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A Child's Garden of Verses Audio Cassette – Aug 18 1994


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Product Details

  • Audio Cassette
  • Publisher: HarperCollins Canada / Audio; Unabridged edition (Aug. 18 1994)
  • Language: English
  • ISBN-10: 1559949074
  • ISBN-13: 978-1559949071
  • Product Dimensions: 10.8 x 1.5 x 18.1 cm
  • Shipping Weight: 50 g
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Bestsellers Rank: #3,343,073 in Books (See Top 100 in Books)
  • See Complete Table of Contents

Product Description

From Publishers Weekly

While neither Robert Louis Stevenson nor Edward Lear could have foreseen their poems as pop-ups, the form is not without advantages. The Owl and the Pussycat is best served here, with Littlejohn's realistic twosome rowing out to sea and later dancing beneath the moon, as fish jump in the background. The poems from A Child's Garden have static scenes of stiff children; the pictures are not nearly as imaginative as the verses. These two books will strike some as device over substance, and yet the pop-ups may serve to introduce readers to a sampling of the works and entice them to go on to other, more elaborate volumes of Stevenson and Lear. Ages 4-8.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

PreS Up-- This new presentation of Stevenson's classic childhood poems brings together an unusual combination of artistic technique but falls short of any notable new interpretation. The pages are reproductions of needlework borders done by Sara Gutierrez; they lend a colorful, quaint look that complements Lewis' paintings of old-fashioned children. Each poem is laid out on a page, and the artists have nicely varied placement of painting and border. Some of the scenes are imaginative, as in "Young Night Thought," which shows a girl carried by two genies. Others, however, are dull, such as the boy and girl in "Good and Bad Children"; here, the girl stands with hands behind her back looking prim while the boy sticks his tongue out at her. No attempt at universality has been made in this new edition: boys outnumber girls, and all of the children are white except one. For a classic look, editions by Tasha Tudor and Jessie W. Smith still remain the top choices. --Marianne Pilla, Upper Dublin Public Library, Dresher, PA
Copyright 1989 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.0 out of 5 stars

Most helpful customer reviews

1 of 1 people found the following review helpful By PenName on Jan. 7 2003
Format: Hardcover
I remember reading this collection of poems when I was a little kid. My dad bought it for me and we'd read the poems together before I went to bed. Stevenson seemed to have a good understanding of how to talk to a child("Bed in Summer" was a favorite!).
I've given copies of this book to a niece and a friend for her young daughter. It's certainly a book that should be part of any child's library.
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By Nicola Mansfield HALL OF FAMETOP 50 REVIEWER on Jan. 20 2009
Format: Hardcover
I have mixed opinions of this collection of poems. I read this aloud to my older son several years ago and he loved the poems, he even memorized several of them. He especially had fun memorizing My Shadow. I've just now finished reading it to my 8yo and have to say he was not impressed. We read a two-page spread every school day as part of our homeschool. Though the poems are written for children, they are written for Victorian children and the 8yo didn't understand half of the words used so we spent a lot of time discussing what each poem was really about and how it applied to things he would recognize in his life today. Sometime he'd think the poem was OK and he didn't dread me reading it but mostly he just thought they were boring. Myself, there are several of the popular poems that I think are wonderful: Bed in Summer, My Shadow, and Picture Books in Winter especially. Some others I'd rather do without.

This edition is particularly nice as it is profusely illustrated with sometimes several pictures per poem by contemporary children's book artists of the time such as Jessie Wilcox Smith and C.M. Burd along with a host of others. I just love the illustrations and could pull this book off the shelf and just browse through it for pure enjoyment. The 8yo though did not appreciate the old-fashioned pictures especially when he couldn't tell the boys from the girls. However, this is poetry I think every child should be exposed to, some will enjoy, others will not. For one, my son will forever remember the name "Robert Louis Stevenson".
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Format: Hardcover
This review is of the Chronicle Books edition (ISBN 0877016089).
First published in 1885, Stevenson's marvellous collection of children's poetry has never gone out of print, and remains near the top of numerous "best book's for childen" lists. For example, Maurice Sendak, when asked to list books that he thought every child should have the opportunity to read, named this collection first. Harold Bloom, renowned literary critic (he has received more major awards from his peers than any other) and author of the thought-provoking and controversial "The Western Canon", included ACGoV in the list he furnished in response to an interviewer's request for a "Western Canon, Jr". Among the homeschooling set, everyone from "Unschoolers" to "Classical Christian Educators" recommend it.(It"s on the Classical Christian Support Loop's "1000 Good Books List").
The Chronical Books edition, containing all 64 of the poems that appeared in the original 1885 edition, is lavishly illustrated with more than a hundred pictures, many of them full page, by several of the most distinguished children's book illustrators of the late 19th and early 20th century. The book is well laid out, with a pleasing juxtaposition of art and text, and printed on high-quality paper. It was named one of the "Top Ten Picturebooks of the Year" by Redbook, was an American Bookseller "Pick of the Lists" in 1989, and was given a starred review in Booklist.
Stevenson perfectly captures the child's world of sunshine, stars, dreams, toy boats, swings, apple tarts, fairies, flowers, and far-away places in simple, evocative language which remains just as accessable for today's children as it was for their grandparents.
Read more ›
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Format: Hardcover
Poems are perfectly chosen words which are a pleasure to read. Writing them is a true art and Robert Louis Stevenson is able to perfect this art by remembering his own childhood. These poems were written between 1881 and 1884.
This is a selection from the most popular collection of poems about childhood in the English language. Each poem is accompanied by evocative paintings, which are as vibrant as the words in each poem.
The paintings are impressions of color and light and show children and a few animals on beautiful canvases of cities, gardens, meadows and seas. The poems are about flying kites, cows which give cream to enjoy with apple-tart, flowers where fairies live, children sitting in the warm sun, children on a swing, children playing with toy boats and children playing in gardens who will never grow up as they are frozen in time in the beautiful pictures. Here is an example of part of the first poem in the book.
THE WIND
I saw you toss the kites on high
And blow the birds about the sky;
And all around I heard you pass,
Like ladies skirts across the grass-
What lovely poems to share with a child. Highly recommended!
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By A Customer on April 12 2000
Format: Hardcover
Everyone knows Robert Louis Stevenson; everyone has at least one of the myriad books of his poetry. There are some stunningly illustrated collections of his poetry out now, notably two by Thomas Kincaide, among others. But how many of us have actually read all or most of his work? I'm guilty as charged.
This smaller, quieter version of Stevenson's poetry helped me finally, actually read all the Garden poetry. True, the illustrations are spare, but delightfully accurate. My children (7 and 10) were not as mesmerized by this book as they are by others with fanciful graphics, illustrations and larger type to accompany the poetry.
Still, this small book found its way into my purse to be used for waiting moments, e.g. at the orthodontist, doctor, and also to my bedside, where it's shear diminutive size did not dissuade me from reading "for only a minute or two." And within Stevenson's words and language lie the ferment of creative pictures. I liked to have my children close their eyes while I read short poems to 'force' them to use only their mind's eye.
I thoroughly enjoyed the adventures, moods, and images Stevenson conjures and at long last can understand why his poetry remains so classic.
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