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Cindy Sherman
 
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Cindy Sherman [Paperback]

Amada Cruz (Author)
3.8 out of 5 stars  See all reviews (5 customer reviews)

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Cindy Sherman has taken self-portraiture and masquerade to the highest heights and the campiest lows, bringing the shady ambience of B-movies to art photography while exploring the plexus of narcissism, from its silliest manifestations to its most provocative expressions. Sherman explores the implications of role-playing and fantasy, seeing and being seen, and society's perceptions of women, eroticism, and consumerism in her photographs, creating resonant images and supplying art critics with much grist for their mills. In her contribution to this retrospective volume, Amelia Jones begins with the remark that "much ink has been spilled over Cindy Sherman," and, obviously, the flow continues, but Jones, Cruz, and their colleagues provide just the sort of commentary Sherman's work demands, and the photographs themselves are engaging, both viscerally and intellectually. Sherman has been in costume before her own camera for more than 20 years, earning the right to a major traveling exhibition and speculation as to what she'll come up with next. How many selves can a self be? Stay tuned. Donna Seaman

Review

Sherman has been called the 'logical heir to Warhol' . . . the postmodern generation's answer to Ansel Adams. -- American Photo

Sherman integrates female identity, representation, contamination, and taboo. By presenting images that ask what's OK and what's not...she opens wide the Pandora's box. -- ArtForum
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5 Reviews
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4 star:
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Average Customer Review
3.8 out of 5 stars (5 customer reviews)
 
 
 
 
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3.0 out of 5 stars Good Book-Not so good Art, Oct 11 2002
By 
D. McGinnis "dkm72" (Flagstaff, AZ) - See all my reviews
(REAL NAME)   
This review is from: Cindy Sherman (Paperback)
Just recieved this item, the book gets 4 stars for layout and image quality, a good art book. The book gets 2 stars for the quality of the work it contains.

If you like Sherman than this is a good book for you,though I'd suggest re-evaluating you asthetic awarness :) If your looking for great art look elsewhere. Sherman is an overhyped artist. Popular because her work fits into the politically correct agendas and philosophies of the contemporary artworld, not because the work is good. Just read one of the reviews here. The book contains some good peices, some that are atleast interesting but far to many fall into the just plain bad category as represented in this book.

While recently attending a group critique an undergradute ceramics major stated she was a "process orientated" artist(said with artsy fartsy flair to make up for the fact she really didn't have anything to show). Sherman reminds me of her, a bad contemporary cliche masking itself behind feminist artworld dogma. If thats what you want, look at Jenny Saville, atleast she is a good painter, even if her content is often trite.

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5.0 out of 5 stars At last a superb compilation of a great artist's works., Sep 29 2000
By 
inframan (the lower depths) - See all my reviews
This review is from: Cindy Sherman (Paperback)
I can't believe it's taken this long for a compilation of Cindy Sherman's body of work to appear. But maybe that's the real measure of a major artist in this place at this time. Sherman is one of the strongest,most meticulous and most original artists to appear since the early 1930s. I'm not going to analyze the photographs, they've been analyzed to death and are far beyond analysis in any case. Suffice to say the quality and layout are excellent. A thrilling book! I do have one reservation which has nothing to do with CS. The accompanying essays are highly ideological (which CS ain't) and serve Sherman far less than their own agendas plus at least one of them is almost unreadable mumbo jumbo.
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4.0 out of 5 stars loved it, Oct 14 1999
By 
This review is from: Cindy Sherman (Paperback)
A great overview of Cindy Sherman's art with very few gaps. A quick response to an above statement: The disgust you feel is a great part of how one should look at her work. One of the most fascinating aspects in all her photos is the ability she has to construct blantant lies that we react to almost as passionately as what we feel to be genuine. As for her dolls, it's more along the lines of her very merrily reconstructing versions of the human body that are obviously false yet we still search for their anatomical processes. The aspects of them that one finds disgusting are more like the silly goo of a cheap horror movie or the ridiculous body part shots of the sleaziest silicone laden porno. Despite our knowing it's inherent phoniness, we still are frightened, disgusted, and aroused. As I said before, that's a key to her work. Frankly, if you are that disturbed by plastic excrement and genitalia, but not phased at all by the phycological twisting and tension so prevelant in her earlier work, then maybe modern art overall just isn't your cup of tea.
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