I have forced friends and family to watch this film with me, people who offered varying degress of resistance to foreign film, road movies, and the consensus was unanimous: Centro do Brasil (Central Station) is a film of quiet power, rare genius and sensitivity. Ideologically, it falls midway between the extremes of the violent, gritty "Cidade de Deus" and the warm, romantic "Bossa Nova," adding to these portraits its particular view of Brasilian daily life. Fernanda Montenegro (Dora) and Vinícius de Oliveira (Josué) give completely honest and believable performances, and it is these performances, and the wonderful screenplay, which keeps the subject from deteriorating into melodrama. Each character has, for different reasons, been embittered and hardened by experience, and the film documents their emotional, intellectual, and spiritual breakthroughs in getting past their emotional crises. The characters' existential journey is mirrored in the geographical journey across Brasil, from gorgeous but scary Rio de Janeiro to rural central Brasil. There is no convenient "fix" to the characters' problems, and even religion is offered as but one possible diversion from life's problems, not a permanent solution to them. This makes sense, given the fact that Brasil's 185 million people are nominally Catholic but many are forced by poverty and other circumstances to live a more secular and pragmatic life (including the traditions and rituals of umbanda, candomble, Kardecism, etc). Ultimately, the film offers a message of hope that, if you can't completely turn your life around, you can at least try to change the things which prevent you from going any further. I find that perspective a lot more realistic, less patronizing than, say, a typical Hollywood "on the road" drama, where all the characters find their respective epiphanies en route to their destination, just before the final credits roll.