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We can more or less deduce the following of the main protagonist in Choke; Victor Mancini is a ruthless con artist. Victor Mancini is a medical school dropout who's taken a job playing an Irish indentured servant in a colonial-era theme park in order to help care for his Alzehimer's-afflicted mother. Victor Mancini is a sex addict. Victor Mancini is a direct descendant of Jesus Christ. Welcome, once again, to the world of Chuck Palahniuk.
"Art never comes from happiness" says Mancini's mother only a few pages into the novel. Given her own dicey and melodramatic style of parenting, you would think that her son's life would be chock full of nothing but art. Alas, that's not the case--in the fine tradition of Oedipus, Stephen Dedalus and Anthony Soprano, Victor hasn't quite reconciled his issues with his mother. Instead, he's trawling sexual-addiction recovery meetings for dates and purposely choking in restaurants for a few moments of attention. Longing for a hug, in other words, he's settling for the Heimlich.
Thematically, this is pretty familiar Palanhiuk territory. It would be a pity to disclose the surprises of the plot but suffice to say that what we have here is a little bit of Tom Robbins's Another Roadside Attraction, a little bit of Don DeLillo's The Day Room and, well, a little bit of Fight Club. Just as with that book and the other two novels under Palahniuk's belt, we get a smattering of gloriously unflinching sound bites, such as this sceptical slight on prayer chains: "A spiritual pyramid scheme. As if you can gang up on God. Bully him around."
Whether this is the novel that will break Palanhiuk into the mainstream is hard to say. For a fourth book, in fact, the ratio of iffy, "dude"-intensive dialogue to interesting and insightful passages is a little higher than we might wish. In the end though, the author's nerve and daring pull the whole thing off--just. And what's next for Victor Mancini's creator? Leave the last word to him, declaring as he does on the final pages: "Maybe it's our job to invent something better ... What it's going to be, I don't know." --Bob Michaels, Amazon.com --This text refers to an out of print or unavailable edition of this title.
Palahniuk (Fight Club; Invisible Monsters) once again demonstrates his faith in the credo that before things get better, they must get much, much worse. Like previous Palahniuk protagonists, Victor Mancini is young and prematurely cynical, a med school dropout whose eerily detached narration of the banal horrors of everyday existence gives way to a numbed account of nihilistic carnage. Cruising sex-addict meetings for action, Victor enjoys bathroom trysts with nymphomaniacs on short prison furloughs, focused on maximizing his sexual highs. During the working day, he is trapped in a 1734 colonial theme park, where the entire self-medicated staff blearily endures abusive school tours while hiding out from the world. Victor supports his mother, who is in the hospital, stricken with Alzheimer's; she is wasting away, and despite the misery she put him through in childhood (revealed in an increasingly horrific series of flashbacks), he wants to be a good boy and take care of her. This becomes challenging when Victor is seduced by a strange hospital worker calling herself Dr. Marshall, who shows him his mother's diary; it describes her self-impregnation by a holy relic she believes to be the foreskin of Jesus. This has a profound effect on Victor, who is stunned by the possibility that there may be some good in him after all. Victor is even more pathetic than Palahniuk's previous antiheroes, in that the world he creates for himself (a carnivalesque mlange of theme park, geriatric ward and asylum) is actually more horrific than the one he seeks to escape. Still, the novel showcases the author's powers of description, character development and attention-getting dialogue handily enough to give this dark meditation on addiction a distinctive and humorous twist. Author tour.
Copyright 2001 Cahners Business Information, Inc.--This text refers to an out of print or unavailable edition of this title. See all Product Description
This wasn't such a great book. The story was fairly boring and nothing really happens. I got the book because I've heard great things about Palahniuk and I loved Fight Club the... Read morePublished 1 month ago by Devon
Wonderfully elegant read. You'll be on the edge of your seat until the end.Published 4 months ago by Elizabeth
Choke made me feel strange and uncomfortable and horney and sick. Over all good read.Published 11 months ago by Sarah amelia piercey
Great novel, this is my favorite Chuck Palahniuk yet (I've read Haunted and Survivor)! I have found myself laughing out loud quite a few times and read it in a few days (normally,... Read morePublished 17 months ago by Radaghast
I accidentally bought this book in French. I don't read French so I have just re-purchased and will submit a review once I read the English version. Read morePublished on Nov. 29 2010 by Nicole K. Archer
Every thing is ok, excellent book, low price and fast shipping, for the story it's a palahnuik tour de force like always...Published on April 16 2010 by Alexandre Richer
Terrible novel. Repetitive, boring, stupid. Palahniuk writes like someone more interested in crafting a quotable-quote than an actual story. Read morePublished on Dec 13 2007 by Benjamin Anderson