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Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers [Paperback]

Tan Huaixiang
4.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

Jan. 15 2010 0240811844 978-0240811840 2
Character Costume Figure Drawing will develop your drawing skills to improve your renderings. Not only is this book gorgeous and inspirational, but these comprehensive visual images carefully illustrate--step-by-step--how to successfully render dynamic characters with personality and life. This book presents drawing instruction with detailed breakdowns of various types of characters. Maternal? Elderly? Sassy? Sexy? It all startws with body proportion, bone structure, body masses, facial expressions, and the hands and feet. Hats, props, fabrics, and choice of medium are all thoroughly covered to ensure the ability to develop convincing lifelike characters.

* Includes unique three-step drawing guides that develop the sketch from stick figure to full-blown character
* Detailed examples of how to draw faces, hands, and feet
* Learn to draw realistic fabrics in a multitued of colors and textures
* NEW: Learn to draw your character based on the time period they are from
* NEW: Learn to draw children and music/dance characters

* Written by renowned costume designer with the most trusted instruction
* Beautiful illustrations to inspire and help you with your creativity
* A whole new section on period pieces so that you can master the costume drawings for your particular time period


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Review

"At present, I know of no other books that address this important aspect of costume design. I am particularly pleased that the author addresses CHARACTER so heavily in her presentation of material. This is, after all, what plays are about."
--Madeline Ann Kozlowski, Emmy Award winning Costume Designer and Professor of Costume Design

"Not only are there body types, movement and mediums. It covers fabrics and works in a way my students can understand as well as use. The artwork is lush! A must for any design teacher."
--Barbara Sack, Professor of Costume Design


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Front Cover | Copyright | Table of Contents | Excerpt | Index
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Most helpful customer reviews
By Andre Lawrence TOP 50 REVIEWER
Format:Paperback
Length: 1:08 Mins
CHARACTER COSTUME FIGURE DRAWING

* About the book
** Subject header
In Theory
In Application (Illustration)
*** An Alternative way to illustrating
**** Conclusion

* Character Costume Figure Drawing, 2nd Ed., is a beautiful 300+ book that maps out, from author, Tan Huaixiang, the principles, application and philosophy surrounding the designing clothing (costumes) for stage actors.

The philosophical aspects deals with getting into the emotional state where one may attempt to capture the spirit of the character for a particular production.

The principles, as she describes it, is based on a set proportions, facial and body structure and gesture/poses.

And, third, is a series of illustrations and what she deems as the steps to create accurate bodily portrayal.

** In Theory. This is the single most important aspect of the book. The author, Tan Huaixiang, maps out in simple steps the correct way to approach the subject of costume design for the theatre stage (and, might I add it is also applicable to film and commercial endeavors as well) from a philosophical standpoint.

There's brief and broad discussion on how to "see" gender differences, racial and ethnic differences. These, of course, are stereotypical images as most of us realize that most people are a hodgepodge of difference ethnic makeup. So, sketching out the profile of a "typical" Asian man may be inaccurate for Asians, say, from the West Indies where there's a considerable amount of miscegenation and facial and bodily profile are considerably different, let alone language. The same might be said for African-Americans and the multitude of diversity and unique distinctions.
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Amazon.com: 4.5 out of 5 stars  30 reviews
10 of 11 people found the following review helpful
3.0 out of 5 stars Character Costume Figure Drawing, 2nd Ed. A Critical Review. May 2 2010
By Andre Lawrence - Published on Amazon.com
Format:Paperback|Verified Purchase
CHARACTER COSTUME FIGURE DRAWING

* About the book
** Subject header
In Theory
In Application (Illustration)
*** An Alternative way to illustrating
**** Conclusion

* Character Costume Figure Drawing, 2nd Ed., is a beautiful 300+ book that maps out, from author, Tan Huaixiang, the principles, application and philosophy surrounding the designing clothing (costumes) for stage actors.

The philosophical aspects deals with getting into the emotional state where one may attempt to capture the spirit of the character for a particular production.

The principles, as she describes it, is based on set proportions, facial and body structure and gesture/poses.

And, third, is a series of illustrations and what she deems as the steps to create accurate bodily portrayal.

** In Theory. This is the single most important aspect of the book. The author, Tan Huaixiang, maps out in simple steps the correct way to approach the subject of costume design for the theater stage (and, might I add it is also applicable to film and commercial endeavors as well) from a philosophical standpoint.

There's brief and broad discussion on how to "see" gender differences, racial and ethnic differences. These, of course, are stereotypical images as most of us realize that most people are a hodgepodge of different ethnic makeup. So, sketching out the profile of a "typical" Asian man may be inaccurate for Asians, say, from the West Indies where there's a considerable amount of miscegenation and facial and bodily profile are considerably different, let alone language. The same might be said for African-Americans and the multitude of diversity and unique distinctions.

All this being considered this is where I believe she falls short in the area of illustrative techniques, where she attempts to put an image to her philosophical underpinnings.

In Application/ By Illustration. I have some expertise on how one should approach the subject of figure drawing and I hope to explain where I have areas of contention with Ms. Huaixiang in exactly how to execute the steps in capturing the spirit of the character. How does one creating a believable visual image that works in tandem with the set department as well as the actor? It is the question that you undertake when approaching character development from a costume designer's point of view.

