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Child of Fortune Hardcover – Jul 1 1985

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Product Details

  • Hardcover: 483 pages
  • Publisher: Spectra (July 1 1985)
  • Language: English
  • ISBN-10: 0553050893
  • ISBN-13: 978-0553050899
  • Product Dimensions: 21.1 x 14 x 3.8 cm
  • Shipping Weight: 499 g
  • Average Customer Review: 5.0 out of 5 stars 5 customer reviews
  • Amazon Bestsellers Rank: #1,873,595 in Books (See Top 100 in Books)
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Product Description


"A sublime comedy-an epic, an extended narrative in the heroic tradition with grandeur and sweep. It's a Homeric space voyage, a Joycean interstellar trip, a Huck Finn saga of humanity's next adventure. It's a literary masterpiece."-Timothy Leary

"An outstanding book on every level."-Michael Moorcock
--This text refers to an out of print or unavailable edition of this title.

Excerpt. © Reprinted by permission. All rights reserved.

I was born on Glade, a planet, like most of the far-flung worlds of men, of no particular fame in starfaring lore, and no economic significance in the transstellar scheme of things. Like most of the worlds of men, Glade is an almost entirely self-contained economic unit, which is to say that its plains, rivers and seas provide sufficient nutriment to support a healthy human population of about 300 million without the need to import significant amounts of trace elements from other stellar systems, and its mineral wealth, supplemented by the occasional asteroid, provides a sufficient raw materials base for its industrial economy.
Verdad, through hindsight's eye I can thus dryly state that I was born and grew up on a world ordinaire, not unlike hundreds of such worlds warmed by G-type suns. But my girlhood perception of my heimat's centrality to the larger scheme of things was quite a grander matter, for I was also born and raised as a child of Nouvelle Orlean, considered by all on Glade to be the jewel of our planet, and no more so than by the citizens of the city itself.
Like its legendary Terrestrial namesake, Nouvelle Orlean was built upon the ocean-mouth delta of a great continent-draining river system, but naturellement, in an age of primarily aerial transport, the original settlers had not chosen the site for its geographic significance as an ideal nexus of river and ocean commerce. Rather had the settlers of Glade chosen the venue for our planet's metropole along esthetic--and indeed perhaps spiritual--parameters from the outset.
Glade, by the standards of human genetic parameters, is a somewhat cool world, capped by mountains of glacial ice at either pole, and dominated by less than simpatico semitundra in its middle latitudes, so that the most favorable zone of human habitation is the tropics, where the bulk of the populace is therefore to be found. Portions of three continents lie within this optimal climatic zone. Of these lands, southern Arbolique is clearly the geographic heimat of the human spirit on the planet.
Arbolique is the mightiest continent of Glade in more ways than one. It extends from the northern ice cap to just short of the equator at its southernmost point at the tip of the Culebra Peninsula, and the Grand Massif begins beneath the polar ice, rises into a towering longitudinal cordillera of snow-capped and moss-crusted rock, then splits into eastern and western chains as it marches down the continent nearly to the shores of the tropical sea.
Between these two mountain chains lies the Great Vale, a broad and fertile central valley veined and subdivided by chains of lesser mountains and hills, the whole more of an enormous mountain meadow than a peneplain, beginning in the north at an elevation of some three thousand meters and reaching sea level only at the delta mouth of the Rio Royale, the mighty central river whose headwaters begin as myriad lesser streams draining the ice cap run-off, and which foams and roars over great falls and wild rapids through the passes of the high cordillera, finally debouching into the sea via its delta as a broad stream of clear blue fresh water visible from the air against the contrasting greener ocean waters many miles from the shoreline.
Nouvelle Orlean lies somewhat upstream from the lowland marshes of the true alluvial delta of the Rio Royale, at a point where the wide and placid river flows through a mild canyon cut through the low coastal mountains. Here there are narrow river flats on both sides of the Royale, and immediately behind them loom hills and river cliffs crusted with the gnarly and intergrown trees of the Bittersweet Jungle and dripping with lianafungi, crawlervines, and saphroflors, like brilliant and varicolored molds festooning huge green mounds of ancient bread. Here, too, there are islands in the stream, most mere sand and mud bars held together by their crowns of jungle growth, but some large enough to hold whole arrondissements of the city.
Nouvelle Orlean spreads itself on both banks of the river, on the islands, both natural and crafted, inbetween, and some folk have chosen to build manses on the jungled heights above. Beneath the palisades on both banks of the river, tall buildings rise, sheathed for the most part in numerous subtle tints of mirror-glass, and between them and the river on either side are tree-shrouded esplanades lined with kiosks, restaurants, and pavilions. Above and behind the east and west bas-corniches, haute-corniches wind among the jungle-shaded manses of the Hightowns.
