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Can She Bake a Cherry Pie?
 
 

Can She Bake a Cherry Pie? [Hardcover]

Mary Drake McFeely
5.0 out of 5 stars  See all reviews (1 customer review)

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From Booklist

Advancement of women's rights and equality of women in the contemporary workplace could not have happened without consistent progress in the practice, science, and technology of domestic management in the U.S. McFeely traces the evolution of domestic management from the first nineteenth-century cooperative societies, led by such luminaries as Zina Peirce and Charlotte Gilman. These schemes failed, but they set the stage for technological advances that finally loosed the chains of drudgery. McFeely makes a compelling account of the evolution of American attitudes toward food and its preparation from the privations of the Depression through World War II and into the explosive growth of processed foods during the last half of the century. She notes the irony of how each "liberating" technology added further expectations from the household manager. For example, the food processor may have produced labor savings, but it also created a demand that every kitchen produce foods just like Julia Child's Mark Knoblauch
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From Kirkus Reviews

A cursory swipe at the herstory of the kitchen--from the days when women put summer fruit on the tin roof of a building for two days in order to make preserves to the advent of the TV chef. McFeely's thesis is that The woman who has to provide a hot dinner for her husband and family every night is effectively tethered to the stove and limited in how much she can accomplish in the outside world. Whether or not that is true is moot. But she takes us on a whirlwind tour--from the homesteader housewife in the mid-19th century (who kneaded her dough by the sweat of her brow) to the modern homemaker of 1955 (for whom Wonder Bread was a miracle) to the contemporary working woman (whose bread machine will be used, if at all, after a long day at the office). Fanny Farmer, we learn, was the mother of level measurements, before whose advent a pinch or a dash would have to do. Julia Child brought sophistication to the peons, who had been stirring up tuna noodle casserole in a postwar world where the mixing of packaged food had become an art form. In between came the granola people (and now the bean-sprout contingent). A whole chapter is devoted to the privations of rationing in America, which is somewhat obtuse insofar as there is no corresponding consideration of the far greater hardships endured in wartime Europe. In spite of her classically feminist thesis, McFeely does not discount the social importance of cuisine altogether, and she eventually concludes on a happier note that the one she began with: Creative cooking can be compatible with creative work. . . .We do not need to lose our kitchens to keep our freedom. Tasty, but somehow unsatisfying. -- Copyright © 2000 Kirkus Associates, LP. All rights reserved.

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THERE WAS A TIME WHEN I ACTUALLY USED TO MAKE BAKED BEANS FROM SCRATCH, STARTING WITH HARD LITTLE WHITE beans and molasses and salt pork, soaking and boiling the beans, mixing everything together in a copy of a real New England brown bean pot, and cooking the beans in the oven all day. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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5.0 out of 5 stars History meets cooking meets gossip, Nov 10 2001
By A Customer
This review is from: Can She Bake a Cherry Pie? (Hardcover)
What a great book! Mcfeely's writing is so effortless and chatty you may not realize how much there is too learn.

She takes you, historically speaking, from the time when women HAD to bake the family bread (and had to remember the correct, locally produced flour that would actually work) to where we are blase about our optional and hands-off bread machines.

She gives mini-bios on people important in cooking history, and also her opinions on them--she cheerfully skewers Irma Rombauer (Joy of Cooking) for being opinionated yet admires Rombauer's personality just the same.

She is strangely taciturn on Martha Stewart--arguably the best known cook today. A criticism here and there on how Martha's _techniques_ are difficult, but nothing like her pleasant gossip on Julia Child and on Rombauer. Is Mcfeely, too, afraid of Martha's wrath?

This is a history book and a social criticism that is also a lot of fun to read.

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Amazon.com: 4.0 out of 5 stars (3 customer reviews)

11 of 13 people found the following review helpful
5.0 out of 5 stars History meets cooking meets gossip, Nov 10 2001
By A Customer - Published on Amazon.com
This review is from: Can She Bake a Cherry Pie? (Hardcover)
What a great book! Mcfeely's writing is so effortless and chatty you may not realize how much there is too learn.

She takes you, historically speaking, from the time when women HAD to bake the family bread (and had to remember the correct, locally produced flour that would actually work) to where we are blase about our optional and hands-off bread machines.

She gives mini-bios on people important in cooking history, and also her opinions on them--she cheerfully skewers Irma Rombauer (Joy of Cooking) for being opinionated yet admires Rombauer's personality just the same.

She is strangely taciturn on Martha Stewart--arguably the best known cook today. A criticism here and there on how Martha's _techniques_ are difficult, but nothing like her pleasant gossip on Julia Child and on Rombauer. Is Mcfeely, too, afraid of Martha's wrath?

This is a history book and a social criticism that is also a lot of fun to read.


