In this unique collaboration, the timbres of mellow bowed baritone cello and plucked alto kora harp produce a sonically gorgeous album. Until track 4, the tempo is slow and the mood meditative and quiet; but this piece is a dance whose riff repetition at the end is trancelike. At first in the album, Segal plays accompaniment to Sissoko's melodic kora; in track 5, Histoire de Molly, it is the cello that lays down the melody for subsequent improvisations. The following work, again a Segal composition, raises the mood with a sweet whirling tune. The griot Sissoko, a master of his instrument and Malian musical traditions, performs with gentleness. He sings in track 7, and he sings well. Track 8, Halinkata Djoubé, is among the best, with each musician alternating the lead playing similar improvisations. The harmony of spirit and feeling is remarkable throughout the 55-minute long album. Overall, it is soft, lyrical, and intimate. This is not the strong, lively, rhythmic music we typically associate with Africa. This chamber music is of the stillness of night and reflections of the human condition.