But the heart, and indeed the soul, of the city, for all who style themselves true Orleaners, is Rioville, the magical archipelago spreading across the Royale and uniting what would otherwise be twin cities into one. Here the buildings have been kept low and rambling, in harmony with the jungle and wooded parklands which have been allowed to occupy most of the terrain, both for esthetic effect, and in order to bind the islands together so that the river will not sweep them away. Rioville architecture relies upon wood, brick, and stone, or at least on excellent ersatzes of natural materials, though not to the point of excluding wide expanses of window-glass overlooking every vista. Porches, breezeways, gazebos, open pavilions, and interior rooms that fling open whole walls to the natural realm while inviting vegetation inside are also very much in the Rioville mode. As are the hundreds of footbridges which span the smaller channels and the thousands of small boats of every type and fancy which give the city the ambiance of fabled Venice of ancient lore, and not without deliberate homage to the spirit of the Doges.
By custom with greater moral force than law, the arrondissements of Rioville are given over entirely to the realms of art, leisure, cultural endeavor, pleasure, and tantra, while most of the plyers of these trades have residences within these precincts, as well as those of more prosaic callings who have the desire and where-withal to live within its ambiance of perpetual fiesta.
My parents had built a rambling house on the low crown of a small island near the north end of Rioville close by the center of the river, and for the first eighteen years of my life, I spent many late afternoons and early evenings on the second story porch, watching the sun set behind the western Hightown, the lights of the manses winking on from between the folds of the deeply shadowed jungle as the stars slowly emerged in the purpling sky above and the mirrored buildings of the eastern bank flashed deep orange as they reflected the sunset like a sheath of flame across the island-studded waters.
From my little aerie, I could look north up the river as it poured through the gorge that reached up into the icebound crown of the continent, and sometimes a fragrant wind, redolent of jungle vegetation and oncoming night, would blow down from what seemed to me at the time the very roof and mystery of the world, and I could inhale deeply and imagine that I was breathing in the very spirit of the planet. On other evenings, a tongue of fog might blow in from the sea, enveloping Rioville in perfumed billows of dream stuff, turning the lights of the city into the faerie fires of a Brigadoon rising ghostly and triumphant from the mists.
And at all times, after night had finally fallen, and the full panoply of stars had come out, and one could scarcely tell where the stellar concourse ended and the lights of the Hightown began, I would walk to the other end of the porch and gaze out over the islands of Rioville itself, a carpet of multicolored jewels flung across the waters, a brilliant spiderwork of illuminated bridges, the running lights of thousands of boats bobbing in the currents, and wafting up on the sea breeze towards me, the faint, far-off music of the magical city, compounded of laughter, and sighs, and myriad voices, and the sounds of instruments, fiestas, and entertainments. At such times, I would grow giddy with the intoxicating aroma of Nouvelle Orlean itself, a heady brew compounded of dozens of cuisinary styles offered up by hundreds of restaurants, the perfumes of lovers, intoxicants, incenses, wood shavings, oil paints, leather, and the overwhelming nighttime effluvia of tropical flowers.
May the young girl that I then was therefore not be forgiven for supposing that she was favored by fate and blessed by fortune, a citizen of Xanadu and destiny's darling?
Moreover, as I grew from relatively innocent young girl-hood into early pubescent flower, as the social relativities of Nouvelle Orlean society began to impinge upon my consciousness, my sense of humility was hardly enhanced by the knowledge that my parents, far from being mere ordinary burghers of this extraordinary city, were figures of some local fame, if not quite the leading luminaries of the haut monde that I portrayed them as to my schoolmates.
My mother, Shasta Suki Davide, had herself been born in Nouvelle Orlean, and after spending her wanderjahr exploring the vie of an erotic adventurer, had studied for two years at the Academie Tantrique on Dravida, where she became an adept of the tantric arts both erotic and healing. Her freenom, Shasta, she had chosen upon completion of her studies homage à Nicole Shasta, a figure of considerable controversy in her day, who had first elucidated the mass-energy phenomena underlying the ancient metaphorical and metaphysical tantric principles and had thus founded the science my mother followed.
My father, Leonardo Vanya Hana, had been born on Flor del Cielo, and had spent only a rather brief period as a wandering Child of Fortune, for he was one of those rare people who seem to have known what they wish to become almost from birth, namely an inventor and fabricator of personal enhancement devices, several of which he had already created as a schoolboy.
Naturellement, the conclusion of his wanderjahr found him on Diana, perhaps the planet most famed for the production of just such personal amplifiers, where he secured employment in one of the leading fabriks as an artisan and sometime designer of same...
--This text refers to an out of print or unavailable edition of this title.

