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Captain Blood: His Odyssey
 
 

Captain Blood: His Odyssey [Hardcover]

Rafael Sabatini
4.6 out of 5 stars  See all reviews (20 customer reviews)

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From Library Journal

This title is immediately recognizable as the basis for Michael Curtiz's 1935 film starring Errol Flynn. At the time of its 1922 debut, however, the book was a smash hit and was followed up with additional adventures of swashbuckler Peter Blood in numerous sequels. A salty dose of high-seas adventure for all fiction collections, this is the most affordable edition currently available.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Paperback edition.

Review

A salty dose of high-seas adventure....First-class storytelling. -- Library Journal

One of the great unrecognized novels of the twentieth century, and as close as any modern writer has come to a prose epic. -- George MacDonald Fraser --This text refers to the Paperback edition.

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First Sentence
PETER BLOOD, bachelor of medicine and several other things besides, smoked a pipe and tended the geraniums boxed on the sill of his window above Water Lane in the town of Bridgewater. Read the first page
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Customer Reviews

20 Reviews
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Average Customer Review
4.6 out of 5 stars (20 customer reviews)
 
 
 
 
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3.0 out of 5 stars Underwhelming, Jun 14 2004
By 
J. Renaud "suburbanbeatnik" (Peachtree City, GA) - See all my reviews
(REAL NAME)   
This review is from: Captain Blood (Paperback)
I do love Sabatini, and I've read almost everything he's written, so it came as something of a disappointment to me to be less than blown away by the qualities of "Captain Blood." I have recently been making my way through his works and having heard so much good stuff about "Captain Blood," I was naturally looking forward to it. However, I was somewhat underwhelmed after finishing the story. Now, don't get me wrong, it's quite entertaining, and as one previous reviewer says, "it beats TV any day." But after the story got off to a rip-roaring start, with Blood falsely imprisoned during the Duke of Monmouth's rebellion and sent off to the Caribbean as indentured slave labor, it sort of putters off into a series of loosely connected episodes with Blood facing off against a collection of uninteresting bad guys (who, altogether, are about as threatening as paper tigers). I was also disappointed to see that Arabella Bishop, the alleged love interest, hardly shows up at all. (They greatly expanded her role in the movie, and one can definitely see why.) I suppose I was expecting a story of the scope and interest of Sabatini's "The Sea Hawk," which I highly recommend. "The Sea Hawk" has a far more compelling plotline, as well as a much more interesting hero and villain, and the heroine actually has a chance to do something. So, if you're interested in pirates and old-fashioned romantic fiction, go, get thee a copy of "The Sea Hawk"! "Captain Blood" makes a fine airport read, but I've seen Sabatini do better.
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5.0 out of 5 stars Here's a tale that helped define a genre, May 9 2007
By 
Kara Ortiez (Hamilton, Canada) - See all my reviews
This review is from: Captain Blood (Paperback)
THE THREE MUSKETEERS and THE COUNT OF MONTE CRISTO may have started the swashbuckling but with CAPTAIN BLOOD Rafael Sabatini launched it into the twentieth century with a melodramatic flourish and more sea battles than you can shake a peg-leg at. In Peter Blood, he gives us a brooding but honourable hero; a wronged man who takes to piracy because the only other choice is slavery.

Every ingredient you'd expect in a tale of piracy is present and correct; there are pieces of eight and ferocious sword fights; double-crosses and romance; and, of course, there's the triumph of good over evil. Sabatini breezes through the plot - sometimes far too quickly and often without fleshing out his characters sufficiently - and injects it with enough zest to keep you awake until the early hours. But it's the sea battles that mark this out as something special; you can practically hear the timbers creaking, the rigging humming and the cannons booming. It's exhilarating stuff and has you breathlessly turning the pages as thrill follows thrill.
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5.0 out of 5 stars Swashbuckling Across the Seas and the Years, May 14 2004
By 
WILLIAM H FULLER (SPEARFISH, SD USA) - See all my reviews
(REAL NAME)   
This review is from: Captain Blood (Paperback)
This reading was not my first acquaintance with the redoubtable Peter Blood. I first encountered him in this gripping tale about 47 years ago in the pages of a Classics Comic book. Readers nearing their sixth decade may recall these delightful comic books, which converted serious fiction into the colored drawings and essential dialogue of comic book characters, possibly in a desperate attempt to expose youngsters to literature in some form at least. However, I cannot say that I was particularly enraptured by the story of Dr. Peter Blood at that time. Perhaps I was yet too young to have the mature imagination required to appreciate fully the exploits that are so vividly described in Sabatini's book. In any event, I have now read the "real thing" and have enjoyed my vicarious adventure aboard the Arabella tremendously.

This Penguin Classics edition also includes a highly educational introduction that helps the reader recognize and appreciate the various themes that run through this grand historical novel. While the introduction can be totally ignored and the story enjoyed just for its sea-faring, swashbuckling adventurism, a little understanding of the genre of the historical novel, of Sabatini's sources, and of the type of protagonist exemplified by the character of Peter Blood will add to that enjoyment even further. In fact, not only did I read the introduction before beginning the story itself, but I went back and re-read it after finishing the novel, appreciating its contributions to my understanding even more.

I particularly like Sabatini's own comments that are quoted in the introduction: "It is demanded of the writer of fiction, whether novelist or dramatist, that the events he sets forth shall be endowed with the quality of verisimilitude. What he writes need not necessarily be true; but, at least, it must seem to be true, so that it may carry that conviction without which interest fails to be aroused." This reminds me of Coleridge's admonition that the successful reader of poetry must enforce a "willing suspension of disbelief" in order to mentally join with the author in the shared experience of writing and reading. In the case of Captain Blood, suspending disbelief is in no way a challenge. This historical novel, skillfully intermixing the factual and the fanciful, the real and the imagined, the history and the fiction, is a believable yet romantic tale straight from the Golden Age of Piracy on the High Seas.

What is amazing to me is that Captain Blood has, at the moment I write this, only about 20 or so reader reviews posted, while a modern novel I recently read, Ahab's Wife, has some 171 reviews! The pity of it is that Ahab's Wife is a poorly written, shallow, superficial sort of thing that will be hardly remembered 82 years from now, while Captain Blood remains as vigorous, exciting and enthralling a read as when it was first published 82 years ago. Why do we so often overlook the excellent-nay, say rather the outstanding-books that were laid in our laps before we were even born while we waste time with artificial garbage cranked out by modern hack writers?

The beauty of Sabatini's Captain Blood is that it is timeless. It will be as exciting for your grandchildren to read as it will be for you, and it will be there for theirs to read, too. This book is as modern as any can be and deserves your time to read it. I started to say "your effort," but it requires no effort to read. The suspense and action will carry you along as surely as the Caribbean winds filled the Arabella's sails and carried her effortlessly across the expanse of the sea from one glorious adventure to another.

If there is any weakness in this book where the modern reader is concerned, it is that few of us will understand Blood's occasional remarks rendered in flawless Latin. I regret that I am too ignorant to grasp the significance of those remarks, for I am certain that they hold wonderful irony and are quite meaningful in the situations in which Blood finds himself at the moment of their utterance. It would have been thoughtful of today's editor to take into account the fact that we are now largely ignorant of classical languages and to include a footnote or two translating those lines for us. Beyond this, I can levy no criticism against this edition of the novel, and I can assure you that any discerning reader who will suspend his disbelief and embrace the mythical romance of the Caribbean pirate will enjoy his time with this book.

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