Here, Chaplin's Tramp is taken on as a clown at the circus, having been chased into the big tent by a policeman wrongly suspected of theft and wowing the audience with his pratfalls. He falls in love with the ill-treated ringmaster's daughter (Merna Kennedy) but is swiftly rivaled by a new addition to the circus, a handsome tightrope walker. To try to win back her affections, the Tramp himself attempts the same act, culminating in the best sequence of the film, when he is assailed by monkeys as he totters amateurishly and precariously along a rope suspended high in the tent. Although The Circus is marred by the rather hackneyed and (even in 1928) stale melodramatic device of the cruel father and imploring daughter, it scores high on its slapstick content, with routines involving a hall of mirrors and a mishap with a magician's equipment demonstrating Chaplin's dazzling ability to choreograph apparently improvised mayhem. --David Stubbs --This text refers to an out of print or unavailable edition of this title.
often overlooked between The Gold Rush and City Lights, which bracketed it in Charlie's catalog. I'd neber seen this one until now, but I think it's probably the strongest of... Read morePublished on March 9 2004 by jethro
Along with Lucy, Chaplin is the only classic comedian I like. Okay, Three Stooges too. Anyway, alot of truth is shown in this movie, like when Chaplin is funny accidently as well... Read morePublished on Aug. 9 2002 by duke14
The Circus is like many of Chaplin's comedies they start off hilarious but once they get towards the middle they get boring. He just does the same thing over and over again. Read morePublished on April 30 2000 by John