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I was born on Glade, a planet, like most of the farflung worlds of men, of no particular fame in starfaring lore, and no economic significance in the transstellar scheme of things. Read the first page
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Format: Mass Market Paperback
This has long been one of my favorite books. It is a serious, no-simple-answers coming-of-age tale, yet at the same time it manages to imaginative and entertaining, with plenty of laughs and vivid imagery. Thus the story is enjoyable whether the reader is in a contemplative mood or simply craving a good science fiction yarn.
Most of all, I admire the author's use of language and dialect. He creates a form of modified English by incorporating words from several different languages throughout the text, as well as some made-up slang and terminology. (The novel is written in first-person, thus the use of dialect is constant through the text.) This can be daunting at first, but by the time you're a few chapters in you'll have 'picked up' the language to a remarkable degree. Years after my last reading, I still remember it.
Again, one of my favorites. I'm going to buy another copy soon, before my old, often-reviewed copy falls apart completely.
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Format: Paperback
"Alice in wonderland meets Timothy Leary as they explore the Kama Sutra at Finnegan's wake." -Associated Press. This is the blerb from the front page of the paperback edition I own. This understates the human element of this coming of age book. The ideas developed should be a lesson in what kind of society we want to be. From the planet of Edoku where 'reality itself is no more than a local style', with it's gray Public Service Stations offering gray showers, gray clothing, and gray complete-nutrition fressen bars that taste like wet paper, washed down with bland distilled water.(ALL YOU WANT! ALL FREE!)Complete with it's own counter-culture, the Gypsy Jokers, led by the colorful character Pater Pan. Through the psychedelic jungle Bloomenveld, this book delivers. I've read this book twice 15 years apart. The first time I saw myself, the second I remembered friends that got 'lost along the way'.
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By A Customer on Feb. 14 2001
Format: Hardcover
I first tried to read this book when I was a teen. I wasn't ready for it. I recently happened across it, and decided to give it a go. How can I explain this? I've read literally thousands of books. (None of them Norman's until recently). The story is a brilliantly told tale of a young girl growing into herself through a space-style walkabout; but it's more than just that. There are ideas and correlations and connections that are both familiar and alien, none of which left me untouched. I know, you hear "this will change you" from movie critics and the like, but I urge you to find this book, and sit down and really read it. It's not a difficult read; the story flows smoothly and the humor is delightful. Don't let this one get away. Trust me.
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Format: Paperback
Child of Fortune was one of my few satisfying excursions into Sci-Fi. Though the story; a hefty space opera, is set in the far future it is very accessible.
Reading the book was like being in the best "dark ride" in the best theme park ever built. Spinrad takes the reader into incredible worlds and civilizations; most are wonderful utopias. The charactors are developed and believable. This book will appeal to old hippies and the new Bohemians.
For those who loved Brave New World, the explorations of the McKenna Brothers, Electric Kool Aid Acid Test -- u ain't read nothin YET! So, my advice -- "take a walk on the wild side" and read this book before it gets burned!
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Format: Hardcover
I first read CHILD OF FORTUNE as a teenager. It blew my mind and set me on the path of continuously seeking enlightenment. Spinrad's tale of a girl seeking her fame, fortune, and most importantly, herself amongst the stars is titillating, profound, funny, and eye-opening. The universe of the Second Spacefaring Age is fun, stylistically well-crafted, and ultimately one of hope and universal enlightenment.
Over the years I've reread CHILD OF FORTUNE to help keep that enthusiastic childlike part of me alive. Everyone should pursue the Wanderjahr!
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