To be brief, Ms. H's, approach is to diagram the human body based on a 3- section format (pg. 35-41)
1. The head
2. The chest/ upper torso
3. The groin/hip/ buttocks region

(* In her description, mid section/ stomach muscle area is left out. This is a curious omission as she uses ballet dances as examples of perfect form. Now, ballet dancers do have perfect form, but the core of their conditioning is by their stomach muscles. So therefore, everything above and beneath the stomach muscles is in direct relation to it.)

This is the structural foundation for her concepts. From there, Ms. H builds upon this abbreviate skeletal frame with arms and legs sections as peripheral extensions. (see part 1 in video displays)

*** Ms. H's graphic style has obviously worked very well for her and it has enabled her to do the work she loves to do, but I'd like to suggest an alternative way to capture the spirit of the character that might be more simple and accurate.

Although her philosophical basis I found to be sound, I'm not a fan of her execution if the purpose is to give instruction on technique. In far too many of the pieces, the male characters look and pose the same way as the female characters. The dress of the genders are, by consequence, draped over the body the same way. And, to make matters worse, many of the illustrations have characters that have bodily sections that are grossly disproportionate to the skeletal frame or in relation to it upper or lower extremity.

This matters because in designing clothes it is extremely important that form-follows-function. If one description is, for example, exaggerated (i.e, torso too long in relation to the legs or the legs are far too long) the character becomes cartoonish. Body sections have to be proportionally accurate so that everything else pertaining to the design will also sync. You cannot have illustrations of male characters that are shaped and posed like female subjects: the musculature of a male is far different than that of a female. This is why men and women walk differently and carry weight differently. (See part 2 in video)

I would suggest an alternative way of capturing the human form.
1. Do not rely upon set mental models of what a person looks like. Use models, use photographs. Study form and study the walk-cycle. It is essential.

2. Be careful not use illustrations that have gross exaggerations of form, even when highlighting something other than clothing.

3. An easier way to build a skeletal frame is to use a simple 2- section process for full-body costume design. A. The torso--the area from the shoulders to up to and including the stomach. B. The lower region--waist/hip/ buttocks area down to the ankle. This is the way we normally buy clothing: tops and bottoms, shirts and pants, blouses and dresses. (see part 3 in video.)

It is my opinion that, despite my misgivings with the author's the illustrative techniques this book should be owned by those who seek a career doing costume design for theater, film or commercial.
5 of 5 people found the following review helpful
4.0 out of 5 stars A nice resource May 19 2010
By Shala Kerrigan - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
While this is written for people who design costumes, I can recommend it easily to people who just want to learn to draw figures.
The author does a great job of breaking down how to draw people with character shown in their pose and facial expressions. She also explains how to draw different body types.
It's broken down into easy to understand segments that are very well explained. It can be a bit intimidating, the illustrations are gorgeous and it does take practice to learn how to draw. If it's something you really want to do though, you won't mind practicing.
Most of my figure sketches are either to design a dress or skirt for myself or to draw characters for rpgs. This will be a good resource for both. I'll use simplified versions instead of the very detailed drawings used in this book using a lot of the techniques for proportion and lines that are illustrated in this book.
3 of 3 people found the following review helpful
4.0 out of 5 stars Great for costume designers, illustrators, or any artist, really. April 30 2010
By Sadie - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
I wish this book was around when I took costume designing in college 30 years ago. Drawing the clothing was easy, but my figures left a lot to be desired. While obtaining an art degree, I took many classes in figure drawing, but they were all nudes. This book will help close that gap by teaching you how to draw a proportional figure and drape clothing on it. The only minor issue I have with this book is that all the figures are stout, or too short. But, that's something that can be fixed by elongating the torso. The illustrations are wonderful and I know I'll be referring to this book again and again with my own illustrations of people, who will for the most part all be clothed.
1 of 1 people found the following review helpful
5.0 out of 5 stars figure drawing for character costume June 16 2010
By J. Offenbach - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
In titling this book, I'd switch the title's order as above. Tan Huaixiang has provided a fine resource which may mislead interested readers into thinking that the book is a step-by-step lesson in design when that is really the secondary purpose. The first half of Character Costume Figure Drawing, Second Edition: Step-by-Step Drawing Methods for Theatre Costume Designers deals with drawing the human body which actually is critical in designing the clothing and costuming which adorns the body. There's so much to be considered in costuming -- the bodies, the set, lighting, staging and intended mood. Let's not forget the flexibility of the costume when it needs to quickly be turned into another costume. The illustrations are terrific and I found the writing to be easy to understand and follow. The author's approach would also be helpful for digital representations.
1 of 1 people found the following review helpful
5.0 out of 5 stars Comprehensive May 18 2010
By Ivy - Published on Amazon.com
Format:Paperback|Vine Customer Review of Free Product
I came into this book knowing very little about drawing anything, never mind costuming. I came out of it with a decent understanding. It's thorough. Everything is handled step by step, very little is assumed, and the explanations and examples are very clear.

Recommended, even for a beginner.
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