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The Chicago Manual of Style, 15th Edition
 
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The Chicago Manual of Style, 15th Edition [Hardcover]

University of Chicago Press Staff
4.0 out of 5 stars  See all reviews (18 customer reviews)

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From Publishers Weekly

Countless publishing professionals have learned the details of their business from this classic guide for publishers, editors and writers. It's updated every 10 years or so, and the 15th edition is the most extensive revision in decades. The Internet's influence is pervasive, with substantial sections on preparing manuscripts for electronic publishing, editing for online publications and citing electronic sources. The "Rights and Permissions" chapter is by attorney William S. Strong (The trace the publication process for books and journals, both print and electronic, from manuscript development to distribution and marketing. For the first time, the manual includes a chapter on grammar and usage, by Bryan A. Garner (A Dictionary of Modern Usage). Gone is the 13-page table showing when to hyphenate compound words of all sorts, but it's replaced by a six-plus-page list and a narrative overview, which will be simpler for the overworked manuscript editor ("copyeditor" has vanished, and the index relegates "copyediting" to a cross-reference to manuscript editing) to use. Traditionalists may be bothered by the new edition's preference for ZIP Code state abbreviations and dropping periods from such abbreviations as Ph.D. and even U.S. Some things do remain the same. The style guide still endorses the serial comma (which PW does not) and numerals are still spelled out from one through one hundred and at the beginning of a sentence. Those in the publishing industry will need this edition, both for what's new and for what they will want to argue about.
Copyright 2003 Reed Business Information, Inc.

From Booklist

The Chicago Manual of Style maintains its vitality by adapting to its ever-changing environment. None of the changes from one edition to the next are capricious; that which remains vital carries over, and that which must change, changes.

From the 1906 first edition's limited focus as "a compilation of typographical rules" for books, it has evolved to provide guidance to authors and editors working in other forms and media such as journals, newsletters, Web sites, and even, with the fifteenth edition, American Sign Language. The editors now "assume throughout that most writers and editors, whether preparing print or nonprint works, use computer software." That assumption is most visible in the chapter dealing with presentation in type of mathematical expressions and formulas. Software has collapsed the division of labor between author and typesetter, giving the author the power to fulfill both roles simultaneously. Mathematicians have faced that special challenge; all scholars have been vexed by uncertainty about citing electronic resources.

Various specialized manuals from other publishers have attempted to codify practices for citing electronic publications, but none has enjoyed the authority Chicago has earned over nearly a century. The fifteenth offers deeper guidance for citing electronic books, articles in e-journals, electronic editions of older works, and online newspapers and magazines. The clear, practical, and easily applied rules for citing these sources recognize the problem an author must solve when a URL is subject to change; they also offer advice on matters such as when to provide the date a cited e-work was accessed. U.S. copyright law, driven by the same technologies the fifteenth edition addresses, has also experienced significant changes. An expanded section on copyright offers clear albeit not exhaustive coverage of the current complexities of copyright. All authors would do well to study this primer.

Chicago's mantra throughout is consistency in support of clarity. Helping authors and editors achieve consistency in practice when creating or editing a manuscript and presenting it to readers is Chicago's raison d'etre. The prescriptive tone of some entries serves consistency, but usage is determined by users of the language. Chicago acknowledges variants in practice, often noting that an author may use a variant even though its entry first describes preferred practice. Bowing to popular influence, the editors concede that they "no longer urge deletion of the d in 2nd or the r in 3rd" and they "now recommend the month-day-year form of dates" prevalent in the U.S. The editors also have the wisdom and the experience to uphold rules that, if ignored, can create confusion in readers' minds. All of the rules and recommendations are easily accessible through the thorough index, a hallmark of every recent edition.

New to the fifteenth is a lively chapter on grammar and usage contributed by Bryan A. Garner, author of Garner's Modern American Usage (2d ed., Oxford, 2003; formerly A Dictionary of Modern American Usage). Its first part reviews basic rules of English grammar, and the second offers succinct explanations of words easily misused (decimate, precondition) or confused (e.g., healthy and healthful; purposely and purposefully). Added features discuss bias-free language and prepositional idioms.

Evolution is never a lockstep uniform process. Although the heart of Chicago embraces changes wrought by digital publishing, its concluding bibliography lags. Only the print editions of general-purpose encyclopedias and several English-language dictionaries are noted. Even though the entry for the Oxford English Dictionary indicates its availability on CD-ROM, it neglects to mention its online incarnation. But one must not miss the forest for these few trees. As it has done again and again, Chicago offers sensible, clearly articulated, and defensible advice to authors and editors who want to do their best to present an author's text to readers. Every library that serves authors, especially those producing scholarly works, simply must have the current edition of chicago. RBB
Copyright © American Library Association. All rights reserved


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18 Reviews
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8 of 9 people found the following review helpful
5.0 out of 5 stars Very fine resource, May 18 2004
By 
sadhana444 "sadhana444" (Anchorage, AK United States) - See all my reviews
This review is from: The Chicago Manual of Style, 15th Edition (Hardcover)
The Chicago Manual of Style (CMOS) is without question my favorite style manual. The fact that this manual is one of the best of its kind does not seem to be in question for most people. What does seem to be in question is whether or not the CMOS is a fit for an individual's needs. What also seems to be in question is whether or not the 15th edition is an improvement from the 14th edition.

