband-and-wife antagonists was over the top, like a classical bass drum roll at the end of a Warren Storm tune. But Burke didn't miss a beat with his characters. I was scared by Aaron Crown and Mookie Zerrang, I felt sympathy for Buford LaRose and enmity toward his wife, and I felt like I'd known Batist for a long time. Dave Robicheaux was as polite, resolute, and conflicted as ever.
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Format: Mass Market Paperback
We can see why the readers from the Deep South, especially Louisiana, love James Lee Burke. His prose borders on poetry as he creates mind images for the readers that are close to cinematic in their descriptive power. Thus he recreates the geography, the sights and smells, of the bayous for his fan club.
Alas, his writing prowess does not necessarily translate to compelling story telling. While we found ourselves liking his leading man of some dozen of his 22 books, Louisiana cop Dave Robicheaux, a huge supporting cast of small time hoods, politicians, barflies, and so on, were difficult to follow without a scorecard. While Robicheaux and his wife Bootsie were well defined, most of the other players were not. Thus the plot became just as muddy as the bayous where much of the story is set. We found ourselves thinking Burke might be better at writing fiction that does not pose the pressures of a mystery, where clues and plot evolution have to lead to some relatively logical conclusion.
These findings seem to coincide with a majority of his reviews -- either one is overcome by his mastery of the language into more or less ignoring the story per se; or one is left admiring his imagery while finding that the story line disappoints as it unfolds. We would like to try a non-series Burke, perhaps his Pulitzer nominated "Lost Get-Back Boogie", to see if he can get it all together. Stay tuned.
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Format: Mass Market Paperback
Yes, James Lee Burke is a terrific wordsmith who can bring the Cajun backwoods and bayous alive for readers, but this particular work is quite simply, a sprawling, literary hodge-podge. The story is loosely woven to the point of being chaotic--Dave Robicheaux skitters here, there, and everywhere, including TWO almost gratuitous mini-jaunts to Mexico. The characters are "colorful," but in some cases, such as that of Aaron Crown, the eccentricity deteriorates into cartoon-like caricature. There are various smalltime gangsters who are hard to keep straight, there is a politician's wife who turns up periodically to strip off her clothes, taunt Robicheaux sexually, and then disappear in a cloud of vituperative hissing. And there are more than a few digressions and sidebars to the story that don't ever seem quite justified--it's all a bit much, methinks, and overall it makes for a story that never really hangs together adequately.
Still, Burke is a good enough writer that it's a hard book to put down once started. I think he has done better in others of his mysteries, however.
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By Donald Mitchell #1 HALL OF FAMETOP 50 REVIEWER on May 31 2000
Format: Mass Market Paperback
Dave Robicheaux is one of those rare characters in today's American detective fiction -- the honest cop with a heart of gold and the toughness to rout the bad guys. In a sense, he is a throwback to the sheriff in the old Westerns. The difference is that Robicheaux's setting is Louisiana, and its peculiar combination rural charm and especially corrupt politics.
You can read this series because you like the Robicheaux character. That would be enough.
Or you can read this series for its wonderful treatment of Louisiana and its people. That would be enough.
As someone who has visited this beautiful state and its interesting people many times, I love reading Burke's descriptions so I am especially drawn to the latter reason.
Luckily, you can read it for both reasons, and that is way more than enough to keep you happily entertained.
One caution: The violence can be pretty stomach churning. If that upsets you, this book is not going to please you.
This story is one of those interesting and rewarding ironies that makes reading fun. The story revolves around Dave's efforts to clear Lester Crown of the murder of a prominent black civil rights attorney 28 years earlier. Crown is hardly someone you'd invite home for Sunday dinner, and this helps to establish Dave's character. Who else would put his family and himself in danger for such a creepy guy?
Lots of people start putting roadblocks and inducements in Dave's way, but that only makes him more determined.
The ending will stay with you for a long time.
The characters ring true throughout, and make you glad you're rooting for Dave! He's our last, best hope. In fact, he's irresistible as a heroic figure. Enjoy!
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