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Cane River Paperback – Apr 1 2002

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Product Details

  • Paperback: 560 pages
  • Publisher: Grand Central Publishing (April 1 2002)
  • Language: English
  • ISBN-10: 0446678457
  • ISBN-13: 978-0446678452
  • Product Dimensions: 13.3 x 3.8 x 20.3 cm
  • Shipping Weight: 454 g
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (223 customer reviews)
  • Amazon Bestsellers Rank: #41,534 in Books (See Top 100 in Books)

Product Description

From Amazon

Lalita Tademy's riveting family saga chronicles four generations of women born into slavery along the Cane River in Louisiana. It is also a tale about the blurring of racial boundaries: great-grandmother Elisabeth notices an unmistakable "bleaching of the line" as first her daughter Suzette, then her granddaughter Philomene, and finally her great-granddaughter Emily choose (or are forcibly persuaded) to bear the illegitimate offspring of the area's white French planters. In many cases these children are loved by their fathers, and their paternity is widely acknowledged. However, neither state law nor local custom allows them to inherit wealth or property, a fact that gives Cane River much of its narrative drive.

The author makes it clear exactly where these prohibitions came from. Plantation society was rigidly hierarchical, after all, particularly on the heels of the Civil War and the economic hardships that came with Reconstruction. The only permissible path upward for hard-working, ambitious African Americans was indirect. A meteoric rise, or too obvious an appearance of prosperity, would be swiftly punished. To enable the slow but steady advance of their clan, the black women of Cane River plot, plead, deceive, and manipulate their way through history, extracting crucial gifts of money and property along the way. In the wake of a visit from the 1880 census taker, the aged Elisabeth reflects on how far they had come.

When the census taker looked at them, he saw colored first, asking questions like single or married, trying to introduce shame where there was none. He took what he saw and foolishly put those things down on a list for others to study. Could he even understand the pride in being able to say that Emily could read and write? They could ask whatever they wanted, but what he should have been marking in the book was family, and landholder, and educated, each generation gathering momentum, adding something special to the brew.
In her introduction, Tademy explains that as a young woman, she failed to appreciate the love and reverence with which her mother and her four uncles spoke of their lively Grandma 'Tite (short for "Mademoiselle Petite"). She resented her great-grandmother's skin-color biases, which were as much a part of Tademy's memory as were her great-grandmother's trademark dance moves. But the old stories haunted the author, and armed with a couple of pages of history compiled by a distant Louisiana cousin, she began to piece together a genealogy. The result? Tademy eventually left her position as vice president of a Fortune 500 company and set to work on Cane River, in which she has deftly and movingly reconstructed the world of her ancestors. --Regina Marler --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

Like the river of its title, Tademy's saga of strong-willed black women flows from one generation to the next, from slavery to freedom. Elisabeth is a slave on a Creole plantation, as is her daughter, Suzette. The family, based on Tademy's own ancestors, wins freedom after the Civil War, but Suzette's daughter, Philomene, must struggle to keep her family together and to achieve financial independence. The melodious, expressive voices of narrators Belafonte and Payton are a pleasure to listen to, while Moore's tougher, grittier tone conveys the hardships faced by the family. However, Belafonte and Payton sometimes ignore vocal directions provided by the novel. For example, Payton reads one passage in a whisper even though the text says "in her excitement, Philomene's voice rose... louder and louder." The complex, multigenerational tale suffers somewhat in abridgment: at times the narrative too abruptly jumps ahead by decades and some emotional situations are given short shrift, as when Philomene discovers that her daughter Bette, whom she was told died as a baby nearly 20 years earlier, is actually alive and living nearby. Still, the audio succeeds in evoking the struggles of black women to provide better lives for their children despite all odds. Simultaneous release with the Warner hardcover (Forecasts, Mar. 12).

Copyright 2001 Cahners Business Information, Inc.

--This text refers to an out of print or unavailable edition of this title.

