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Chalk Garden [Import]


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1 new from CDN$ 39.99 3 used from CDN$ 45.29

Product Details

  • Actors: Deborah Kerr, Hayley Mills, John Mills, Edith Evans, Felix Aylmer
  • Directors: Ronald Neame
  • Writers: Enid Bagnold, John Michael Hayes
  • Producers: Ross Hunter
  • Format: NTSC, Import
  • Language: English
  • Number of tapes: 1
  • MPAA Rating: UNRATED
  • Studio: Universal Studios
  • VHS Release Date: March 1 1992
  • Run Time: 106 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (21 customer reviews)
  • ASIN: 6300186121


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Most helpful customer reviews

Format: VHS Tape
I have noticed Hayley and John Mills in "Tiger Bay",but in "The Chalk Garden",it brings the togetherness of the two. Hayley plays Laurel St. Maugham,a sixteen-year-old girl who does what she wants to do. John Mills plays Maitland,Laurel's butler who takes care of her. Deborah Kerr is splendid as Miss Madrigal,the woman who takes care of Laurel. In this movie,Laurel's mother got re-married and wants to take Laurel back home,but Miss Madrigal wants her to stay. When Laurel does some "Nancy Drew" work around the house,she finds out Miss Madrigal is NOT Miss Madrigal... at least the judge thinks so when Laurel's grandmother invites him over. The scenes were good for Hayley,because at that time,she had bulimia,and didn't tell no one. "The Chalk Garden" is good for anyone who's a BIG Hayley Mills fan... like me!
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1 of 1 people found the following review helpful By Ed N on July 13 2000
Format: VHS Tape
I've always like Hayley Mills movies. "Pollyanna" was achingly sweet, and "The Parent Trap" was corny but delightful. However, I believe her performance in "The Chalk Garden" is her best. This well-crafted film deals with the relationship between a young girl, played by Hayley Mills, living with her grandmother and the new nanny, played by Deborah Kerr, hired to care for her. The young girl is a pyromaniac who compulsively manipulates and lies, perhaps as her way of handling what she feels is a loveless existence. Kerr's character, who has a dark secret, is able to identify with the young girl, and the movie follows her attempts to win the girl's friendship and eventual trust and to teach the girl that there is still love in her life.
This is a moving film which deals seriously with its themes. It is a little melodramatic in a 1960's sort of way, but nonetheless remains quite involving and absorbing for the audience. I enjoyed it very much. Interestingly, John Mills (Hayley's father) also has a supporting role in this film as the butler and is quite good in his capacity. Overall, a high 5 stars recommendation for the whole family!
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By Kevin W. Edwards on Feb. 27 2011
Format: VHS Tape
I finally managed to get this movie, this is one of hayley mills best, along with her father john mills and deborah kerr. Hayley is a troubled 16 yr old girl likes to light fires, boss people around and loves to snoop in peoples personal property has a thing for murder. Deborah kerr arrives as her governess, and so begins the battle of wits against hayley and deborah with john mills trying to keep the peace and help things along the way. Get this movie it must be in your collection, if you love hayley mills in her other movies then you will love this one.
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By Kona TOP 100 REVIEWER on Oct. 10 2008
Format: VHS Tape
16-year old Laurel (Hayley Mills) likes to set fires, scream, tell lies, and generally boss around her doddering grandmother and tolerant butler (John Mills). When Miss Madrigal (Deborah Kerr) is hired as the new governess, Laurel begins her usual spying and tormenting in an effort to drive her away, but ends up discovering a tragic secret.

This movie marked Hayley Mills' effort to break away from little girl roles and expand her emotional range. Unfortunately, she isn't quite up to the material and instead does a lot of energetic shouting with no real pain or conviction behind it. Her lack of acting maturity is especially noticed because the rest of the cast is so outstanding: Edith Evans is impressive as Laurel's stubborn grandmother and Deborah Kerr is flawless as the mysteriously rigid governess. John Mills gives a wonderful performance as the wise and understanding servant who balances all the female hysterics.

While the soundtrack is overly melodramatic and the soulful violins, at times, overpower the dialogue, the scenery near the white cliffs of Dover is stark and lovely. Not up to producer Ross Hunter's usual sentimental soap-opera standards, but still entertaining.
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By Noirdame TOP 1000 REVIEWER on April 18 2006
Format: VHS Tape
Enid Bagnold's play, directed for the big screen by Ronald Neame in 1964, is a touching story about a mystery woman, Madricle (Deborah Kerr) who answers an ad for a companion for a teenage girl. But this is no prim and proper young English lady - Laurel (Hayley Mills) is a troubled youth who resides with her wealthy grandmother (wonderfully portrayed by Dame Edith Evans, who plays a crusty aristocratic Briton like no one can), and who spins lies, sets fires and steals without a thought to consequences. Obsessed with murder and criminal cases, she is accustomed to having her own way, and sets out to expose her new governess as a madwoman or something worse. Despite the child's negative attitude, Kerr stays on, trying to reach out to Laurel, who in reality, feels so unloved and unworthy that her anger could get her into deep trouble later on. Miss Madricle attempts to bring Laurel's mother, Olivia (Elizabeth Sellars) back into the picture, but this only adds to the tension within the household. Maitland (Sir John Mills), the butler, seems to have an uncanny understanding of all the goings on and a wry sense of humor that most likely keeps him from blowing a gasket.
Laurel begins to unravel Madricle's secret, which comes full circle when a distinguished judge and family friend comes for a visit. The realization of her conviction for murder (it is never really confirmed whether she was guilty of the crime or not), serves as a reason as to why she has been so determined to save Laurel - she fears that the girl will end up on the same path she did. Madricle opens the eyes of all around her - "You should be frightened - you see before you the woman Laurel may yet become! The child who lied, cheated and hated, because she could not believe the simple fact that she was loved!
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