In terms of fit, I would say that the CMOS is probably a good fit for advanced writers, editors, and publishers; however, most of these advanced professionals already know this. College students might be better served by a style manual specific to their discipline - for example, The Modern Language Association (MLA) Handbook for English students, or the Publication Manual of the American Psychological Association (APA) for psychology students. Beginning students might also be better served by a general handbook (such as The Little, Brown Handbook or The Holt Handbook). For office workers, administrative assistants, and secretaries, a better fit might be "The Gregg Reference Manual," which has an emphasis on business correspondence. In each of these cases; however, the CMOS would be a useful backup reference.

In regard to the editions, my overall opinion is that the 15th edition is a significant improvement in content to the 14th, and well worth the purchase. The 13th edition was published in 1982, the 14th in 1993, and this 15th in 2003, so the CMOS is updated approximately every 10 years, which feels like a good revision pace to me. The content revisions are summarized on the back cover, and I'll list them at the end of this review.

In addition to content, the layout of the new edition is also revised. There is a bit of risk and daring in using a light blue font to distinguish examples within paragraphs, and in using a new font for numbering. The light blue text is a bit hard to read at times, but for the main, it seems to add clarity. The daring numbering font is a bit less clear than the last edition, but probably only a keen font connoisseur would even notice.

Content revisions:

- Updated Materials throughout to reflect current style, technology, and professional practice

- New coverage of journals and electronic publications

- Comprehensive new chapter on American English grammar and usage by Bryan A. Garner (author of A Dictionary of Modern American Usage)

- Updated and rewritten chapter on preparing mathematical copy

- Reorganized and updated chapters on documentation, including guidance on citing electronic sources

- Streamlined coverage of current design and production processes, with a glossary of key terms

- New diagrams of the editing and production process4es for both books and journals, keyed to chapter discussions

- Descriptive headings on all numbered paragraphs for ease of reference

- New expanded Web site with special tools and features for Manual users - www.chicagomanualofstyle.org

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4 of 4 people found the following review helpful
5.0 out of 5 stars Still a classic, July 25 2003
By 
Jonathan E. Bruner (Chicago) - See all my reviews
(REAL NAME)   
This review is from: The Chicago Manual of Style, 15th Edition (Hardcover)
The Chicago Manual of Style has always been a steady companion. It discusses every imaginable style question to the point of exhaustion and speaks with the authority of the nation's largest academic press and the country's most academically serious university. The University of Chicago Press is not burdened by the scholarly dubiousness that plagues the MLA, which happens to publish a competing style guide.

This edition of the Manual of Style includes a number of improvements and additions. The Chicago manual has finally spoken on citing electronic publications, and even includes advice on assembling manuscripts for electronic journals. Flow charts in the back give broad overviews of the publishing process. The index seems easier to use than the index in the last edition, and the chapters are arranged more thoughtfully. Most striking upon first picking up the 15th edition is its stunning graphic design--not only is it beautiful, but it helps readability by highlighting examples and making sections easier to find. The manual includes some information on editing foreign-language publications. As always, the manual includes some very subtle humor in its sentence structure, verbiage, and choice of examples.

The Chicago Manual of Style is also equiped to be an arbiter of many a college dining hall argument on language, with extensive chapters on grammar and usage.

I heartily recommend the Chicago Manual of Style to anyone who ever finds himself with a question on some detail of English style.

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3 of 3 people found the following review helpful
5.0 out of 5 stars The Chicago Manual of Style, 15th Edition, April 15 2004
By 
B. Viberg "Alex Rodriguez" (New York, NY United States) - See all my reviews
(REAL NAME)   
This review is from: The Chicago Manual of Style, 15th Edition (Hardcover)
Since 1906, the incomparable Chicago Manual has been the reference for writers, editors, copyeditors, publishers, and anyone else working with words. This historic new edition reflects the huge impact that computer technology has had on writing and publishing in recent decades. Novelties include a new chapter on American English grammar and usage by Bryan A. Garner (A Dictionary of Modern American Usage), significant updates of copyright and permissions information, a new typographic presentation of American Sign Language, and an "almost new" chapter on mathematical copy, especially useful for electronic notations. From elements to proofreading marks to bias-free language, the manual provides directions, preferences, and even suggestions to the publishing and writing professional. Chapter 16, for example, concentrates on the two documentation systems preferred by Chicago: the notes and bibliographic system and the author-date system. Chapter 17 concentrates on the style and items of bibliographic entries, notes, and parenthetical citations, while also providing information on interview, audiovisual, manuscript, and legal citations. In comparison, Kate Turabian's A Manual for Writers of Term Papers, Theses, and Dissertations is a useful resource for students, but it does not tackle publication and production issues. The Publication Manual of the American Psychological Association, now in its fifth edition, also omits that information, while the MLA Style Manual and Guide to Scholarly Publishing, now in its second edition, is more directed to the author's needs. Meanwhile, Chicago encompasses a variety of fields and professions, making this significant revision an invaluable addition to all public, academic, and special libraries
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