3 of 4 people found the following review helpful
2.0 out of 5 stars "Can She Bake A Cherry Pie?" for General Audience, Not for Academics in Food or Gender Studies, Oct 29 2008
By Sonia Rana - Published on Amazon.com
This review is from: Can She Bake a Cherry Pie?: American Women and the Kitchen in the Twentieth Century (Paperback)
Mary Drake McFeely's Can She Bake a Cherry Pie? recounts the history of American women and their kitchens in the 20th century. The scope of her book is narrowed to white, middle-class Americans. The aim of the book is to help white women recognize the world, as described by McFeely, that they have inhabited in the past century and do inhabit now. In the introduction, McFeely describes a goal of the book as helping white women to realize they too have a distinct culture that defines them just as much as other ethnic groups are presumed to be defined by their cultures (4). Due to the clear and simple reading of the text, and because there is no theoretical perspective offered by McFeely, the book can be successfully geared toward a general audience.

McFeely's background includes holding the positions of head of the reference department and assistant librarian at Smith College. In addition, she has been a resident scholar at the Bellagio Study and Conference Center in Italy, a visiting scholar at the Schlesinger Library and Radcliffe College. She has also authored Lady Inspectors: The Campaign for a Better Workplace, 1893-1921.

On the topic of McFeely's methodology, it is clear that she uses era-specific cookbooks to frame and describe the lives of the women living during those specific times. Other than that, she does not explain any other type of research she conducted nor does she cite other academic works to support the information in her book.

McFeely concludes with the idea that women have "freed themselves from the sole responsibility for family food," (168). She ends the book with the notions that that cooking can be an act of renewal instead of depletion, it can be expressive of one's personality instead of suppression of identity, and that it can be compared to creative work (169).

One of McFeely's strengths in the book includes her idea that cooking and the women who did it hold a crucial role in American history. From the farm women of the early 1900s, who woke up at four or five am in order to keep house and provide three meals for their families to the 1940s "captains of the kitchen" whose responsibilities included preparing meals that kept the morale of the family high in the difficulties of war, McFeely is able to maintain this idea throughout the book.

On the other hand, one of McFeely's weaknesses is that she implements very few resources to provide evidence supporting her ideas in the book. She does use era-specific cookbooks as references to describe women's lives during those times. However, she limits these to a couple of cookbooks, which may not be conclusive of those specific time periods.

Furthermore, there is no real, sufficient evidence offered for the claims she makes. For example, in her conclusion, McFeely says, "Many women have, in cooperation with their families, freed themselves from the sole responsibility for family food," (168). She does not provide any citation for this statement, nor does she explain where she was able to find statistics or surveys that support this claim.

Since the book is written clearly and is an easy read, I would recommend it to a general audience. It offers rudimentary information on the history of American cooking. However, I do not think scholars in the field of gender studies and food studies, who are already familiar with this basic information, would benefit much from this reading other than for pleasure.

This book review of "Can She Bake a Cherry Pie?" was written for the fall 2008 Food and Culture (E621) class at Indiana University. Dr. Richard Wilk of the Anthropology Department led the course.

5.0 out of 5 stars Absolutely Fascinating, Sep 1 2010
By Rebecca Johnson "The Rebecca Review" - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: Can She Bake a Cherry Pie?: American Women and the Kitchen in the Twentieth Century (Paperback)
In our family we have a funny story about one of my aunts who used undrained cans of cherries in her cherry pie. While we laugh at this story it does show that some recipes don't give enough detailed instructions (like draining the cherries first) because the writer assumed certain things to be known.

"Can She Bake a Cherry Pie?" begins with a similar story about how cookbooks in the 20s gave less directions because women learned most of their cooking techniques from their mothers. This was true for me as a child (my mother taught me to make strawberry jam) and later as an adult my grandmother taught me the basics of making apple pie. For my entire life I collected recipes from friends and family but never realized the origin of these cooking ideas.

Mary Drake Mcfeely has done a great service by creating this book that explains how foods came to be and also highlights important voices of each decade. This is really a short history of cooking from the 1800s to 2000.

It seems impossible that at one time there were not enough turkeys for Thanksgiving dinner. Now that we can get turkey year round we cannot imagine such a time. Ingredients we also take for granted today like sugar were of course at one point rationed so cake was often out of the question. This book also discusses The Depression and how people survived the war years.

Throughout the book there are fascinating little facts like the origin of Graham crackers or how specific cookbooks changed eating habits over the years. The author expresses with some distain how the Joy of Cooking from 1943 has had some major revisions. You may want the original as well as the modern version.

This book brought so many memories to mind. Like the first time I held a boy's hand at a fondue party in Africa. I also fondly remembered my first taste of Boeuf Bourguignon in Africa of all places. Somehow the recipes made it overseas. My mother also brought recipes and cookbooks with her when we moved to Africa in the 70s so I didn't miss out on foods like beef stroganoff. I have however never had a Coca Cola cake but did recently learn to make tuna casserole, something we didn't eat overseas.

"Can She Bake a Cherry Pie?" is probably not the best book to read while on a diet, as I am currently. If you love reading recipes this book will delight you with its decadent descriptions. For me this book was such a pleasure to read because it was like a trip down memory lane. I've rarely enjoyed a book so much.

~The Rebecca Review
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