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Clarissa, Or The History of a Young Lady: (Abridged Edition)
 
 

Clarissa, Or The History of a Young Lady: (Abridged Edition) [Abridged] [Mass Market Paperback]

Samuel Richardson , Shelia Ortiz-Taylor , Sheila Ortiz-Taylor
4.0 out of 5 stars  See all reviews (24 customer reviews)
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"Clarissa is one of the towering masterpieces of the eighteenth century, and it is impossible to understand the literature of the period and the rise of the novel without it. This new edition provides a rigorously conceived, expertly executed solution to the problem of abridgment, and restores to the undergraduate classroom a work previously excluded by sheer length." (Thomas Keymer )

"Arguably the best novel published in Great Britain in the eighteenth century and an undisputed landmark of European literature, Clarissa, at over a million words, is too long for the undergraduate classroom. Here, finally, is an abridgment that, while reducing its length, remains faithful to the spirit of the original. Based on the text of the third edition and judiciously edited by Toni Bowers and John Richetti, the Broadview Clarissa superbly fills a long-standing pedagogical need. With its excellent introduction, detailed notes, and generous background and contextual materials, this edition makes Richardson's masterpiece accessible to twenty-first century students." (Albert J. Rivero )

"Eager to introduce rather than replace a masterpiece, Richetti and Bowers offer a practical classroom compromise to the familiar problem of Richardson's prolixity. Surely an abridgment of this magnitude—with its smart choice of the 1751 third edition as copy text, its accessible introduction and notes, and an appendix that resurrects important historical contexts—will tempt new generations of readers to consider, eventually, all of Clarissa." (Janine Barchas ) --This text refers to the Paperback edition.

Book Description

Written entirely in letters, this novel conveys the nuances and tensions only present in personal epistolary form. The virtuous but self-deceiving Clarissa and the charming villain Lovelace haunt the imagination as fully as Romeo and Juliet or Tristan and Isolde.


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I am extremely concerned, my dearest friend, for the disturbances that have happened in your family. Read the first page
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24 Reviews
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 (3)
3 star:
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2 star:
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4.0 out of 5 stars (24 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful
1.0 out of 5 stars Clarissa has aged poorly, Aug 20 2002
By A Customer
Although I love English literature, and have degrees in both English and French literature, I must confess I hated this book. It rambles on and on, with very little plot development or anything else to keep the reader's interest. It may be a "snapshot" of the time, but so many writers of the same era managed to do this within the parameters of books that are much more compelling and, yes, much shorter. Sometimes, less is, indeed, more. I recommend this book only to people who have nothing better to do than, say, read through the Oxford English Dictionary from front to back. Clarissa is only somewhat less compelling a read than the OED. Everubody else should try some Austen, Dickens, or Eliot.
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3.0 out of 5 stars Caveat before tackling this great but weighty novel, Mar 8 2004
I have to confess to reading this novel partly out of guilt, since I kept coming across references to it elsewhere. While I did enjoy it, it was largely this literary conscience that kept me going. It is indeed a superb novel, and you can read the other reviews to see why, but it is very slow and I think I'm not the only one who found it quite a slog, or got frustrated from time to time by Clarissa's unspeakable virtuousness (although her distraught state after the rape is portrayed most movingly).

As a comparison, read Laclos' Les Liaisons Dangereuses, one of my favourite novels and one which makes one wonder why the epistolary form was abandoned. A beautifully structured, enthralling study of sexual intrigue in eighteenth-century France, it is far more exciting and the characterisation is extraordinary, exploring both good and vicious characters with great depth and achieving the rare feat of making characters at both ends of the scale human, realistic and sympathetic. One of the main differences, apart from the driven plot of Les Liaisons against the thoughtful consideration of what in Clarissa is, classically, basically an expansion of one incident, is that Laclos explored human depravity with such rigorous honesty and fascinated sympathy that he caused a great scandal and got himself banned; Richardson, on the other hand, always had an eye out for the moral lesson (he gives everyone their just deserts at the end in quite a scrupulous manner) and to my mind his portrayal of human nature is less believable, and certainly less interesting. Clarissa would have been far more likeable for a few faults (even Melanie in Gone with the Wind makes a sarcastic comment once), and the interaction with Lovelace would perhaps, I feel, have been deeper and more tragic if she had lowered her standards and communicated with him more.

Clarissa is a densely woven, lovingly detailed novel with a plot that can be summed up in one sentence, and I think that whether it appeals to you depends very much on whether or not this is to your taste. I certainly found it of great interest in relation to other literature and will no doubt dip into it again, but I couldn't face a re-read. One problem with boasting about having finished it is that even though it was much harder work than War and Peace (and twice as long), most people won't have heard of it!

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2 of 2 people found the following review helpful
5.0 out of 5 stars "Not read 'Clarissa'!" he cried out., July 17 2000
May we add a review from Lord Macaulay, via William Makepeace Thackeray...

"....Under the dome which held Macaulay's brain, and from which his solemn eyes looked out on the world but a fortnight since, what a vast, brilliant, and wonderful store of learning was ranged! what strange lore would he not fetch for you at your bidding? A volume of law or history, a book of poetry familiar or forgotten (except by himself who forgot nothing), a novel ever so old, and he had it at hand. I spoke to him once about "Clarissa." "Not read 'Clarissa'!" he cried out. "If you have once thoroughly entered on 'Clarissa' and are infected by it, you can't leave it. When I was in India I passed one hot season at the hills, and there were the Governor-General, and the Secretary of Government, and the Commander-in-Chief, and their wives. I had 'Clarissa' with me; and, as soon as they began to read, the whole station was in a passion of excitement about Miss Harlowe and her misfortunes, and her scoundrelly Lovelace! The Governor's wife seized the book, and the Secretary waited for it, and the Chief Justice could not read it for tears!" He acted the whole scene; he paced up and down the Athenaeum library; I dare say he could have spoken pages of the book - ...

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