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On the morning of her ninth birthday, the day after Madame Francoise Derbanne slapped her, Suzette peed on the rosebushes. Read the first page
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Customer Reviews

4.5 out of 5 stars

Most helpful customer reviews

1 of 1 people found the following review helpful By The Mad Hatter on June 16 2009
Format: Paperback
"Cane River" covers four generations of women and is without question one of the best family sagas ever written. Born into slavery and searching for freedom, the events will break your heart yet instill a great appreciation for the value of life we have achieved today. Regardless of one's culture or ethnic backbround, the love, courage and determination shown throughout this book will stay with you.

The book is comparable to Alex Haley's "Roots", which is also highly recommended. Yes, "Roots" is lengthy and an older book, but there are few authors today who can write on the subject of slavery and leave such an emotional impact on the reader. Both books are well worth the read.
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Format: Paperback
Lalita Tademy has woven together a moving and heartwarming tale in her first novel, Cane River. Chosen for Oprah's Book Club, Tademy uses the skeleton of her family tree as the basis for this fascinating work of historical fiction. The author had personal knowledge as far back as her great-grandmother, who was born into slavery. She gave up a lucrative job to search out her family genealogy, which took two years to research and led to the writing of this book.
Tademy was able to document as far back as Elizabeth, a kitchen slave who was sold from Virginia to Rosedew Plantation on the Cane River in Louisiana. The book traces the lives of Elizabeth and her daughter, granddaughter, and great-granddaughter (Suzette, Philomene and Emily). All four women were born into slavery, and all had children by white plantation owners (whether by force or by choice). They each had enough intelligence and enough drive to make sure that these men provided a better life for both themselves and their children. Each generation benefited in a different way from not having to work the fields to better living arrangements to education for their children and even the deeding of 163 acres of land. These four women also had the strength to keep their family together despite difficult times, and to even help them thrive into the 20th Century.
But along with the successes, this is also a tale of heartache and tragedy. Slavery was never easy, no matter what the circumstances. Many times, a plantation owner would die and his slave families split up and sold to settle the estate. One happy slave couple were allowed to marry, only to have the husband sold up North because the executor of the estate wanted the wife to himself. Yellow fever, pneumonia, other diseases and childbirth claimed many lives.
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Format: Turtleback
This is quite a touching story. The author, Lalita Tadema, embarked on a journey to uncover the story about her family history. While searching she discovered that she was descended from a long line of very remarkable and strong women. She introduces each of her anscestors with feeling and love and allows the reader to get to know and love them too. The story tells of five generations of Cane River women. Elisabeth, Suzette and Philomene all served as slaves in various households around Cane River. They all had partly white families after each had come to the attention of various landowners in the area. It is a case of history repeating itself, but the women had no choice in the matter and had to suffer these sometimes unwanted attentions. Some found true love, some didn't, but all grew stronger through their experiences. In the book we see the life of the slave and the slave owner, the life the people had to live during the Civil War, the time when the blacks received freedom, and the hatred and mistrust displayed by white people towards these people after they gained their freedom. We see families growing up (all made up of women, girls and young boys). Fathers lived with their white wives and children, and only visited their coloured mistresses. Sometimes they provided for them and their children, but sometimes they didn't. These women knew to take what life had to give, and try to make the best of things. They also understood the importance of families to make them grounded and centred. In the last section we get an intimate look at Emily (Lalita's grandmother). Almost white enough to "pass", she didn't feel that she fit in either world.Read more ›
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Format: Paperback
Cane River begins with Suzette, daughter of Elizabeth, a house slave belonging to a Creole cotton planter family. Suzette's girlish aspirations for perhaps being freed to marry and live her own life are cut short when, at age 13, she is taken as the mistress of a cousin of her owners - and she eventually bears him 2 children.
From there, the tale goes forward to follow the life of Philomene, Suzette's 2nd child, then her daughter, Emily, and finally to her children. Through each successive generation, the girls' skin color becomes paler and paler by the diluting quality of white planter's blood.
This tale is author Tademy's attempt to create her own Louisiana family history. She quit a high-level job in the technology industry to explore her roots and then to write this book - a novel, but with lots of truth to back up the story line. Family archival photographs help us see these characters as far more than just people defined by words; they become real in our vision as well as in our imagination.
Stunningly successful first book.
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